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Full-Text Articles in Arts and Humanities

12, Signs Of The Apocalypse, Cora Beth Finney Jan 2018

12, Signs Of The Apocalypse, Cora Beth Finney

Kerver Book of Hours: 2018 Senior Capstone

Books of Hours are one of the richest sources of medieval apocalyptic imagery. In Thielman Kerver’s 1507 printing, over seventy images relating to the Signs of the Apocalypse appear within the margins of its Hours of the Trinity and the Office of the Dead. Apocalyptic iconography is commonly found accompanying the prayer cycles of the Office of the Dead in late medieval Books of Hours, although it is less common in the Hours of the Trinity, making this placement in this Book of Hours unusual. In this text, the images depicting the Signs of the Apocalypse can be separated into …


09, Typological Images And Thought, Courtney Rhoades Jan 2018

09, Typological Images And Thought, Courtney Rhoades

Kerver Book of Hours: 2018 Senior Capstone

Portland State University’s Kerver Book of Hours contains typological images in sets of three. Typological images are more commonly displayed in sets of two consisting of a type and an antitype. Typological thought uses images from the Hebrew Bible placed alongside the images of the New Testament in order to act as a prophecy.By viewing the Hebrew Bible as a prophecy for the New Testament, the church is able to justify the existence of the Hebrew Bible. The Hebrew Bible must be preserved in order for it to be interpreted, and the Book of Hours was used as a tool …


10, Danse Macabre, Stefano Paparo Jan 2018

10, Danse Macabre, Stefano Paparo

Kerver Book of Hours: 2018 Senior Capstone

The Danse Macabre (the Dance of Death) is a 15th-century conceit, both pictorial and textual, of the humbling power of death. In the years following the plagues of late 14th-century Europe, it seems almost inevitable that the Danse Macabre would become a popular theme in medieval art. The Danse Macabre in Thielman Kerver’s printed Book of Hours (1507) is depicted in a series of marginal illustrations in which Death, pictured as a decomposing corpse or transi, accompanies 66 “dancers” to the afterlife. Medieval artists and their patrons could subvert attitudes toward certain figures of power by including their images in …


05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp Jan 2018

05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp

Kerver Book of Hours: 2018 Senior Capstone

After the Parisian printer Thielman Kerver died in 1522, his widow Iolande Bonhomme took over his shop at the "Sign of the Unicorn" in the Rue St. Jacques, and in 1526 she produced the first Bible printed by a woman. This essay discusses Bonhomme's assumption of the business and the roles and skills open to the widows of certain tradesmen in medieval France.