Arts and Humanities Commons^™

Los Niños Perdidos Zombis: La España Postsecular Y Los Descontentos Con La Memoria Histórica En [Rec]2, Antonio Córdoba

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The purpose of this chapter is to explore the full implications of the fact that the bio-zombie apocalypse in [Rec]² is a state of emergency that combines viral infection and supernatural possession, a hybrid of the natural and the otherworldly. While in Rec the emphasis is placed on the need to survive, and the anxiety of the survivors that have no real understanding of what is happening, in [Rec]² the directors invite us to consider to what extent secularization is nothing but the repression of the sacred and how patriarchal authority figures (the priest and the militarized …

Zombies And Immune Discourses In Hazael González’S “Luna De Sangre Sobre Lepanto”, Kiersty Lemon-Rogers

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Using immune discourse to examine zombies in González’s “Luna de sangre,” I argue that his zombies function as embodied manifestations of physical, spiritual, and cultural contagion. The ideas of Roberto Esposito, Priscilla Wald, Mabel Moraña, Sarah J. Lauro and Karen Embry, put into conversation with González’s tale, help illuminate how the author uses monstrosity to demarcate the Other and define it as those who exist outside of the human, the normative, and more generally outside of the Western social order. The historical and contemporary context of “Luna de sangre” is one of nationalism, bigotry, walls, and anti-Islamic and anti-Semitic sentiment. …

The Heart Of A Zombie: Dominican Literature's Sentient Undead, Emily A. Maguire

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

A formerly human being that has been separated from its human consciousness, the has always been marked as more dead than alive. Yet in recent cultural production, another kind of zombie has emerged, what we might call the “sentient undead.” In these recent narratives, the undead protagonist is conscious of his or her inhumanity/non-humanness, along with the marginality of this position, and his or her potential “redemption” or return to humanity is often what drives the plot. Although the sentient zombie’s outsider position can function as a meditation on the social mores that make up human behavior, it also allows …

Postcolonial Pandemics And Undead Revolutions: Contagion As Resistance In Con Z De Zombie And Juan De Los Muertos, Sara A. Potter

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Argentinian director Alejandro Brugués’s 2011 Cuban-Spanish film Juan de los muertos and Mexican playwright Pedro Valencia’s 2013 play Con Z de zombie spring from similar roots: both initially place the blame for each country’s zombie apocalypse at the feet of the United States. In Brugués’s film, the accusation is clear but never proven: news reports interspersed through the film state that the country is being invaded by “dissidents” paid by the U.S. government, though there is no political or military U.S. presence in the film beyond the symbolic presence of the country’s flag. In Valencia’s Mexico, the cause is entirely …

Eating The Past: Proto-Zombies In Brazilian Fiction 1900-1955, M. Elizabeth Ginway

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Taking Oswald de Andrade’s 1928 “Manifesto antropófago” [Cannibalist Manifesto] as a point of departure, this article analyzes how zombies in Brazilian literature from 1900 to 1955 represent a kind of cultural cannibalism, consuming bodies as a way of resisting hegemonic power, oblivion and marginalization. Zombies variously represent rural inhabitants, modern consumers, prostitutes and hustlers who often become invisible, faceless, and voiceless, symbolizing the historical silencing of subalterns or “cannibals.”

Several Brazilian short stories and legends from the first half of the twentieth century serve to illustrate the cultural cannibalism of the proto-zombie: Lima Barreto’s “A Nova Califórnia” (1910), Monteiro Lobato’s …

Undermining Authoritarianism: Retrofitting The Zombie In "Seminário Dos Ratos" By Lygia Fagundes Telles, James R. Krause

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Although the figure of the zombie has proved to be quite popular in recent years in Brazil—thanks in large part to the wave of imported graphic novels, television shows, and movies—Brazilian literature does not possess a strong tradition of autochthonous zombie narratives. Nevertheless, a number of texts lend themselves to a zombie reading, including “Seminário dos Ratos” (1977), by Lygia Fagundes Telles. In this modern allegory of a world plagued by rats, Fagundes Telles surreptitiously decries the political corruption, censorship of the press, foreign intervention, class warfare, and abuses of power of the Brazilian military dictatorship (1964–1985). Reading “Seminário dos …

Denial: David Irving, And The Complexities Of Representing A Holocaust Denier, Kirril Shields, Ted Nannicelli, Henry Theriault

