Arts and Humanities Commons^™

You’Ll Find No Answers Here, Joseph M. Morelli

Masters Theses 1911 - February 2014

One Studio Art graduate student's slog through the disciplines of art and science; noting the similarities, overlaps, and differences, and becoming utterly flummoxed in the process. It's about coming to terms with not knowing a whole lot about anything, really, but pressing on regardless.

Canvas And Catalyst: Reinventing Urban Space, Ricardo A. Borges

Masters Theses 1911 - February 2014

As an intervention strategy set amid a stark and neglected, yet highly energized urban setting of Philadelphia, Pennsylvania, this project seeks to relieve a stagnating urban condition through the introduction of contemporary and dynamic forms of expression. Skateboarding and street art can be seen as interpretative modes of action that reinvent objects, spaces, and conditions within the urban landscape, lending creative and engaging gestures to the everyday. As (sub) cultural expressions in their own right, these practices transcend their mere formal representations, and present unique identities, spaces, and modes of engagement within a society, initiating a creative mindset and DIY …

One Breath/ One Line, Theresa Antonellis

Masters Theses 1911 - February 2014

The scale of the body, the accretion of marks, the pace of the breath and a list of rules, underlie the work. These are parts of the process. I give myself over to the process. The drawing is evidence of the process. During process, there is constant struggle for dominance between the points of attention. Limitations of the body, habits of the mind, observation of the breath, and action of drawing compete for dominance. When are equal, the state of meditation arises. To me this is ultimate freedom. The intention is the viewer will also find freedom in contemplative viewing …

The Unfixedness Of It, Kerry O'Grady

Masters Theses 1911 - February 2014

My drawings contemplate the unfixed nature of my experience. I draw from a state of uncertainty about the relationship between self and space, between a moment of experience and the one that follows it. My process involves intuitive mark-making in which instances of perception are indeterminate and discontinuous. I draw from the experience of unhinged moments, from silence and stillness, and from the indefinable, inarticulable, interstitial moments of perception between those that can be concretely described.

The immediacy of drawing, the direct engagement with the mark on the surface, is central to my work. Intuitive mark-making is a way of …

Different Ways To Record Light, Ryan P. Feeney

Masters Theses 1911 - February 2014

Different Ways to Record Light is a series of photographs, videos and objects that explore the affect that popular culture has on how I perceive, and make sense of the world around me. By using light as a thematic and metaphoric subject this work opens up a discourse about the role that images and technology play in our perceptual lives. This thesis paper will give a theoretical, contextual and historical framework for the concepts explored in my studio practice.

Run Stitch Remembrance, Lyndsey N. Baldwin

Masters Theses 1911 - February 2014

In an effort to process my grief associated with the death of my grandmother, I created a series of drawings, documenting my daily life in Massachusetts. This body of work constitutes my thesis. In total, I made one thousand and sixty one drawings, each undergoing a series of identical, repeated processes, which represent the number of days lived there. The simplicity, detail and sheer volume of drawings in the installation chronicles a relatable story through complex means. Creating the drawings was a methodical act of remembrance, the practice allowing quiet reflection on each day and its respective history. This body …

Regalia And Repetition, Deborah I. Karpman

Masters Theses 1911 - February 2014

My thesis investigates some of the conceptual ideas related to my studio work, both in terms of theory and contemporary practice. This thesis focuses how the visual images formally operate, as well as the larger framework of discourse that surrounds my practice. In my work, the habitual, incessant process of cutting and extraction and the subsequent meticulous reconfiguring use the strategies of repetition and labor. These sustained, ongoing acts have the possibility to be generative or transformative rather than simply repetitive. This thesis also explores the found object, complicating the classification and knowledge systems of the source image with odd …

Hey, Whats Up?, Justin Kemp

Masters Theses 1911 - February 2014

My work does not aim to answer a question or solve any problems; it tries to activate a conversation around the content. I intend to keep things playful and entertaining because not only is that how I relate best to the subject, but I find it helps animate aspects of culture that people enjoy responding to and thinking about. Like “The Real World,” or Facebook, my work entertains me, but it has a way of slowing down certain aspects of life, letting someone take a breath, have a conversation and maybe LOL.

Vision And Contemplation: An Exploration Within The Medium, Mica Y. Pillemer

Masters Theses 1911 - February 2014

This thesis is an exploration of various issues concerning composition in painting. In it I take a step by step approach to advancing the compositional thought process. Within that exploration the central issues of painting are confronted and expanded upon.

Bang!, Kimberly C. Hennessy

Masters Theses 1911 - February 2014

BANG! is a thesis paper presented in conjunction with a visual art show that is made up of paintings, sculptures, and site specific installations. Primary ideas explored with the body of work are those of growth and expansion, energy, contradiction, excess, collection, play, drama, and nostalgia, specifically relating to color relationships and physical material.