Arts and Humanities Commons^™

Bastard Reasoning: A "Preposterous" History Of Walter Benjamin's Ideas, Vladimir Cristache

Electronic Thesis and Dissertation Repository

This dissertation presents the theory of ideas developed by Walter Benjamin in the “Epistemo-Critical Prologue” of his Trauerspiel book and thereby seeks to fill an existing gap in English-language Benjamin literature. On the one hand, it performs its task by closely reading this thinker’s early, epistemo-linguistic writings up to and including the “Prologue”: most prominently, “On Language as Such,” “The Program of the Coming Philosophy,” “The Concept of Criticism,” and the theoretically inclined sections of “Goethe’s Elective Affinities.” On the other, it does so by positioning Benjamin’s theory of language within existentialist philosophy and by applying his theory of …

A Queer Politics Of Imperceptibility: A Philosophy Of Resistance To Contemporary Sexual Surveillance, Andie Shabbar

Electronic Thesis and Dissertation Repository

This thesis journeys through a series of events to develop a concept of “imperceptibility” as a mode of resistance to contemporary sexual surveillance. The events I examine include biometric recognition of gender and race at airport security checkpoints, the heteropatriarchal colonial surveillance of Indigenous peoples at Standing Rock, various protest actions, and the political potentials of glitch art. Exploring their unexpected points of connection, my goal is to bring into view acts of resistance against sexual surveillance that already operate below and above the threshold of everyday perception.

The project advocates for a philosophy of resistance that underscores the political …

The Event Of Blues Music And The Effects Of Technology On The Artistic Event, Adam Rejak

Electronic Thesis and Dissertation Repository

The goal of this dissertation is to find out whether or not blues music is an event. I explore what constitutes a musical or artistic event in modern times and to see how this has changed in relation to earlier periods. I also identify its essential formal elements. I divide blues music into two categories, namely, its technical playing qualities (the micro) and its historical changes (the macro). This division frames the entire project and illustrates that in order to discuss an artistic event, we must account for both its technical and historical aspects. I examine several theories of the …

Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur

Electronic Thesis and Dissertation Repository

This dissertation reads the unpublished texts of Romanticism not as fragments on the road to publication but as psychoanalytic “partial objects” that re-figure our understanding of the relationship between Romantic authors and publication. Against positivist interpretations of literary production that limit writing to the professionalization of the author and to a sociology of texts, Unread develops the concept of the (un)published whose parenthetical bracketing signals an unstable suspension of textual instability that is at once prior to and yet persistently remains a part of the writing of the published text. I argue that non-publication also arises from the author’s relation …

"I Have A Seat In The Abandoned Theater": Post-Foundational Subjects, Inoperative Teleologies, And The Aesthetics Of Dispossession, Averil L. Novak

Electronic Thesis and Dissertation Repository

What is the nature of political ‘reality,’ and in what ways are we capable of affecting it? Who (or what? and where?) is the subject of democratic politics? Of revolutionary politics? Are they opposed to one another? The grand narratives that ‘ground’ this project and the resistances that unground them form the basis for a post-foundational analytic of the subject of politics, of identity, and of community, which constitutes a mobilization of democratic resistance as a commitment to persistent (and in some cases, relentless) contestation, interruption, and disruption. These questions are explored through the argument that modern politics is …

The Mirror Of Humanism; Or, Towards A Baudrillardian Posthuman Theory, David Guignion

Electronic Thesis and Dissertation Repository

This thesis considers the relationship between Jean Baudrillard’s thought and theories of posthumanism. I argue that Baudrillard’s work is fundamentally posthuman, but that Baudrillard’s posthumanism is one that stands in opposition to main currents of contemporary posthuman theory. Most contemporary posthuman theory, I argue, focus on the dissipation of a liberal humanist subject--and celebrate its loss. Baudrillard’s thought, by contrast, suggests that the posthuman figure only arrives in the age of hyperreality and is therefore intertwined with the oppressive logic of the simulacrum. In my consideration of contemporary posthuman theory, I focus primarily on the work of Katherine Hayles, Cary …

Monuments Of The Present: The Document And Monument In Michel Foucault's Archaeology, Alexander Walker

Electronic Thesis and Dissertation Repository

This thesis interrogates Michel Foucault’s distinction between the monument and the document in his key methodological text The Archaeology of Knowledge (1972), originally released in French as L’Archéologie du Savior in 1969. Foucault attempts to formulate a new form of history based on the examination of the monument, where previous methodologies had examined the document.

