Arts and Humanities Commons^™

The Position Of A Woman: A Poetics Of Grace Paley’S Political Storytelling, Jamie Zabinsky

Dissertations, Theses, and Capstone Projects

While literary critics have long shown modest interest in writer-activist Grace Paley’s short fiction, no scholarship has yet focused on her extensive record of nonfiction writing. This thesis concentrates on Just As I Thought, an anthology of Paley’s essays, articles and speeches organized by Paley herself in lieu of any memoir or autobiography. Hannah Arendt’s theorizations of time, thought and standpoint serve as frameworks to establish the essay collection, arranged according to Paley’s political life along a timeline of feminist history, as a political storytelling project. Political storytelling, in the Arendtian sense and in context of this thesis, aims …

Enacting Race And Class Online: Gatekeeping And Meaning Making On Reddit’S R/Brooklyn, Peter J. Sclafani

Dissertations, Theses, and Capstone Projects

In the following thesis I examine how race- and class-based power structures are conceptualized and actualized in the virtual sphere. The Internet as an “imagined community” upholds the historically embedded power structures that perpetuate deeply-rooted American hegemonic ideals as they relate to race and class.

To demonstrate the conceptualization of power structures in virtual space an analysis of discourse on the social media and news aggregate website, Reddit, that positions online conversations about race and class as an extension of the racial inequality present in social structures offline. Isolating gentrification, and topics related to gentrification such as new business openings …

Sounds Of Alter-Destiny And Ikonoklast Panzerist Fabulations, Mette Christiansen

Dissertations, Theses, and Capstone Projects

This study is a multifaceted attempt to complicate ideas about study, to think about the critical potential and social implications of certain kinds of stories, and how we might effectively disrupt and reinvent notions and techniques of critique and resistance in the names of hope and social transformation. It looks at the creative practices of Jazz musician and other-worldly being Sun Ra, the dual philosophies of “Ikonoklast Panzerism” and “Gothic Futurism” of an artist known as Rammellzee, and the concept-engineering of theorist and artist Kodwo Eshun, in an attempt to think through how radically unconventional forms of study might make …

To See Again: Vision And Revelation In American Poetics, Emily C. Raabe

Dissertations, Theses, and Capstone Projects

With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”^[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …

Performing Rhythmic Dissonance In Ligeti’S Études, Book 1: A Perception-Driven Approach And Re-Notation, Imri Talgam

Dissertations, Theses, and Capstone Projects

Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which creates several layers of difficulty in the presentation of complex rhythms. In order to resolve some of these difficulties, this dissertation includes a complete re-notation of four Etudes, using a methodology based on research in cognition and perception of rhythm.

Based on this new score, the notion of rhythmic dissonance is developed as an analytical tool to investigate in-time perception of rhythmic complexity, drawing on existing work on metric entrainment and metric dissonance. Different compositional strategies for the production of rhythmic dissonance are shown to have …

Women's Contributions To Viola Repertoire And Pedagogy In The Twentieth Century: Rebecca Clarke, Lillian Fuchs, And Rosemary Glyde, Eva R. Gerard

Dissertations, Theses, and Capstone Projects

This dissertation discusses the life and work of Rebecca Clarke (1886–1979), Lillian Fuchs (1901–1995), and Rosemary Glyde (1949–1994), whose concept of the viola’s sound was fundamentally different from their male counterparts Lionel Tertis (1875–1975) and William Primrose (1904–1982). These women’s work has mostly been ignored, due to their gender and use of small forms in their compositions. This dissertation will explore the journeys of these three women through a discussion of their performances, pedagogy, and compositions; simultaneously it will chart the viola’s journey from obscurity to recognition as well as its evolution from lowly harmonic filler to expressive, melodic voice.

