Arts and Humanities Commons^™

Experiential Learning Final Report: Ase Leader And Student Writer-In-Residence, Gray Brogden

SASAH 4th Year Capstone and Other Projects: Publications

This report chronicles my two experiential writing credits completed for the School for Advanced Studies in the Arts and Humanities between 2021 and 2023. The first experience was as an Academic Support and Engagement Transition Leader (ASE leader) during the summer of 2021, and the second experience is my ongoing tenure as the Western University 2023-24 Student Writer-in-Residence. The former involved facilitating Community Connections days, running events for Smart Start academics, leading programming on Faculty Day, and providing a support system where incoming students could learn more about what their year was going to look like from someone who had …

The Power Of Female: The Representation Of Female Composers Through A Senior Flute Recital, Savannah Palmer

Honors Program Theses and Research Projects

In a prominent number of musical performances, the number of female compositions being performed is small. The dominance of male composers throughout time has created a barrier that prevents female composers from being represented in the music community. Female composers possess great creativity and virtuosity in their compositions, yet gender bias impacts their representation in music repertoire, specifically flute repertoire (Fairouz, 2017). With less than 6.10 percent of female compositions being programmed in concerts and recitals, members of various communities are lacking exposure to the powerful musical works that women create (Peters, 2016). To empower female composers and demonstrate their …

Encuentros Y Variaciones Performáticas Entre El Larp Y El Cosplay. Algunas Claves Desde Las Teorías De Consumo (No)Narrativo, Laura I. Quiroz

Journal of Roleplaying Studies and STEAM

Tanto el larp (live-action role-play) como el cosplay (representación corporal de personajes de la cultura popular mediática) son manifestaciones dentro del amplio espectro de fenómenos del performance, entendido éste tanto escenificación como conclusión o reactivación de una experiencia. Ambas prácticas también están ligadas a hacer presentes, a través de los juegos de apariencia y la simulación corporal, universos narrativos ya sea completos, fragmentados o recombinados. La ponencia propuesta busca explorar estas relaciones y variaciones entre el larp y el cosplay a partir de las teorías de consumo narrativo y de la base de datos propuestas por Eiji Otsuka (2010, 2017) …

Amelia Goes To The Ball:, School Of Performing Arts

Theatre Posters and Programs

In a laugh-out-loud musical event, this opera recounts the comedic events of the 1920s socialite, Ameilia, as she overcomes obstacles trying to attend the first ball of the social season. Students from the School of Performing Arts performed. The opera was held on November 2 and 5, 2023, in the McBeth Recital Hall.

The Impact Of Incorporating Self-Myofascial Release Into Voice Lessons: A Six-Week Study, Benjamin Patrick Stogner

Theses and Dissertations

The purpose of this study is to investigate the integration of Self Myofascial Release (SMR) techniques within voice lessons over six weeks; aiming to alleviate muscular tension, enhance vocal performance, and improve singers' overall well-being. The study employed a qualitative pre-test/post-test design. The data collected indicates that while SMR offers significant benefits, it is impractical to incorporate a comprehensive routine into applied lessons. However, using SMR techniques in vocal warm-up routines, and encouraging the student to use SMR techniques on their own, yielded promising results. Consistent SMR application led to improved posture, jaw mobility, and overall well-being, with older participants …

Nothing To See Hear, Adam Kuykendall

Electronic Theses and Dissertations

Nothing to See/Hear is a research experiment into minimalist visual narrative via the short film Not the Boss of Me, in which the criteria for production mandated only the bare essential elements required to construct and convey a plot and its characters be used while filming within a nondescript space - in this case, a mostly empty soundstage. How does one tell a story and define its characters without direct expository dialogue? What is needed to establish and define locations and/or environments when limited to only one or two items? Can an audience engage their imagination to fill in the …

Yiddish Songs And Jewish Futures: A Besere Velt, Partisan Music, And Modern Performance, Justine Orlovsky-Schnitzler

Jewish Folklore and Ethnology

A Besere Velt, the Boston Worker’s Circle community chorus, performs for a modern audience the music of Yiddish-speaking Jewish partisans and ghetto resisters. Through active transmission and re-interpretation of partisan and ghetto songs, A Besere Velt invokes East-European Jewish tradition and creates a liminal space ripe with new possibility. In the process, the chorus gives these old songs life for contemporary Jews. The analysis situates the songs within the genre of Yiddish music and investigates through interviews ways that members build meaning through the performance of partisan music, the construction of Jewish space, and the promise of Jewish futures.