The thesis first examines Foucault’s theorization of this distinction and then questions the stability of these two categories through the comments of art critic Erwin Panofsky. I propose that the monument and document distinction implicates the historian in the power-relations that Foucault articulates later in …

Pheneticism As A Cultural And Literary Critique Of Human Interaction, Richard Dew

Electronic Thesis and Dissertation Repository

In 2010, Wayde Compton proposed, as an experiment, replacing the term ‘passing’ with ‘phehenticizing’ in relation to critical race theory and in conjunction with the manner in which we interpret the relationship racialized subjects possess with agents of the state. Pheneticizing, co-opted as a theoretical term from the branch of taxonomy called phenetics, when it comes to human interaction, has been demonstrated from a Eurocentric position of power from the time of European colonial expansion; through the era of the African slave trade of Europe and the Americas; into the time of American reconstruction; and persists within our current reality. …

Subjectivity, Passion, And Mystical Intuition: Nietzsche's Early Writing, Joseph Leivdal

Electronic Thesis and Dissertation Repository

For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at "On Truth and Lying in a Non-Moral Sense" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at "On the Uses and Disadvantages of History for Life" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically …

Preparing To Receive: On The Revolutionary Questioning Of Being And Time, Joshua Livingstone

Electronic Thesis and Dissertation Repository

From the question of the meaning of being to the question concerning technology, the theme of questioning runs through the whole of Martin Heidegger’s work and plays a key role in the development of his thought. Despite its importance, however, it is a theme that has largely been left unexplored. This thesis is intended as the beginning of a corrective to a long overdue examination of Heideggerian questioning. I give a close, inner-textual analysis of questioning as it appears in Being and Time. By following Heidegger’s explicit commentary on and implicit use of questioning, I demonstrate that the question of …

An Ecology Not Taking-Place: Analysing Ecocriticism's Move From Place And Space To Spacing And Displacement Through Derrida, Morton, And Haraway, Andrew Case

Electronic Thesis and Dissertation Repository

Deconstructive readings of place-space dichotomies in ecological thinking reveal not only a repetition of the subject-object divide examined by Derrida and others, but also a spacing in between these categories. Morton and DiCaglio establish the importance of the in-between to ecological thinking and writing, and they demonstrate how literary and physical irony can reveal this spacing to the reader through an experience of displacement. By choosing to reject norms and instead linger in the spacing, individuals can enact a non-lieu-tenance that radically undermines sovereign systems, defers place, and opens up the possibility of new kinds of intimacy and community. By …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

The Politics Of Wounds, Jonathan Nash

Electronic Thesis and Dissertation Repository

What configuration of strategies and discourses enable the white male and settler body politic to render itself as simultaneously wounded and invulnerable? I contextualize this question by reading the discursive continuities between Euro-America’s War on Terror post-9/11 and Algeria’s War for Independence. By interrogating political-philosophical responses to September 11, 2001 beside American rhetoric of a wounded nation, I argue that white nationalism, as a mode of settler colonialism, appropriates the discourses of political wounding to imagine and legitimize a narrative of white hurt and white victimhood; in effect, reproducing and hardening the borders of the nation-state. Additionally, by turning to …

Double/Cross: Erasure In Theory And Poetry, John Nyman

Electronic Thesis and Dissertation Repository

This dissertation investigates the implications of overt textual erasure on literary and philosophical meaning, especially with reference to the poststructuralist phenomenological tradition culminating in the work of Jacques Derrida. Responding both to the emergence of “erasure poetry” as a recognizable genre of experimental literature and to the relative paucity of serious scholarship on Derrida’s “writing under erasure,” I focus on twentieth- and twenty-first-century literary and philosophical works in which visible evidence of erasure is an intended component of the finished (i.e., printed and disseminated) document. Erasure, I argue, performs a complex doubling or double/crossing of meaning according to two asymmetrically …