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Music And Jewish Practice In Contemporary Istanbul: Preserving Heritage, Bending Tradition, Joseph M. Alpar

Dissertations, Theses, and Capstone Projects

This dissertation is a study of ongoing transformations in the sacred musical repertoires practiced by ḥazzanim (synagogue cantors) and their synagogue congregations in Istanbul’s contemporary Jewish community. I argue that clergy and laypeople alike negotiate their religious identities as Turkish Jews in the musical choices they make. While many try to maintain the community’s local music tradition, rooted in makam—the Ottoman Turkish melodic system—others attempt to broaden their repertoire with musics from Israel, the United States, and Ḥabad Hasidic Judaism. I examine adjustments made to the musical components of ritual as responses to decades of Jewish religious life as …

Exploring Political Action And Socialization Through Group Improvisation Within The Music Of Frederic Rzewski And Cornelius Cardew, Marcel Rominger

Dissertations, Theses, and Capstone Projects

In the late 1960s, socialist composers, Cornelius Cardew and Frederic Rzewski, each established ensembles with the purpose of performing works consisting of experimental forms of improvisation. By employing group improvisation, and including untrained, non-musicians within their performances, they strove to use these ensembles as a model for society itself; this model includes a dissolution of the hierarchy among performers and the barrier between performer and audience. Improvisation helped music resist commodification by the culture industry or appropriation by authoritarian regimes for the purpose of propaganda. This dissertation aims to explore how Cardew and Rzewski constituted effective socialization and political action …

Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista

Dissertations, Theses, and Capstone Projects

This dissertation looks at the creation and dissemination of alternative versions of English history through the means of dramatic fiction, and contextualizes them in the panorama of the intellectual debates of seventeenth-century Italy. Staging English Affairs in Early Modern Italy studies the ways in which the reinvention of Tudor and Stuart affairs in dramatic literature mirrored the ambitions, fears, and fantasies of a century in disquieting transformation. This research documents how news and information from England entered the Italian states, how they were perceived, and what their repurposing can reveal about the potentialities of intercultural exchange. Anglo-inspired drama became a …

Caring Without Sharing: Philanthropy's Creation And Destruction Of The Common World, Amy B. Schiller

Dissertations, Theses, and Capstone Projects

This dissertation explores multiple ways philanthropy builds and undermines the common world. Political science treatments of philanthropy have focused mainly on its role in the development of civil society, with a recent turn towards critiques of philanthropy as an instrument of elite power and tension between private wealth and democratic governance. In this dissertation, I examine how philanthropy can foster enduring spaces of human flourishing, or reduce beneficiaries to objects of pity, surveillance and domination. I trace philanthropy's evolution from ancient to contemporary contexts and propose a framework for philanthropy to, under certain conditions, build and care for the common …

Privileges For Being Slaves: Christian Missionaries In The Early Qing Court, Litian Swen

Dissertations, Theses, and Capstone Projects

This dissertation works to elucidate the long-term confusion over the identity of the Christian fathers in the early Qing court. The identity for which this dissertation argues is straightforward: Christian fathers were identified by the Kangxi emperor as his family slaves. The master-slave relationship has long been overlooked because it was overshadowed by an overwhelming focus on the Jesuit Adam Schall, who entered the Manchu court as a Chinese-style minister.

Shifting the focus from Schall, this dissertation starts by showing two seldom mentioned Jesuits, Ludovico Buglio and Gabriel de Magalhaens, who entered into Manchu service as slaves. It was, this …

Reimagining The Flute Masterclass: Case Studies Exploring Artistry, Authority, And Embodiment, Sarah Carrier

Dissertations, Theses, and Capstone Projects

This work explores the flute masterclass as an aesthetic, ritualized, and historically reimagined cultural practice. Based on fieldwork that took place between 2017 and 2019 in the United States, in Italy, and on the social media platforms Instagram, Facebook, and YouTube, I argue that the masterclass—an extension of the master/apprentice system that dominates learning in the classical music tradition—is characterized by embodied qualities of artistry and authority. These qualities are not inherent, but are perceived through subjective, social, familied, and affective bodies.