Movement, Mechanization, And Coexistence, Yukyung Chung

Masters Theses

A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.

I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …

Superbland, Dougal Henken

Masters Theses

"A thin wafer is placed in the mouth of a kneeling woman and becomes flesh. A man masturbates quietly in a darkened room to a 3D model of a popular film actress. A car drives through an abandoned town and decelerates as it approaches a sign reading “Slow Children Playing.” A man fastidiously mows an artificial lawn while watching the sun dip low over a vast desert horizon. Superbland opens up new paths in understanding graphic design within the realm of the hyperreal. It begins with a study of simulation in graphic design contexts, building upon established forms of meaning-making …

劇作家角色之扮演 : 賈仲明增補《錄鬼簿》“凌波仙”散曲挽詞研究, Wenbo Chang

嶺南學報 Lingnan Journal of Chinese Studies

通過分析賈仲明增補《錄鬼簿》“凌波仙”散曲挽詞，本文旨在研究散曲如何對文學創作隱含的社會契約引起變化，尤其文本如何成為作者概念與社會身份之間互相協調的結果。長期以來，學界把賈仲明增補的挽詞當做研究劇作家個人生平的可靠信息來源，本文對這一做法提出質疑，認為這些挽詞整體來看其實寫的是賈仲明為劇作家社會角色建構出的一系列人格。作家概念在高雅文學體裁中佔據中心地位，可在賈仲明的散曲挽詞裡，雖然一個個都標註好了關漢卿、王實甫等姓名，卻降格為面目模糊並且可以輕易替換的人體模型。賈仲明這麼做的目的是為了凸顯在他的視角下設計出的劇作家社會角色。他構建出的劇作家角色既帶有都市商業劇場的痕跡，也反映了國家和精英價值的影響。因此，本文認為，賈仲明增補散曲輓詞的真正價值在於幫助我們更好地了解他所處的時代背景下劇作家的生存狀況。此外，恰當地解讀賈仲明輓詞也有助於我們進一步理解散曲文體的表演性。

This paper investigates the issue of how sanqu composition modifies the social contract of poetic composition in how a text mediated between authorship and social identity through a close analysis of Jia Zhongming’s 賈仲明 (fl. 1343–1422) sanqu songs written in the supplement to The Register of Ghosts (Lu gui bu 錄鬼簿). This paper challenges the conventional reading of Jia’s songs as reliable sources of biographical information on individual playwright to whom those songs are dedicated. It argues instead that they, if read together as a whole, represent a catalogue of various personae Jia constructs for the social role …

A Poetically Embodied Out-Of-Body Experience, Natalie Sunseri

Honors Theses

The choreographic project Euphoric Dysphoria emerged as a response to the choreographer’s gender dysphoria and personal observations about the way that feminine-presenting people are perceived and approached in dance spaces, particularly in comparison to masculine-presenting people. The dance originated as a choreographic exploration of extreme femininity and masculinity, and it evolved into a manifestation of performative gender and experiential gender. The choreographer was guided by her poem “Uneven Envy” when developing movement and building relationships among the dancers. She considered the contributions of Judith Butler, a scholar who writes about gender manifesting in the body due to socialization, and Laura …

Play Makes Perfect: An Exploration Of Game And Play Elements In Composition And Performance, Gabrielle Chou

Dissertations, Theses, and Capstone Projects

This dissertation aims to explore the intersection of play and games in Western classical music and define a new category of pieces, “ludic pieces,” which contain play structures and game mechanics within their composition. Starting with surveying perspectives in ludology and ludomusicology, including those by Roger Caillois, Johan Huizinga, Jesper Juul, Katie Salen, and Eric Zimmerman, I will examine various definitions of a “game” and what its qualifying aspects are. I will then turn to music and consider pieces that interact with play and games without containing game structures, including examples of musical humor and pieces which evoke the imagery …