Genocide Studies and Prevention: An International Journal

Mick Jackson’s 2016 film Denial, based on the libel case brought against Deborah Lipstatd’s publisher by David Irving, was discussed as a panel event at the 13^th International Association of Genocide Scholars conference, held at the University of Queensland on the evening of July 12, 2017. Dr. Kirril Shields presented on the difficulty of representation, addressing the film’s portrayal of David Irving. Dr. Ted Nannicelli followed with a discussion centered on the film’s use of cinematic rhetoric as positioned in various examples throughout Denial. Dr. Henry Theriault gave the final paper, examining the philosophy of the act of …

Judicializing History: Mass Crimes Trials And The Historian As Expert Witness In West Germany, Cambodia, And Bangladesh, Rebecca Gidley, Mathew Turner

Genocide Studies and Prevention: An International Journal

Henry Rousso warned that the engagement of historians as expert witnesses in trials, particularly highly politicized proceedings of mass crimes, risks a judicialization of history. This article tests Rousso’s argument through analysis of three quite different case studies: the Frankfurt Auschwitz trial; the Extraordinary Chambers in the Courts of Cambodia; and the International Crimes Tribunal in Bangladesh. It argues that Rousso’s objections misrepresent the Frankfurt Auschwitz trial, while failing to account for the engagement of historical expertise in mass atrocity trials beyond Europe. Paradoxically, Rousso’s criticisms are less suited to the European context that represents his purview, and apply more …

Book Review: The Other Slavery: The Uncovered Story Of Indian Enslavement In America, Emily A. Willard

Genocide Studies and Prevention: An International Journal

No abstract provided.

Review Of Facing The Text: Extra-Illustration, Print Culture, And Society In Britain 1769 - 1840 By Lucy Peltz, Madeleine L. Pelling

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of 'Facing the Text: Extra-Illustration, Print Culture, and Society in Britian 1769 - 1840,' Lucy Peltz by Madeleine Pelling

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640-1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640-1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640-1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …

Reflections On The Significance Of Images In Genocide Studies: Some Methodological Considerations, Lior Zylberman, Vicente Sánchez-Biosca

Genocide Studies and Prevention: An International Journal

This is the editors' introduction to the special issue: "Images And Collective Violence: Function, Use And Memory."

The Unbribable Witness: Image, Word, And Testimony Of Crimes Against Humanity In Mark Twain’S King Leopold’S Soliloquy (1905), Nora Nunn

Genocide Studies and Prevention: An International Journal

In the creation of King Leopold’s Soliloquy, a textured, visually irrefutable, and darkly satirical account of crimes against humanity in the Belgian Congo Free State, Mark Twain aimed to evoke his Euro-American audience’s empathy by activating their imaginations and inaugurating political reform. Informed by the work of cultural and literary critics such as Roland Barthes, this paper considers how the visual imagery in Twain’s text engender questions about fact, testimony, and witnessing in the realm of human rights and collective violence—both in the Congo Free State and, indirectly, in the United States. I ultimately argue that the relation (or …

Memory And Distance: On Nobuhiro Suwa's A Letter From Hiroshima, Jessica Fernanda Conejo Muñoz

Genocide Studies and Prevention: An International Journal

A Letter from Hiroshima is the second production directed by Nobuhiro Suwa on the Japanese city that was ravaged by the atomic bombings, by the United States, in 1945. The short film is a reflective game which approach to the past is based on distancing effects. The distance, understood in the sense of Brecht and counter cinema, is part of an experimental process that becomes a political technique of construction and decipherment of memory. Suwa’s work is opposed to the belief that history is something that can be narrated, since the approximation to the past is not carried out through …

Challenging Old And New Images Representing The Cambodian Genocide: The Missing Picture (Rithy Panh, 2013), Vicente Sánchez-Biosca

Genocide Studies and Prevention: An International Journal

This article focuses on the images used over four decades to represent the Cambodian genocide in photography, cinema, visual arts and the media as the basis for analyzing the documentary-memoir directed by Rithy Panh, The Missing Picture. First, there is a paucity of images which depict, evoke or allude to the crimes perpetrated by the Khmer Rouge (1975-1979); second, scholars raise objections about whether any image can adequately depict a catastrophic event such as genocide. This article begins by categorizing the Cambodian genocide iconography according to the modality of the visual production. After briefly classifying this visual output in four …

