Arts and Humanities Commons^™

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

The American Dream As A Cultural Movement, Thomas W. Raskay

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This piece investigates the relationship between the American Dream and automobility through a generational lens, assessing cultural change in each renewal of the American Dream. Comparing generations of Americans exploring and reforming cultural space reveals evidence of the American Dream as a tendency for generations to expand to new frontiers balanced by a duty to reform current social space. Automobility multiplies Americans’ options for exploration and explodes the rate at which modern generations engage with different spaces. Now that automobility is routine, Millenials have expanded to the new social space frontier in cyberspace, but a limitless frontier may disrupt the …

Lords From The Desert, Caroline Mercado

Capstones

Lords from the Desert

This work explores a reality that is little talked about: how the most prestigious pre-Columbian art exhibits in the United States hide a murky origin. From looting of temples to illicit art trafficking, to smuggling and collectors’ affairs, the pieces gain value in proportion to the social prestige of their owner. Along the way, the most important is lost: research that provides context and allows us to know history. The First World wins a seductive, but simplistic story. The Third World, from which all these cultures emerge, loses patrimony and possibilities of understanding themselves. A pair …

Stitch-By-Stitch, Katacha Diaz

Westview

Many years ago while on vacation in Santa Fe, New Mexico, I decided to take an early morning stroll in the city’s art district.

314 East 25th Street, On January 1st, Matthew Brennan

Westview

It’s moving day—the sun glimmers as dimly as Venus in the morning sky.

Tuesday Night, Amber Thompson

Westview

The coppery softness of cinnamon sticks to my fingers.

Qwerty, James E. Fowler

Westview

What you’ve seen but can’t place, always overlooking

Looking As They Should, Philip Wexler

Westview

On the ferry to the Stockholm Archipelago, Gunilla

Frisk, James E. Fowler

Westview

the air vent is a cat

Lady: Bug, James E. Fowler

Westview

Tired of buzzing humdrum, she gaped.

Tennyson, By Allergies Immured, John Bradshaw

Westview

Window bound I sit and ponder Letting my sheltered eyes go wander.

Contributors, Westview Staff

Westview

No abstract provided.

Heterochromia, John Tavares

Westview

This short fiction, with a dystopic vision, is set in a future Toronto, devastated by social unrest and a nuclear disaster, while the action of the story explores a retired librarian’s conflict with a repressive censorship authority.

For Joe Conley, Ike Godsey On The Waltons 1928-2013, David Vancil

Westview

In your favorite episode, you are past your prime

In The Pacific: A Wwii Photograph, David Vancil

Westview

In the black and white snapshot, my father and my uncle, sweaty from volleyball, stand side-by-side

My Father's Wars, Sheila A. Murphy

Westview

Longer now than sixty years ago, dying in a veterans’ hospital, committed by my mother

Petticoat In The Navy: My Mother's War, Sheila A. Murphy

Westview

In 1918 Julia Lehan, age nineteen, lives in Roxbury

Well Of Despair, Sarah Brown Weitzman

Westview

As a follow up to that classic

I Remember Rodney, David Vancil

Westview

You admitted you’d abused your body

Half-Way, A. S. More, Edward Wells

Westview

This distance is real.

Plowing, Kevin Oakes

Westview

As a kid growing up on a farm You are expected to learn how to plow

Nowhere Is Nowhere, Catherine Mccraw

Westview

People often speak of rural Western Oklahoma as the middle of nowhere.

The Patience Of Trees, Jill Jones

Westview

We compare ourselves to trees, Draw analogies and metaphors for human experience

The Valley, Sheila Cohlmia

Westview

I wander through a deep narrow valley

September's Grapes, Sheila A. Murphy

Westview

There’s grief from harvest early, or too late: bitter, hard, or over-ripened fruit.

The Skaters, Matthew Brennan

Westview

As in a winter scene of the Flemish Masters, Skaters glide like swans across the surface Of Lake of the Isles

Big, James E. Fowler

Westview

The setting sun casts a Giacometti shadow before me.

The Ymca, Cal Castle

Westview

Feet trampling, Treading upon The hardwood terrain.

The Toxicity Of Otherness, Justin Malone

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This article discusses the dangerous philosophical principle of Othering, wherein a group of people are ostracized for being different from the majority. While categorization of information is a fundamental aspect of how the brain works, the categorization of people homogenizes their complexities. In doing so, a group is seen as a single entity, rather than individuals, which strips them of their humanity. After a group has been Othered, society will inevitably invoke some method of forced displacement upon them. Additionally, the article emphasizes the importance of affected individuals telling the stories of their experiences with oppression from Othering. Sharing one’s …

Pineapple Poetry - Studying Literature Through A Food Studies Lens, Anke Klitzing

Articles

In his essay 'A Winter Feast', literature professor Paul Schmidt unveils the layers of meaning that Pushkin wove into the description of a New Year’s feast in Eugene Onegin. But unusually, Schmidt continues his essay making the jump from literary criticism to food studies by musing on the various items on the menu without reference to Onegin, but rather to the cultural and philosophical context of food, bringing in such varied references as Brillat-Savarin and Arnold Schwarzenegger. Studying food writing through the lens of literary criticism allows us to penetrate the social and symbolic meanings of food more deeply, while …