Overlapping Gestural Zones And Modulation On The Fifteen-Tone Guitar, William R. Ayers

The 21st Century Guitar

With its unconventional tuning, notation, and performance requirements, Easley Blackwoodʼs Suite for Guitar in 15- Note Equal Tuning serves as a reappraisal of both tonality (through its application of a microtonal equal temperament) and guitar performance practice (with a modified fretboard and note layout). Using concepts from the fields of transformational theory and gestural music theory, this study considers modulatory and sequential passages in two movements from Blackwoodʼs Suite. This paper demonstrates how the fifteen-tone tuning and fretboard provide a unique opportunity to recontextualize the diatonic scale and its generative interval cycles in a consistent transformational space that allows the …

Proceedings Of The 21st Century Guitar Conference 2019 & 2021

The 21st Century Guitar

This volumeʼs contributions grew from 20 of the 94 scheduled keynotes, lectures and lecture-recitals of the first and second editions of The 21st Guitar Conference. Five items stem from the inaugural edition (2019, 44 contributions) and 15 from the second edition (2021, 50 contributions).1 This conference is unique in that it is centered on contemporary guitar research, performance and pedagogy.2 Previously, guitar research had gained increased visibility thanks to the International Guitar Research Centre, launched in 2014 (Stephen Goss, President), which regularly (co-)organizes conferences on guitar research; and Soundboard Scholar, launched in 2015 (Jonathan Leathwood, Editor) ‒ currently the only …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

Honors Capstone Composition Recital, Kayla L. Bivin

Honors Capstones

The Honors Capstone Composition Recital is an exhibition of my own musical compositions from throughout my undergraduate study. The purpose of the event was to perform original music and share it with the community. The program is completely comprised of original works for a variety of instruments and ensembles and includes five world premiere performances out of the seven pieces, totaling about 45 minutes of music. The performance was held at the NIU Recital Hall (located in the Music Building at 550 Lucinda Ave.) at 7:00 pm CST on April 16, 2023. It was available for free to the public, …

Make War To Make Peace: Themes Of War In Trombone Solo Literature, Ian Rutherford

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The trombone has a relatively small amount of solo literature, especially for how long it has existed. Many professors only teach and perform an even smaller number of those pieces. Some works are compelling and captivating but rarely performed. The purpose of this document is to explore two lesser-known works that have an exciting connection; they are both works about war. I Was Like Wow for Tenor Trombone and Boombox by Jacob Ter Veldhuis (JacobTV) and Encounters IV for Tenor Trombone and Multi-Percussion by William Kraft are two original works for trombone that explore themes of war.

The pieces were …

Aging And Dance: Insights, Imagination, And Potential, Chloe A. Schafer

Dance Written

Aging is universal. It is the passage of time. It is the formation of one’s ontologies, epistemologies, maturity, wrinkles, wisdom, memory, and more. Aging is universal for all people. However, much like social categorizations –including gender, race, class, religion, and nationality– age adds a layer of difference, another intersection of identity, and thus another hierarchy of dominance. Much like aging, all people dance; we move and groove across time and space. As we dance and as we age, our social standing and understanding change. Within the United States, the cultural (mis)understandings and systems around aging impact and shape the ideals …

Allegedly In Love: A Theatrical Production, Leah Christenson

Theatre Undergraduate Honors Theses

Allegedly in Love: A Theatrical Production details the process of producing and costume designing a fully-realized performance run of an original piece by Madelyn Marks.

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

A Survey Of The Staged Cyborg, Zee Hanna

Theatre Thesis - Written Thesis

The development of technology to enhance the performance of the human body is motivated by the desire to go beyond the limitations of the physical form, creating new possibilities for bodily expression while also raising questions about the boundaries of the self and the impact of technology on the body and society. In this paper I will explore many of the techniques performing artists have used to merge their bodies with technology, and observe the questions asked and answered by those methods.

Flesh Fog, Jillian Jetton

Theatre Thesis - Embodied Thesis

No abstract provided.

