Arts and Humanities Commons^™

Myth And Monstrosity: Teaching Indigenous Films, Ken Derry

Journal of Religion & Film

The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …

Telling The Good News, Allyson R. Escobar

Capstones

In light of recent clergy abuse scandals, cover-ups and leadership shake-downs, it is a divided time in the Catholic Church: but this isn’t the whole story. My final capstone project is a critical essay of how Catholicism (and religion overall) is represented in mainstream media--particularly in secular news publications and entertainment (horror films) in the United States. By examining the coverage and how conversations differ within members of the Catholic Church--from journalists and critics to active Catholics, religious men and women--this project calls for greater accountability, fairness, faith representation in all media, and the overall claim that there are Catholic …

Lesson Plan For Teaching Shirley Jackson's "The Lottery", Lauren Hee Won Chung , '20, Peter Schmidt

English Literature Faculty Works

A teacher's aid for introducing this deservedly famous story to students, including teaching some basic principles of good reading and interpretation. With a special focus on high school teachers, but applicable to many kinds of classrooms, including community colleges, liberal arts colleges and universities, etc. Developed by a Swarthmore College student, Lauren Hee Won Chung, in consultation with Professor Peter Schmidt, as a final assignment in English 71D, "The Short Story in the U.S.," fall 2018.

Bad Boys And Final Girls: Fleshing Out Gender In Slasher And Horror Media, Brandon Bosch

Department of Sociology: Faculty Publications

When it comes to the slasher genre, typically only three types of people matter: the Slasher Villain, the Victims, and the Final Girl. Today I want to talk about how gender is often represented with these characters.

In sum, the slasher genre tends to cast more effeminate villains (as well as a few female villains driven by more stereotypical feminine concerns like family, love, and fame), punish overly sexual and feminine women, and typically spare less feminine, less sexual women. Arguably, these categories are based in part on our society's attitudes on gender and how it relates to (1) What …

Prolepsis Through Poe's Narrators: The Prophetic Demise Of The Obsessive Protagonist, Bailey Jarnagin

Masters Theses

Edgar Allan Poe was a pioneer of psychological fiction. His stories center around characters whose reliability is questionable and who are mentally troubled in some way. Poe crafted stories that invoke terror because their subject is the horror of the mind. While readers of other types of horror fiction can finish a story and step away from the monsters with little to no fear of being followed by them, readers of Poe cannot forget the tales they read so readily because the horror of the mind is ever present. Poe crafted such horrific stories because of the haunted palace of …

Ficcionalización Del Trauma En El Cine De Horror Y Ciencia Ficción: Moebius, Aparecidos (Argentina) Y El Páramo (Colombia), David Vasquez Hurtado

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Este ensayo analiza la ficcionalización del trauma en tres obras cinematográficas de fantasía, dos argentinas: Aparecidos (2007) y Moebius (1996), y una colombiana: El páramo (2011). Se aplica la teoría psicoanalítica sobre la figura paterna y la castración simbólica, para mostrar elementos comunes a la representación cinematográfica de los regímenes autoritarios a través del género gótico, de horror y ciencia ficción. Los filmes coinciden en representar la función paterna como una figura autoritaria que reitera indefinidamente el evento reprimido de la castración simbólica. La situación de violencia extrema impide que la castración simbólica conduzca al establecimiento de la ley y …

"He Didn't Mean It": What Kubrick's, Kelley O'Brien

USF Tampa Graduate Theses and Dissertations

With Second Wave Feminism and the Women’s Rights Movement, 1970’s Americans began to see a shift in gender norms affecting how we relate to one another, particularly within a family structure. Scholars have noted an anxiety permeating the decade over the potential negative ramifications of such a drastic cultural shift. We see these issues of gender politics played out in numerous popular films from the 1970s and into the 1980s. Kubrick’s The Shining, like many horror films of the time, preys upon the societal fear for the family, due to these shifting gender norms, by featuring a crumbling patriarch (Jack), …

Cool Moms & Cool Media: Returning To, Morgan Wallace

USF Tampa Graduate Theses and Dissertations

I posit that contemporary fears about the effect electronic media has on us and our children is anything but new. Therefore, reminiscing about the "good ole days" and wanting to go back would not actually solve the problem. However, looking back to a time when there was also anxiety about electronic media and the shifting field of public and private may reveal new possibilities for relating to and with these media. Rather than flatly blame media as an apparently new cause of harm, it is essential to reveal media's historical and political conditions, only in this way can we better …

Horror Without End: Narratives Of Fear Under Modern Capitalism, Andrés Emil González

Honors Papers

Across the world, capitalist and neoliberal economic policies have trapped communities in chaotic cycles of boom and bust. bell hooks writes about this chaos of connected systems of economic and social domination, “this is what the worship of death looks like.” The aim of this project is to explore points of formal association between popular horror media, or narratives of fear, and the politically unconscious beliefs, dreams, and knowledges of subaltern classes that live and tell stories under a social order that demands either complicity or silence. These narratives of fear demonstrate how certain political discourses are, and have been, …

Manipulations Of Stereotypes And Horror Clichés To Criticize Post-Racial White Liberalism In Jordan Peele’S Get Out , Jillian Boger

The Graduate Review

In Jordan Peele’s 2017 horror movie Get Out, Peele makes both white liberalism and the horror genre targets of satire. The subversion of traditional horror clichés and tropes such as Carol Clover’s Final Girl and body stealing/identity theft allows Peele to parody the genre as well as reorient audiences against stereotypes of blackness. In order to discuss the subversion of expectations, it is important to first identify moments of codeswitching. Another point of importance is noticing how Chris Washington’s role as Get Out’s Final Girl challenges stereotypical representations of black masculinity in other media. Additionally, to discuss automatic revulsion towards …

Dread And The Undead: Old Norse Zombies, Arthurian Adventures, And Horror Movies, Mikaela Torraca Kohan

Senior Projects Fall 2018

Senior Project submitted to The Division of Languages and Literature of Bard College.

Fear And (Non) Fiction: Agrarian Anxiety In “The Colour Out Of Space”, Antonio Barroso

Master's Theses and Doctoral Dissertations

This literary and sociological study examines H.P. Lovecraft’s “The Colour Out of Space” alongside New England agricultural societies in the late nineteenth and early twentieth centuries as their members faced socio-political change. Anxieties expressed in the short story reflect fears of communities facing erasure at the hands of a reservoir project. Patterns of historical American rural communities facing destruction in the name of progress as well as modern communities facing similar threats show the endurance of Lovecraft’s specific brand of fear.

Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards

Scripps Senior Theses

Entertainment is an ever-changing medium, and television specifically has gone through many technological innovations since its bright beginnings. These innovations have consistently changed the way stories are told. Stylistic shifts in key elements ranging from shot format to the way shows are constructed can be seen especially clearly in horror which does not have the same narrative constraints as many other genres, and therefore more room to experiment. By tracking changes in the narrative formats of serialized and anthology horror shows, I define a new era of television brought about by the prevalence of streaming, and the rise of binge …