Arts and Humanities Commons^™

Outside Perspectives, Amber Taylor

BYU Studies Quarterly

I think most of us are familiar with a recent trend in storytelling to revisit and tell a traditional tale from the perspective of the antagonist. The live-action Disney movie Maleficent, for example, provides an empathetic backstory to the terrifyingly evil, but otherwise flat, character of Maleficent in the iconic animated version of Sleeping Beauty. The popular musical Wicked, by Stephen Schwartz, does the same with the character Elphaba, the Wicked Witch of the West in The Wizard of Oz. Even children’s books have gotten in on the postmodern storytelling action. In The True Story of …