Embracing The Whore: Destigmatizing Sex And Dance, Moss Lovejoy

Dance Written

Dance has long been conflated with sensuality and sex. The act of dancing can incite intimacy and ecstasy, communion and liberation. This power has historically been vilified and restricted in the name of colonization and Christianity. Today, dancers are still subject to these associations: naming our profession yields lewd questions about our flexibility, or propositions for a private dance. Male celebrities wear ballerinas on their arms like trophies, with the implication of a vivacious sexual relationship widely understood and applauded. Rather than trying to distance the art of dance from the practice of selling sex, I propose we embrace our …

A United, Not A Divider: Community, Identity, Performance & The Tomato Krewe Parading Group Of East Nashville's Tomato Art Festival, Allison Cate

Masters Theses & Specialist Projects

This thesis is an ethnographic study of the “Tomato Krewe,” a social group that participates in the parade of East Nashville’s annual Tomato Art Festival. Drawing on participant-observation, interviews, and my own experiences as a member of the krewe and resident of East Nashville, I examine krewe members’ narratives about the festival, the material culture that they create for the parade, and the levels of performance that they engage in while parading. Central to my analysis is how krewe members understand the Tomato Art Festival as an expression of East Nashville identity.

Someone, Stop Her! The Musical (The Gallery Show): The Thesis Document., Hannah Dewitt

Electronic Theses and Dissertations

This thesis document accompanies a body of work that is radically vulnerable, personally political, and emotionally complex. Through my work, I challenge myself and my audience to sit with discomfort and create an environment suitable to generate a nuanced appreciation of pain that approaches its acceptance through humor, confessionalism, and the subversion of tropes against themselves as an act of counter-mimicry. This document situates my work within art-historical context with a primary focus on performance art and applies insight from each artwork referenced to further analyze and defend my own work. Additionally, I use texts relating to Camp sensibility, binary …

Measuring Performance: The Economics Of Cleaning The Outside Of The Cup, Joshua Hollinger

Faculty Work Comprehensive List

"Sometimes focusing too much on what we can measure distorts our beliefs and actions as we turn away from immeasurable things that matter."

Posting about ­­­­­­­­the economics of evaluating workers based on their performance from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/measuring-performance-the-economics-of-cleaning-the-outside-of-the-cup/

A Composer's Perspective On The Clarinet Concerto, Sarah Marze

Honors Scholar Theses

While seminal literature on concerto form analysis and compositions for clarinet and orchestra has been conducted, this undergraduate thesis is an exploration from a young composer’s perspective. My priority was discovering the breadth of what the clarinet concerto has to offer in order to learn how to place my own work as a composer into historical, cultural and aesthetic contexts.
First, I present an abridged history of the clarinet concerto. Despite this musical form being hundreds of years old, concerto composition is still relevant today because it is a display of balance; the best concerti are delicate balancing acts of …

Transference Music: For Electric Guitar Soloist And Amplified Orchestra, Andrew Noseworthy

Electronic Thesis and Dissertation Repository

Transference Music: for Electric Guitar Soloist and Amplified Orchestra is a concertante work with an approximate duration of 25 minutes. The work is inspired by my experiences as a composer-electric guitarist. Its musical parameters are constructed via the act transferring those experiences between the typically separate designations of ‘performer’ and ‘composer.’ These experiences involve aspects of style and genre, electric guitar-specific performance gestures and various timbral or textural ideas, as well as concepts of electronic sound production. These experiences are then used as the basis for the work’s form, motivic relationships and orchestration. As the electric guitar is somewhat of …

Performance Anxiety In Young Musicians: A Case Study Of Music Educators' Experiences, Carmen L. Rodriguez

LSU Doctoral Dissertations

Anxiety is a common emotional reaction in musicians that can negatively influence their performance. Some studies have proved that Music Performance Anxiety (MPA) can be found not only in adults but also in adolescents and children from 3 years old. Since MPA is a significant aspect of musicians’ development, it is essential that music educators take preventive action against MPA in young musicians, specifically under 18 years old. The purpose of this study is to examine the strategies used by music educators to address MPA in young musicians. Educators were interviewed regarding musical performance anxiety and its presence within their …

Red Note New Music Festival Composition Competition Announcement, 2023, School Of Music, Carl Schimmel

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.