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Full-Text Articles in Arts and Humanities
The Abyssinian Art Of Louis Agassiz Fuertes In The Field Museum, Paul A. Johnsgard
The Abyssinian Art Of Louis Agassiz Fuertes In The Field Museum, Paul A. Johnsgard
Zea E-Books Collection
This book documents the paintings and drawings executed by Louis Agassiz Fuertes during the Field Museum of Natural History’s seven-month expedition to Ethiopia (Abyssinia) in 1926–27. During that time Fuertes completed 70 field watercolors that illustrate 55 species of birds and four species of mammals. He also executed 34 pencil drawings, which illustrate 13 species of mammals and 11 species of birds, plus numerous miscellaneous sketches and small watercolors. This book identifies and describes the biology of all 69 species of birds and mammals illustrated by Fuertes and includes 32 color reproductions of Fuertes’s watercolors that were published as a …
From Lace To Chains. The Making Of A Print, Alison G. Stewart
From Lace To Chains. The Making Of A Print, Alison G. Stewart
Zea E-Books Collection
How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past?
These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (pre-1850) and one modern (post-1850) print from Sheldon’s …
Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , Editor
Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , Editor
Zea E-Books Collection
Catalogue for the Sheldon Museum of Art’s exhibition “Strange Bodies: Hybrid, Text, and the Human Form," selected and curated by Professor Alison Stewart’s “History of Prints: New Media of the Renaissance” class during the fall semester of 2016 in the School of Art, Art History, & Design at the University of Nebraska–Lincoln. Each of the eleven prints offers a different understanding or take on the body. Some are grounded in the physical and social aspects of humanity, while others present the body as a site for fantastic imagination and performance. Still others reference the printed page as a “body.” Whether …