Arts and Humanities Commons^™

Elders Talkin’, Lizzie Nova

Comparative Woman

No abstract provided.

Grand Mothers, Lizzie Nova

Comparative Woman

No abstract provided.

Paving The Way For Merleau-Ponty’S Eye And Mind In Organizational Communication Studies, Johan Bodaski

Electronic Theses and Dissertations

The body is a sense-based medium that creates and interprets organizations. Bodies create organization. An aesthetic theory of organizational communication reveals the significance of the body to the organization. Maurice Merleau-Ponty’s philosophy of aesthetics offers a theory of aesthetic organizational communication that is yet to be developed. Merleau-Ponty’s aesthetic essay on painting, Eye and Mind, describes the body as the medium through which painters turn the world into painting. His philosophy of painting builds bridges between aesthetics, the body, and organizational communication.

In chapter one, four theories of organizational communication are described: communication constitutes organization (CCO), text/interpreter, ventriloquism, and …

Body; Broken Things, Seohyung Kay Lee

Bachelor of Fine Arts Senior Papers

Our bodies are the first of everything. They’re the first thing we encounter, and first space that we inhibit. Life ends when we leave the body behind. They’re our only means to reach with the world, with everything. From the beginning of time, we have strived to interpret the body and the its place in the world. However, the female body was never fully appreciated nor acknowledged. It is impossible to understand the body of women without considering the pain and violence they encounter, which is often easily overlooked.

In my body of work that I’ve produced this semester, Body; …

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

Theses and Dissertations

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.

James Baldwin's Soundscape And Grain Of The Racialized Body, Vallerie M. Matos

Theses and Dissertations

I will investigate the language around, and in direct relation to, the musicality of James Baldwin’s work. The interdependence of music and literature compose the majority, if not all, of his literary corpus. However, at some point both art forms bifurcate and we are confronted by the difficulties of writing about music and sound, and about music in text. I confront Roland Barthes’s disdain for the adjective and his theory of the “Grain of the Voice” in order to argue that attention to Black expressive musical narrative forms make audible and allow readers to witness to the grain of the …

With Monsters, Leonard J. Reibstein

Theses and Dissertations

These are the things I have learned about how I deal with pain. This paper includes a genealogy of immanent painting from the Renaissance to the 21st century. Through the lens of my biography I explore my relationship to toxic masculinity through expressionist distortion.

Dehumanizing The Human Body, Shelby Escott

Frankenstein @ 200: Student Posters

How does death affect the way in which the human body ceases to represent humanity?

It Can't Leave You The Way It Finds You, Kyle Nobles

School of Art, Art History, and Design: Theses and Student Creative Work

There’s a beautiful innocence in childhood where, although the world is large and new, it feels as though your place in it and the roles that you play are stable and unchanging. In our youth, outside of extraordinary circumstances, we are unburdened by the awareness that everything and everyone is subject to radical change—including our own sense of self. As we grow older though, looking back it becomes clear that this was never the case. In a matter of years, you can change so dramatically that you did not even notice as you became an entirely new person. For me, …

Pretty Young Host, Maria Isabelle Filippa Olsson Skalin

Senior Projects Spring 2018

“Pretty Young Host” is largely inspired by my upbringing in a society that impresses a sense of normalcy, bordering on necessity for women to have children in order to live happily. This societal pressure has led to my fascination with the Western world’s consumption and production of women as “fertile bodies”, including pro-natalist advertising and media that specifically targets women. I was both interested in and horrified by television commercials of life-like baby dolls for young girls, teaching them from a young age to learn how to raise and care for a child, as well as some advertising in recent …

Power Suit, Clarice Cuda

Calvert Undergraduate Research Awards

The focus of this project began in utilizing hair as a vehicle to investigate rituals associated with mourning, grief, and the liminal space that exists between life and death. After an in depth search into the cultural, physical, spiritual, and material aspects of hair, I enacted process and labor to create a sculptural form that performs in response to grief.

I chose to work with acrylic hair, as it exists in a space between the real and unreal, and visually is absorbed as the uncanny representation of the separated body. I wanted to discuss the body, while emphasizing its absence. …

Epic Performance Through Invenção De Orfeu And ‘An Iliad:’ Two Instantiations Of Epic As Embodiment In The Americas, Patrice Rankine

Classical Studies Faculty Publications

The body is a problem for epic performance: as a text, epic absents the body, and such absence is a barrier to the modern audience’s full participation. The modern poet might attempt to resolve this issue in one of two ways, either by using the absence as a rhetorical strategy or, alternatively, by reintroducing the body into performed epic. Jorge de Lima’s Invenção de Orfeu (The Invention of Orpheus) (1952) presents one extreme in addressing the absence of the poet’s body, through textual strategies, in his celebration of the literary condensation of past epics as embodiment. By contrast, …

Ultrasound—Re:Viewing Bodies, Minjee Jeon

Theses and Dissertations

A medical evaluation of physical impairment imposes the additional burden of “labeling” the patient with the condition. The binary nature of the normal versus abnormal label emphasizes difference and can lead to trauma. Understanding differences, however, can lead to the generation of new forms and thus, more sensitive differentiation and representation. Tension is created by exploring different bodily forms—a dialectic between form and essence. I am designing a space that visualizes and illuminates difference as a source of trauma and amplifying the tension by comparing figures that represent varying degrees of normalcy. This forms a critique of idealized form and …

Converging Objects Of The Universe, Everett Hoffman

Theses and Dissertations

Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, gender, and sexual desire. Using adornment as a support in my installations I propose …

Hypnotic White Silk Skylights, Anthony Borruso

Graduate Thesis Collection

A poetic examination of the self as well as cycles of trauma and recovery. This manuscript explores poetry's ability to transform one's experiences by re-engaging with them in the realm of the imagination.

The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples

Electronic Theses and Dissertations

In her landmark works The House of Mirth (1905), The Custom of the Country (1913), and The Age of Innocence (1920), Edith Wharton responds to earlier depictions of the classical, pure Victorian and Edwardian woman. Wharton's "inconvenient" women overturn popular stereotypes. Subsequently, they are barred from their social groups, but they are independent, unlike the complicit and obedient women of the classical body, most of whom ascribe to the trope of the "Angel in the House." The grotesque seeks to undercut the unrealistic expectations enforced by the classical through its embodiment of progression and humanity, and Wharton is drawn to …

Reciprocidad Entre Vigilancia, Castigo Y Examen En Vigilar Y Castigar: Nacimiento De La Prisión, Mervin De Jesús Argüello Velásquez

Filosofía y Letras

En el presente artículo nos proponemos aclarar, con Foucault, cuáles son los escenarios y las estrategias que permiten la instauración del poder y el saber sobre el sujeto en el contexto de su obra Vigilar y castigar: nacimiento de la prisión, centrándonos en la modernidad. Tal propósito lo perseguimos a través de la reconstrucción de los tres conceptos que consideramos claves: vigilancia, castigo y examen; mostrando su origen, no solo en los contextos específicos de formación, sino también el origen que las sociedades disciplinadas les permitió compartir al interior del modelo panóptico. De ese modo mostraremos la reciprocidad existente entre …