Chapter One outlines the main themes and the research design. Chapter Two is a case study that analyzes …

Men Set On Fire. Algernon Sidney & John Adams: Remodeling Anglo-American Republicanism, Deborah B. Charnoff

Dissertations, Theses, and Capstone Projects

This dissertation systematically examines the republican political ideas of the relatively unknown seventeenth-century English aristocratic Algernon Sidney, a passionate author and political activist who was executed for his ideas, and the famous but generally misunderstood eighteenth-century American revolutionary, Founder, and second President of the United States, John Adams. Republicanism is an entangled field of intellectual history in which historians, political scientists, legal scholars, and others have grappled for years, often without regard to the work of those in disciplines other than their own; yet we have consistently failed to take into account critical elements that inform the tradition, indeed, one …

Runaway: A History Of Postwar New York In Four Factories, Andy Battle

Dissertations, Theses, and Capstone Projects

At midcentury, New York City was among the preeminent manufacturing centers in the United States. Within a generation, this manufacturing economy suffered an extraordinary collapse. Beginning in the 1950s, workers and their unions began to use the term “runaway” to describe factories that pulled up stakes in New York and set them back down in other climes. This dissertation explores the deindustrialization of New York City through case studies of “runaway” plants, or factories that left New York for the American South or abroad between the years 1945 and 1975.

In general, the manufacturers that remained in New York at …

Afro-Cuba Transnational: Recordings And The Mediation Of Afro-Cuban Traditional Music, Johnny Frias

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the way audio and video recordings and the internet have impacted, shaped, and helped create a transnational Afro-Cuban music scene. My focus will be on the most popular and widely-recorded genres of Afro-Cuban music—rumba and the religious repertoire of Santería, particularly batá drumming—both of which I also perform regularly with other Cuban musicians in Miami. Incorporating interviews, online ethnographic research, and participant-observation as a musician, my research has three main arguments.

First, recordings of Afro-Cuban music helped create a transnational Afro-Cuban music scene by increasing the popularity of these traditions outside of Cuba, including their amateur performance …

The Origin Of Power In The Need To Cooperate: Parallels Between Political And Economic Power, David Nagy

Dissertations, Theses, and Capstone Projects

In this essay, I argue that the power structures in both states and firms should be the same—for example, if state authorities are chosen via a democratic process, the same should hold for authorities in firms. This is because the source of power is the same in both realms, namely, economic and political power derives from its ability to facilitate cooperation. Hence, there is no plausible reason to defend a different power structure for states and firms. To argue this, I start in Chapter 1 by arguing against the most common theory of state power, which is that it …

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

“Let’S Call Painful Sex Disorders Sexual Disabilities Instead”: A Feminist Disability Critique Of Feminist Representations And Medical Representations Of Sexual Disorders Of Pain, Oyku Akin

Dissertations, Theses, and Capstone Projects

Historically, gender and sexuality have been privileged sites of analysis in feminist theory. Critical feminist engagements with “sexual dysfunction” employ gendered analysis’ of medical and pharmaceutical interventions to sexuality in capitalist modernity in order to underscore the ideological dimensions of modern sexuality. Although sexual disorders of pain received little attention from feminist academics until recently, contemporary feminist work on sexual pain disorders mimic the previous work on sexual dysfunctions in terms of analysis. Analysing recent major feminist contributions employing different epistemological orientations to the study sexual disorders of pain, I show that gender continues to be the privileged common category …

Analyzing Harmonic Polarities: A Tonal Narrative Approach, Stephen J. Whale

Dissertations, Theses, and Capstone Projects

This dissertation aims to develop an approach to analyzing common-practice repertoire based on the dynamic interplay of centripetal and centrifugal forces. It aims at interpreting various kinds of chromaticism and modulation in terms of the interaction of forces moving away from the tonic or principal key (centrifugal) and those returning to it (centripetal). Centripetal forces also correspond to the force of cadential substantiation of keys, not only the principal key, which I call temporal-centripetal force; temporal-centrifugal forces correspond to the phenomena of tonal instability, of motion through multiple regions.

