Arts and Humanities Commons^™

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

The Rise And Fall Of Gilmore Girls' Feminist Legacy, Mckenna Ahlgren

Honors Theses

This thesis explores the feminist legacy that the television series Gilmore Girls (2000-2007, 2016) built during its original airtime and how its later revival diminished that legacy. Gilmore Girls’ main characters are three generations of women within the Gilmore family, providing a unique opportunity to analyze their feminist identities and characterizations relative to different iterations of feminism. This paper examines how the youngest Gilmore, Rory, is influenced by her mother’s and grandmother’s embodiments of feminism. Their expressions of femininity and sexuality, their approaches to motherhood, and their behaviors in their romantic relationships throughout the series correlate with the predominate feminism …

Abuse Or Be Abused: Traumatic Memory, Sex Inequality, And Millennium As A Socio-Literary Device, Kate Rose

Dignity: A Journal of Analysis of Exploitation and Violence

This article applies the research of French psychiatrist Muriel Salmona to literary analysis of Stieg Larsson’s protagonist, Lisbeth Salander, in the Millennium trilogy (The Girl with the Dragon Tattoo, 2008; The Girl Who Played with Fire, 2009; The Girl Who Kicked the Hornet’s Nest, 2010). It suggests that Larsson’s novels may be useful in raising awareness of childhood sexual abuse, through reading neglected signs linked to the neurology of traumatic memory. In the tradition of Nordic noir novels, hyperboles in Salander’s sensationalized identity serve to magnify and bring to light a misunderstood social problem. The article …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

I'M Sorry For Everything, Hille Sennott

Bachelor of Fine Arts Senior Papers

My work is rooted in the fact that women are practically conditioned to apologize for everything, and tells the intimate story of my life. By recording my apologies for several months and deeply examining my behavior, I noticed themes and made work based on these — work that exposed my private moments. I noticed a disconnect between times I needed to apologize, and this compulsive need to take on the blame for every little thing. I examine the feminine battle of soft and strong, eventually coming to the conclusion that there are occasions calling for both. Women are taught to …

Political Revolutions And Women's Progress: Why The Egyptian Arab Spring Failed To Deliver On The Promises Of Women's Rights, Anne Song

Master's Theses

The mass participation of women in the 2011 Egyptian Arab Spring began what many thought would be a new feminist movement. As news cycles started showing the central role of women in the Arab Spring, many people including the women who demonstrated believed women’s rights were on the horizon. This study shows why the 2011 Arab Spring did not deliver on the promises of women’s rights in Egypt. Explaining the historical, religious, and societal influences on women’s rights in Egypt, and using data from the Arab Barometer and reports from the World Bank and UN, this study shows that the …

Reconstructing The African And African Diasporic Woman: Gender, Race, Class And The Making Of A Constructive Radical African Feminist, Patchani E. Patabadi

Graduate Dissertations and Theses

This dissertation analyzes the story of the African woman migration from a generational perspective. It discusses Mariama Bâ’s So Long a Letter (1979) as the foundation of the African woman’s migration story and the evolvement in the female identity construction. It then uses Chimamanda Ngozi Adichie’s Americanah as a new, yet different and more contemporary approach to the same subject. In other words, this dissertation explores how the contemporary approach to storytelling and identity construction has changed the African woman’s migration story and her identity construction since Mariama Bâ dealt with them nearly forty (40) years ago. It analyzes the …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Ecofeminism In The Speculative Fiction Of Ursula K. Le Guin, Octavia Butler, And Margaret Atwood, Cara Williams

Honors Scholar Theses

The aim of this article is to explore the speculative fiction works of three prominent, female speculative fiction writers: Ursula K. Le Guin, Margaret Atwood,and Octavia Butler through an ecofeminist lens. Ecofeminism, as first coined by Francois D'Eaubonne in 1974, is a philosophy that compares the oppression and abuse of women to that of the environment. This article notes how Le Guin, Atwood, and Butler portray women and the environment in post-apocalyptic science fiction. Specifically, this article looks at how these authors explore food acquisition and consumption in their various worlds. This article asks the question, how does our relationship …

“Kinder, Küche, Und Kirche”: Women’S Work In The Third Reich, Margarete Crelling

History Undergraduate Theses

Under dictator Adolph Hitler, Germany was transformed into a totalitarian state. When World War II was declared on September 1, 1939, it was clear that the world would never be the same. The Nazi Party controlled nearly every aspect of German society with an iron fist, including religion, education, culture, and the role of women and family. Today, conversations and research about the Nazi regime during World War II often focus on the horrors of the Holocaust and its male perpetrators—Adolf Hitler, his officers, and troops. The important role women played in Germany during World War II is often overlooked …

The Floating Head Of Feminism: The Domesticated Domain And Erasure Of The Female (No)Body In Contemporary Television And Cinema, Alicia Brooke Turner

Theses, Dissertations and Capstones

The Floating Head of Feminism is a project that seeks to examine the concept of the abject as that which disobeys borders and blurs boundaries and to subsequently look at this conception through female-coded artificial intelligence. The AI abject is the part of the self that is cast off or removed so that one can claim an identity, which the abject, in turn, threatens. I discuss the importance of the female-coded AI’s digital embodiment in virtual spaces, and this idea is expanded on through an examination of the science-fiction film genre. This thesis serves to reveal the relationship of resistance …

The Power Of Queer Representation In The Media, Jack Harris

Audre Lorde Writing Prize

This paper examines the lack of representation of the queer community in today's film and television productions. Recent work such as The CW's The 100 and Nickelodeon's The Legend of Korra are used to create an intersectional analysis of the tropes associated with queer characters and the effect that queer representation has on viewers. The intersectionality of queer rights and feminism is mapped out in an effort to understand the root of the issue and, in that discovery, find solutions for the future.

The Creation Of Power: Leaving The Closed Space Of Voluntary Servitude, Isabel Mae Torgove

Senior Projects Spring 2018

This project is a collection and absorption of concepts and frameworks drawn from centuries of thought. Indebted to the past, this philosophical and literary journey seeks to elucidate a productive path to follow in the wake of the “moment,” derived from Du Bois’ “double consciousness.” This split second explosion, resulting in the severance of the conception of the self from the world’s perception of the self, places one in the position of either submitting voluntarily to the dominant forces or producing and creating something, anything, to aid in the search for understanding the self. The transitive property of a split …

"It Came In Little Waves": Feminist Imagery In Chantal Akerman's Je, Tu, Il, Elle +, Staci C. Dubow

Honors Theses

Chantal Akerman writes, “she who seeks shall find, find all too well, and end up clouding her vision with her own preconceptions.”[1] This thesis addresses the films of Chantal Akerman from a theoretical feminist film perspective. There are many lenses through which Akerman’s rich body of work can be viewed, and I would argue that she herself never intended for it to be understood in just one way. I wish to situate Akerman’s films, in particular her 1974 Je, Tu, Il, Elle (1h 30m), within a discourse of other feminist film theorists and makers that were further rooted in …