Cockroaches, Cows And "Canines Of The Hebrew Faith": Exploring Animal Imagery In Graphic Novels About Genocide, Deborah Mayersen

Genocide Studies and Prevention: An International Journal

Graphic novels about genocide feature a surprisingly rich array of animal imagery. While there has been substantial analysis of the anthropomorphic animals in Maus, the roles and functions of non-anthropomorphised animals have received scant attention. In this article, I conduct a comparative analysis of ten graphic novels about genocide to identify and elucidate the archetypical functions of non-anthropomorphised animals. These animals can play a symbolic role, providing insight into the human condition. More commonly, they provide crucial emotional cues to the reader. Animal imagery can be a powerful technique for creating an affective context, communicating both simple and complex …

Book Review: Rwanda Before The Genocide: Catholic Politics And Ethnic Discourse In The Late Colonial Era, Randall Fegley

Genocide Studies and Prevention: An International Journal

No abstract provided.

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

Book Review: Genocide: A World History, Renato S. Bahia

Genocide Studies and Prevention: An International Journal

No abstract provided.

Book Review: Probing The Ethics Of Holocaust Culture, Nanar Khamo

Genocide Studies and Prevention: An International Journal

No abstract provided.

“You Could See Rage”: Visual Testimony In Post-Genocide Guatemala, Lacey M. Schauwecker

Genocide Studies and Prevention: An International Journal

Since the Guatemalan genocide against Maya populations (1981-1983), domestic and international human rights groups have organized truth commissions, forensic exhumations, and legal cases. These efforts to secure justice have achieved minimal success, prompting a reconsideration of the relationship among narrative testimony, visual testimony, and institutional standards of truth. Engaging the ideas of visual studies scholar, Nicholas Mirzoeff, I argue for the political importance of testimony that is critical of such standards, including those enforced by human rights’ legal paradigm. Following Mirzoeff’s understandings of “visuality” and “countervisuality,” I analyze “visual testimony” as that which acknowledges the dynamic interplay between word and …

Book Review: Landscape, Memory And Post-Violence In Cambodia, Theresa De Langis

Genocide Studies and Prevention: An International Journal

No abstract provided.

Film Review: L’Insulte (The Insult), Renee Michelle Ragin

Genocide Studies and Prevention: An International Journal

Though the civil war (1975-1990) has long since ended, Ziad Doueiri’s contemporary Lebanon remains embroiled in conflict. In The Insult, a personal dispute between two individuals on either side of an ethno-political divide threatens to reignite national conflict. Under normal circumstances, such a storyline might seem improbable, but the realities of the post-war environment in Lebanon render it plausible. With a series of provocative, if difficult to answer questions, The Insult joins a robust corpus of post-1990 Lebanese films meditating on what, if anything, it means to be “post-war” in Lebanon.

Nineteen Minutes Of Horror: Insights From The Scorpions Execution Video, Iva Vukušić

Genocide Studies and Prevention: An International Journal

After the fall of Srebrenica in summer of 1995, the Scorpions unit, dispatched to support the Bosnian Serb Army as it took over the enclave, shot six men in Trnovo. The men, three of whom were underage, were some of thousands of Bosnian Muslims that fell into the hands of Bosnian Serb troops, and that were executed in the days and weeks following July 11th. A member of the unit filmed the execution. Fragments of the video were first shown during the Slobodan Milosevic trial, and multiple times in the years after, in the courtrooms in The Hague and Belgrade. …

Antropofagia, Calibanism, And The Post-Romero Zombie: Cannibal Resistance In Latin America And The Caribbean, David S. Dalton

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

This study uses zombie theory to flesh out common themes between Oswald de Andrade’s The Cannibalist Manifesto and Roberto Fernández Retamar’s Calibán. While both of these canonical Latin Americanist thinkers theorized literary and cultural cannibalism as a resistant act that could challenge the hegemony of Western cosmologies and aesthetics, very little scholarship has thought to reconcile—or even juxtapose—these men’s thought. The article asserts a shared camaraderie between Latin American people of color and the zombie’s of the region’s cultural production by emphasizing both entities’ association (fair or not) with cannibalism in the Western imaginary. When viewed through this framework, …

Book Review: Constructing Genocide And Mass Violence: Society, Crisis, Identity, Carola Lingaas

Genocide Studies and Prevention: An International Journal

No abstract provided.