Arts and Humanities Commons^™

Linda Collazo: A Bronx Aria, Jose A. Giralt

Capstones

This video project follows Linda Collazo, a mezzo-soprano from the Bronx, as she prepares for various performances during fall of 2018. She describes the training in vocals, music, and acting she undergoes in order to break into the highly competitive field of operatic singers.

https://giraltjschool.exposure.co/linda-collazo-a-bronx-aria

The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely

Dissertations

In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations of …

Scandalous By Profession: Opera In Eighteenth-Century Europe, Felicity Moran

Armstrong Undergraduate Journal of History

Opera, as one of the most important art forms of the eighteenth century, bequeathed to its singers a strong position of prestige. And yet, a stigma of social disreputability hung over these same performers. This article examines that paradox first by looking at the importance of opera in the cultural centers of Naples, Paris, and London. From this foundation follows a closer study of the origins of stage performers, and from there, an examination of the on and off-stage behavior of opera singers in the eighteenth century that contributed to the negative image they projected onto society. Finally, the article …

Strauss And The City: The Reception Of Richard Strauss’S Salome, Elektra, And Der Rosenkavalier Within New York City, 1907–1934, Christopher G. Ogburn

Dissertations, Theses, and Capstone Projects

New York City at the beginning of the twentieth century was growing into its status as one of the world’s great cultural centers. At the same time, across the Atlantic, Richard Strauss was emerging as Germany’s preeminent composer. The city and Strauss, although seemingly unrelated, were more intertwined than it would at first appear. This study examines this connection through a reception history of Strauss’s Salome, Elektra, and Der Rosenkavalier in the city, beginning in 1907 with the New York City premiere of Salome and concluding in 1934 when the opera returned to the Metropolitan’s stage. The reception …

Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo

Department of English: Dissertations, Theses, and Student Research

In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …

Teaching Prospective Verdi Baritones: A Repertoire-Based Approach, Andrew Rethazi

Electronic Thesis and Dissertation Repository

The Verdi baritone is one of the most sought-after voice types in the professional operatic sphere due to its leading presence in the Verdi repertoire. However, there exists a gap in the published scholarship about the introduction of the repertoire to younger baritones as a means of teaching the style and performance practice while still in the shelter of the post-secondary environment. This introduction to the repertoire can be a valuable tool in training potential Verdi baritones. The research goals of this monograph are threefold: 1) to establish prerequisite criteria of technical proficiency for young baritones to begin limited study …

Operabbit, Mariel C. Mayz

Theses and Dissertations

OPERAbbit takes place in an unknown country with unnamed characters who are struggling for basic necessities amongst a political, social, and economic crisis. Questions of loyalty, trust, and nationalism are brought to the foreground as our Protagonist receives an unconventional government hand-out: a bunny. This fictional story— written by the composer and her brother— is met with humor and the liveliness of Latin American culture. The underlying truth, however, is more tragic. Many countries in Latin America have faced deep political, economic, or societal problems throughout their histories. None, however, have faced them all simultaneously as the country of Venezuela …

The Cask Of Amontillado, Elysia Arntzen

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This document details the process of creating an opera, from its inception through the premiere. Opera is a very large musical genre, and having a new opera premiered poses different challenges than other musical genres. I discuss the adaptation of the short story, The Cask of Amontillado , into an opera libretto, the composition of the opera, the production and directing of the opera, and what I learned in the process. In the conclusion, I discuss what I have learned as a composer and director, as well as how I can use this knowledge in future productions.

Advisor: Tyler White

Climax Structure In Late Romantic Opera, Ji Yeon Lee

Dissertations, Theses, and Capstone Projects

When people listen to music, they tend to perceive dynamic rise and fall, often without preliminary knowledge of musical structures and mechanism. This perception of musical dynamism has long been assumed too intuitive and natural to merit serious academic attention. The present dissertation aims to address this neglect by approaching musical dynamism as a logical, systematic process. A formal analytical model, the climax archetype, is proposed for understanding the workings of musical dynamism; to this end, the dissertation focuses on late Romantic operas, especially the works of Wagner and verismo composers, which are characterized by intense musical, dramatic, and emotional …

Asylum For Mezzo-Soprano, Alto, Tenor, Baritone, & Chamber Orchestra., Cullyn D. Murphy

Electronic Theses and Dissertations

In 1884, Daniel Paul Schreber was admitted into an asylum in an attempt to help treat his paranoid schizophrenia. He documented his time in the asylum through a memoir titled Memoirs of My Nervous Illness. His memoir noted the extremely poor living conditions and treatment of patients, while also illustrating Schreber’s slowly deteriorating mental state. Prior to his admittance, Schreber was a well respected judge in Germany and the son of a renown child psychologist. This societal decline contributed to the acceptance of these memoirs as a serious account of the events that transpired on a daily basis for mental …

The Donnelly Opera, Joshua L. Richardson

Electronic Thesis and Dissertation Repository

The Donnelly Opera is a one-act chamber opera based on an infamous Southwestern Ontario event: the murder of the Donnelly family in 1880. The libretto was written with the consultation of various historical sources. Modern text setting practices are utilized with careful attention to the use of perfect rhymes and natural syllabic emphasis to help maximize audience comprehension. The opera uses traditional vocal archetypes of aria, recitative, and ensemble singing. The focus of the opera is the dramatic portrayal of the events that took place leading up to the second murder trial. It is written for four vocalists (soprano, mezzo-soprano, …

Across The Ages Of Music And Emotions: What It Is To Be Human A Reflection On My Senior Voice Recital, Amanda Haverdink

Honors Projects

Creators and artists involve themselves in the passion and process of art as a way to discover what it is to be human. Such a notion has been central to my experiences at Grand Valley, growing as a student, as a performer, and as an individual. This recital aims to address four primary feelings (love, sadness, longing, and passion) that remind each of us what it is to be human. The pieces featured in this recital will explore a range of interpretations based on each emotion, depicting the multi-faceted and personal experience of feeling. Every performer has a unique interpretation …

Reflections Of The Don: Zerlina's Empowerment Narrative And The Inclusion Of "Per Queste Tue Manine" In Don Giovanni, Sarah Miller

Graduate Thesis Collection

After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptress or a virginal …

The Soul Of Black Opera: W.E.B. Du Bois’S Veil And Double Consciousness In William Grant Still’S Blue Steel, Toiya Lister

Graduate Thesis Collection

In The Souls of Black Folk (1903), W.E.B. Du Bois theorized that black peoples were viewed behind a metaphorical “veil” that consisted of three interrelated aspects: the skin as an indication of African Americans’ difference from their white counterparts, white people’s lack of capacity to see African Americans as Americans, and African Americans’ lack of capacity to see themselves outside of the labels white America has given them. This, according to Du Bois, resulted in the gift and curse of “double consciousness,” the feeling that one’s identity is divided. As African Americans fought for socio-political equality, the reconciliation of these …

Hansel And Gretel On The Page And Stage: Literary And Operatic Adaptations Of Grimm’S Fairy-Tale, Meilin Wei

Senior Projects Fall 2018

This project focuses on Brothers Grimm's fairy-tale "Hansel and Gretel," taking the original story, its musical arrangements, and its contemporary adaptations into consideration.