Arts and Humanities Commons^™

A Queer Politics Of Imperceptibility: A Philosophy Of Resistance To Contemporary Sexual Surveillance, Andie Shabbar

Electronic Thesis and Dissertation Repository

This thesis journeys through a series of events to develop a concept of “imperceptibility” as a mode of resistance to contemporary sexual surveillance. The events I examine include biometric recognition of gender and race at airport security checkpoints, the heteropatriarchal colonial surveillance of Indigenous peoples at Standing Rock, various protest actions, and the political potentials of glitch art. Exploring their unexpected points of connection, my goal is to bring into view acts of resistance against sexual surveillance that already operate below and above the threshold of everyday perception.

The project advocates for a philosophy of resistance that underscores the political …

Creative ‘Class’: Leading Innovation With Digital Pedagogy In Cultural And Creative Industry (Cci) Programs, Dana Morningstar

The Dissertation-in-Practice at Western University

Leaders of cultural and creative programs (CCIs) in Ontario community colleges are key to realizing potential in higher education related to digital pedagogy, creativity, industry partnerships, entrepreneurship and innovation. In this Organizational Improvement Plan (OIP), the role of an academic leadership group is considered from Ontario-centric creative industry and innovation policies and college processes. The problem of practice is the gap of harmonized leadership strategy between higher education classroom practices and regional and provincial overarching educational strategy to increase innovation through digital pedagogy. Colleges have collective capacities in innovating with digital pedagogy in creative industry programs and providing graduates with …

Then Again, Maybe I Won't, Claire Bartleman

Electronic Thesis and Dissertation Repository

This dossier and accompanying exhibition at MKG (Toronto, Ontario) both titled Then again, maybe I won’t, constitutes my Master of Fine Arts Degree at the University of Western Ontario. Within this dossier are a comprehensive artist statement, an interview with artist Jennifer Rubell and documentation of my art production over the course of my degree. These components contextualize my practice within the contemporary art world and outline the motivations and theoretical research that drives my work. Specifically, I look at affect theory, femmage, the burden of ownership and art theorist Jennifer Gonzalez’s notion of autotopography and how they are …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

And Where Is The Body?, Tyler Durbano

Electronic Thesis and Dissertation Repository

In combination with a Master of Fine Arts thesis exhibition, and where is the body?, this dossier offers the following as accompanying components: an extended artist statement, a transcribed interview with artist Francisco-Fernando Granados, documentation of my artwork and my curriculum vitae. The section containing documented artwork provides a selected overview of my creative research and material exploration made during my time at Western University. These components complement my creative research and expand on ideas of queer identity, performance, vulnerability, assemblage and drag that are explored in my thesis exhibition.

Slower Than Time Itself, Matthew S. Trueman

Electronic Thesis and Dissertation Repository

This paper is combined with my Master of Fine Art thesis exhibition, Slower Than Time Itself. There is a significant discontinuity between how duration is measured by clocks and how it is perceived by the individual. This discontinuity generates pressure both on the individual and the environment. The concept of dualism constructs a dichotomy between people and nature, devaluing that which can not be measured. In Slower Than Time Itself the thesis, sculptural and video works aims to dissolve this dichotomy not by rejecting technology but by embracing it. Can one use clocks to escape time itself? I investigate the …