The dynamic interplay and counterbalancing of these forces is a core …

Claiming The Remains Of The Past: The Return Of Cultural Heritage Objects To Colombia, Mexico, And Peru, Pierre Losson

Dissertations, Theses, and Capstone Projects

My research explores the reasons why three Latin American states (Colombia, Mexico, and Peru) claim the return of cultural heritage objects from holding institutions in the Western World, such as museums and universities. The literature on returns and restitutions, which focuses on questions of ownership and possession of objects, opposes two conceptions of cultural heritage: on the one hand, the internationalists argue that the location of a cultural object must be decided according to the interests of science and education, for the benefit and in the name of humankind; on the other hand, the nationalists consider that cultural heritage is …

Mentality And Fundamentality, Christopher D. Brown

Dissertations, Theses, and Capstone Projects

Extant well-considered problems with physicalism primarily come from two sources: philosophers of mind arguing that subjective experience does not fit into a physicalist world-picture, and metaphysicians trying to figure out the particular commitments of the view. I examine the thesis of physicalism in order to produce a clearer notion of the physical and to help straighten out physicalism’s entailments, while simultaneously providing a strategy for physicalists to sidestep well known anti-physicalist arguments concerning consciousness. This involves both a critical and a positive effort: on the critical side, I expose an issue with a popular way of understanding physicalism called “via …

Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …

Tonicizations, Periods, And Period-Like Structures In The Music Of Dvořák, Xieyi Zhang

Dissertations, Theses, and Capstone Projects

Discussions of the tonal construction of parallel periods usually focus on the standard eighteenth-century layout in which the cadence at the end of the antecedent is either an imperfect authentic cadence (IAC) or half cadence (HC) in the main key. In exceptional cases, antecedents may deploy a reinterpreted HC—i.e., a perfect authentic cadence (PAC) in V that is reinterpreted as a tonic-key HC. Especially in music of the nineteenth century, however, one also often finds periods in which the antecedent concludes with a PAC in a key other than V. In these modulating antecedents, cadences of the antecedent and consequent …

Furious: Myth, Gender, And The Origins Of Lady Macbeth, Emma King

Dissertations, Theses, and Capstone Projects

This thesis attempts to understand the fabulously complex and poisonously unsettling Lady Macbeth as a product of classical reception and intertextuality in early modern England. Whence comes her “undaunted mettle” (1.7.73)? Why is she, like the regicide she helps commit, such a “bloody piece of work” (2.3.108)? How does her ability to be “bloody, bold, and resolute” (4.1.81), as Macbeth is commanded to be, reflect canonical literary ideas, early modern or otherwise, regarding women, gender, and violence? Approaching texts in the literary canon as the result of transformation and reception, this research analyzes the ways in which Lady Macbeth’s gender, …

A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato

Dissertations, Theses, and Capstone Projects

In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …

A Volitional Theory Of Aesthetic Value, John Dyck

Dissertations, Theses, and Capstone Projects

In this dissertation, I defend a volitionalist theory of aesthetic value. The volitionalist theory is a species of response-based models of aesthetic value: It holds that aesthetic value is based in a kind of human response. Traditional response-based theories of aesthetic value hold that value is based in responses of cognition, perception, desire, or pleasure. The volitional theory offers a new response as the home of aesthetic value: the will. We find things beautiful, I argue, because we orient our selves towards them; we find things ugly, I argue, because we orient our selves against them. The volitionalist theory I …

Little Egypt: A Critical Biography, Katherine Vecchio

Dissertations, Theses, and Capstone Projects

Structured as a biography, this thesis investigates the origins of Little Egypt—a stage name assumed by multiple women performing either the danse du ventre or the hoochie-coochie—and considers the character’s cultural legacy. The work draws on nineteenth and twentieth century newspapers, advertisements, photographs, and official publications and archival records from the 1893 World’s Columbian Exposition. Chapter one takes a new look at the World’s Columbian Exposition in Chicago and shows how the presence of dancers performing the danse du ventre on the Midway Pliasance was turned into a flashpoint of controversy by the popular press. This controversy would be key …

Infinity Wars: Post 9/11 Superhero Films And American Empire, Peter J. Bruno

Dissertations, Theses, and Capstone Projects

In the last two decades, superhero films have accounted for some of the most popular and financially lucrative films of all time. This thesis analyzes some of the aesthetic and ideological dimensions of various superhero films following their post 9/11 boom. Beginning with America’s response to the events of 9/11 and a subsequent retreat into a Manichean world of good versus evil, I introduce the term “empirical reality” in order to account for the ways daily American life is shielded from the worst effects of U.S. foreign policy. On screen this manifests by perpetuating the myth of the “clean war” …

Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev

Dissertations, Theses, and Capstone Projects

Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …