Arts and Humanities Commons^™

The Sequential Method: An Analysis Of Robert Jesselson’S Cello Pedagogy, Kalim D. Alvarez Campos

Theses and Dissertations

Dr. Robert Jesselson has made significant professional contributions as a cello performer and music educator. His pedagogical approaches are innovative in helping students overcome technical problems, building good work habits, instilling self- discipline, addressing kinesthetic issues, and improving practice techniques. His Sequential Method involves a systematic and logical progression of technical exercises, scale systems, etudes and repertoire. It is unique in its applications for teaching and learning left and right hand techniques, building a progression of etudes which address technical and musical issues and working through the cello repertoire in an organized and meaningful manner that is appropriate to the …

The Effect Of Visual Performance On Music Performance Evaluation In High School Marching Band, Kathryn D. Brimhall

Senior Theses

At marching band contests, bands are usually judged on both their music performance (ensemble, individual, and general effect) and visual performance (ensemble, individual, and general effect). Phenomena such as the McGurk effect (McGurk & MacDonald, 1976) indicate that people often prioritize visual information over aural information; however, until now there have not been empirical investigations of how this phenomenon might affect high school marching band evaluation. The purpose of this study was to examine the effects of visual performance on the music performance evaluation of high school marching bands. To study this effect, I recruited college students who were randomly …

17 Days: Cross-Country With Social Media, Zachary Alvarado

Senior Theses

"Austin Prescott and Zach Alvarado travel from South Carolina to California using social media to find and communicate with hosts throughout the country..."

https://www.youtube.com/watch?v=V8k6EQnW5D4

Costs of investment were weighed against capital contributions throughout our campaign. While the film serves to inspire, entertain, and inform, the paper dives deeper into the brand-building, cost-savings, and logistics of the trip. In the end, we more than doubled our initial investment and had an awesome time while doing it.

Perceptions Of Music Play Activities Performed By A Mother And Her Children, Alexandra R. Cotran

Senior Theses

The purpose of this research was to examine the music play activities performed by a mother Dr. Smith, and her children, John (age 3) and Pam (age 6). The guiding research questions were (a) What types of music play activities did Dr. Smith and her children perform when they were not in music play classes?; (b) How did Dr. Smith describe those activities?; (c) What were Dr. Smith’s observations of her children’s music development and learning?; (d) How did Dr. Smith use and adapt music play activities learned in class for her children at home or elsewhere?; (e) How did …

Parents’ Observations Of Their Young Children’S Music Behaviors During Music Classes After Completing The Children’S Music Behavior Inventory, Julia Beck

Theses and Dissertations

With the intent of understanding perceptions of early childhood music development, the purpose of this research was to examine parents’ observations of their young children during music classes after completing the Children’s Music Behavior Inventory (Valerio & Reynolds, 2015). My guiding research question was: How do knowledge of CMBI and viewing informal music class video recordings influence parents’ perceptions and understanding of their three-year-old children’s music behaviors and development during a two-month period?

Participants included five parents of three-year-old children in the 3B classroom at Bright Horizons, a preschool located in Columbia, South Carolina. During the data collection process, I …

A Complete History Of Rico Reeds, Neal Postma

Theses and Dissertations

Rico is a household name among saxophonists and clarinetists around the world. Since the company’s inception, they have moved from importing several hundred reeds for Frank di Michele to sell to his friends to being among the largest manufacturers in the industry. This document traces the history of the company from its inception in 1928 to the date of its purchase by J. D’Addario & Co. in 2004. Through interviews, document reviews, and data gathering, this document explores the history of the company, the owners and managers, the products, and the events that led to D’Addario’s acquisition.

The Tie That Binds: The History, Conductors, And Music Of The Mystic Area Ecumenical Choir Festival, Mark Daniel Merritt

Theses and Dissertations

The Mystic Area Ecumenical Choir Festival, which began in 1968, is now in its 50th year. The festival is sponsored each year by the Mystic Area Ecumenical Council. The festival combines multi-generational choirs from numerous churches in and around the coastal villages of Noank and Mystic in Connecticut. Numerous nationally recognized choral directors, composers, and clinicians have been invited to guest conduct the choirs of the festival. For festival milestones, new choral pieces are commissioned.

This research project explores the history of church choirs in New England, beginning with mandated singing of metrical psalms, the singing schools which started in …

The Attitudes And Perceptions Of Undergraduate Non-Keyboard Music Majors Toward The Usage Of Functional Keyboard Harmony In The Group Piano Curriculum At The University Of South Carolina School Of Music, Katherine A. Chandler

Theses and Dissertations

The purpose of this study was to examine the attitudes and perceptions of undergraduate non-keyboard music majors toward functional keyboard harmony in the group piano curriculum at the University of South Carolina School of Music. Sixty-five (65) undergraduate music majors who were enrolled in music degrees in the spring 2018 semester at the University of South Carolina School of Music completed the survey, for an 82% completion rate. The questionnaire had six primary focuses: (1) demographic data and general information of undergraduate non-keyboard music students, (2) students‟ previous music education experiences, (3) students‟ previous harmony education experiences and perceived comprehension …

Tertian Relationships In Three Choral Selections By Dan Forrest: A Conductor’S Analysis, Lindsey Cope

Theses and Dissertations

Dan Forrest is a composer who has gained attention in the choral world. His compositions like Venite Adoremus, Abide, and arrangements like A Mighty Fortress is Our God exhibit representative characteristics of his compositional voice. This document will serve choral conductors as a resource for understanding the compositional aspects of Forrest’s music and application for rehearsing his music. By examining three of his compositions of contrasting styles, this study will illuminate a variety of his compositional traits and examine their use in the three selections. Tertian relationships are pervasive in Forrest’s music in the formal designs, harmonic structure, and key …

Seventeen Waltzes For Piano By Leo Ornstein: A Stylistic Analysis, Jared Jones

Theses and Dissertations

The purpose of this document is to provide a stylistic analysis of Seventeen Waltzes for Piano by Leo Ornstein by examining the music in the analytical areas of form, harmony, melody, rhythm, texture, and keyboard layout–along with suggestions concerning pedal usage. These seventeen individual works were compiled and catalogued by the composer’s son, Severo Ornstein. The collection (S.400-S.416) is found to be a significant contribution to 20th-century piano literature by a lesser-known but nonetheless great Russian-Jewish-American composer and pianist, Leo Ornstein. The Seventeen Waltzes for Piano are a unique realization of the composer’s improvisatory writing style, mastery of large forms, …

Teaching Musically: Incorporating Dalcroze Pedagogy Into Flute Instruction For The Elementary-Age Student, Emily M. Stumpf

Theses and Dissertations

The current practice of flute pedagogy for the elementary-age student is often focused on skill-building: finger technique, tone development, and note-reading and rhythm skills. Often the teacher will delve into concepts of musicianship only after the student develops a high level of technical skill. I have found it is possible to include musical concepts such as expressive playing, developing an internal sense of rhythm, and improvisation at all stages of the learning process. When the flute teacher functions as the initiator of an aesthetic experience, the development of musicianship becomes just as important as skill-building.

The Dalcroze philosophy of music …

The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra, Alex Alex Wise

Theses and Dissertations

The mixing of musical traditions between cultures, philosophies, and religions has been a crucial element of music for centuries. However, a marked rise over the last century has seen rapid development of specific East/West fusions that have become known as “fusion concertos.” These fusions combine Eastern and Western compositional techniques as well as Eastern and Western instruments to create new and interesting works for a multitude of ensembles.

This research takes two early examples written by Chinese composers, the worldfamous works Butterfly Lovers Violin Concerto and Yellow River Piano Concerto, and analyzes them regarding form, melodic content, harmonic content, and …

The Effects Of Learning By Rote With La-Based Minor Solmization On Memory Retention For Pre-College Piano Students, Duong Khuc

Theses and Dissertations

The purpose of this study was to measure the accuracy and memorized outcome of subjects’ performance who learned a piano piece by rote using la-based minor solmization compared to subjects who learned the identical piece using an intervallic reading approach with identified landmark notes. Ten pre-college piano students above nine years of age at the intermediate level and above participated in this quantitative quasi-experimental study. Five subjects, n=5, received the independent treatment (rote with la-based minor solmization), and the other five subjects, n=5, received the dependent treatment (intervallic reading approach with identified landmark notes). During the timespan of a three-week …

Analyzing And Comparing Selected Works For Violin And Piano By Chen Gang, Chen Guoquan And Bright Sheng, Liangjun Zou

Theses and Dissertations

Cross-cultural musical synthesis plays an important role in the creation of musical progress in the twentieth century. This dissertation is a study on the development of the use of Chinese folk elements in Western-style compositions by Chinese composers. Through analyses of different compositions by traditional Chinese composers, Chen Gang and Chen GuoQuan, as well as Chinese-born American composer Bright Sheng, the aesthetic variations produced by the synthesis of Western and Eastern music is examined.

Chapter One focuses on the development of Chinese violin music promoted by the efforts of several generations of composers. Chapter Two presents the background information of …

Solo Violin Works Influenced By Romanian Lăutari Music, Essena Liah Setaro

Theses and Dissertations

In Romania, professional Roma (Gypsy) musicians called lăutari developed a colorful and unique musical tradition. This study explores the music of the lăutari and its influence on five works for unaccompanied violin: George Enescu’s recently discovered Airs dans le genre Roumain (1926) and “Le Ménétrier” from his Impressions d’enfance (1940), Eugène Ysaÿe’s Sonata No. 3 “Ballade” (1923), Helen Bowater’s Lautari (2003), and Roxanna Panufnik’s new composition Hora Bessarabia (2016).

Drawing from written sources, audio and video recordings, and transcriptions, this study first investigates the history, influences, and unique characteristics of the lăutari tradition and approach to violin playing. After discussing …

The Kingma System Flute: Redesigning The Nineteenth-Century Flute For The Twenty-First Century, Diane Elise Kessel

Theses and Dissertations

This project investigates the development and reception of the Kingma System flute, designed by Dutch flutemaker Eva Kingma. For some time now, flutists have been honing creative techniques to provide imperfect approximations of what composers have specified, but the Kingma mechanism achieves the exact effects desired with ease. Through her close work with composers and performers, Eva Kingma was able to create a mechanism that is comfortable to play, versatile in performance, and beautifully suited for contemporary repertoire. The Kingma flute is an invaluable tool for performers and an exciting new voice for composers, offering unprecedented musical possibilities and yet …

Serial Techniques In Works For Unaccompanied Trumpet, William Anonie

Theses and Dissertations

Of the many compositions for unaccompanied trumpet, some of the most interesting are those that employ twelve-tone serialism. This study provides analyses of these works, including Robert Henderson’s Variation Movements, Charles Whittenberg’s Polyphony, Hans Werner Henze’s Sonatina, and Stanley Friedman’s Solus. Performance implications related to the twelve-tone analysis are examined for each piece. Where multiple editions of a piece exist, they are compared with each other and with the analysis to guide the performer in choosing an edition.

Examining Professional Music Teacher Identity: A Mixed Methods Approach With Stringed Instrument Teachers, Elizabeth A. Reed

Theses and Dissertations

The purpose of this study was to investigate the perception of professional music teacher identity (PMTI) among stringed instrument teachers who are alumni of the University of South Carolina String Project (USCSP) preservice teacher education program. Using a fixed mixed method design, I first surveyed all USCSP alumni from the past 20 years using the PMTI Questionnaire. For the qualitative portion of the study, the researcher interviewed three USCSP alumnae in their post-second stage of teaching (year 11–20). All USCSP alumni identified, rated, and ranked their expertise in subject matter, didactical, and pedagogical aspects. USCSP post-second stage alumnae also identified …

Guided Music Play Between 2-Year-Old Children And A Music Play Facilitator: A Case Study, Kathleen Kaye Arrasmith

Theses and Dissertations

With the intention of increasing social music interaction understanding, the purpose of this study was to investigate guided music play between 2-year-old children and a music play facilitator. The guiding research questions were (a) What play behaviors and roles emerged when the 2-year-old children and I, a music play facilitator, engaged in guided music play? (b) What music emerged when the 2-year-old children and I, a music play facilitator, engaged in guided music play? I purposefully sampled six 2-year-old participants and their two classroom teachers and a music play assistant as passive participant observers, as well as an early childhood …

A Theoretical And Stylistic Analysis Of Paul Ben-Haim’S Five Pieces For Piano, Op. 34 And Piano Sonata, Op. 49, Rachel Bletstein

Theses and Dissertations

The purpose of this study is to provide a theoretical and stylistic analysis of Paul Ben-Haim’s Five Pieces for Piano, Op. 34 and Piano Sonata, Op. 49. The study consists of an analysis of form, meter, rhythm, harmony, melody, keyboard usage, and stylistic elements.

The study helps to educate musicians about Ben-Haim’s music and conveys how the works are representative of compositional practices that combine Middle Eastern and Western elements. This study also introduces two major works of Ben-Haim’s, including Five Pieces for Piano, Op. 34, and Piano Sonata, Op. 49. This study promotes one of the most significant Israeli …

Translucent Voices: Creating Sound Pedagogy And Safe Spaces For Transgender Singers In The Choral Rehearsal, Gerald Dorsey Gurss

Theses and Dissertations

While transgender rights and issues are gaining an increasing amount of attention in both pop culture and, to some extent, in the education sector, little information is available for the choral conductor that provides pedagogical tools for transitioning voices. This document provides conductor-educators with both a brief look at the transgender experience and also tools to create safe learning environments, from gender-inclusive language to vocal exercises to encourage healthy vocal transitions in transgender singers

Twenty-first century choruses are not the first institutions in the realm of Western art music that have faced visual, aural, and enigmatic conceptualizations of gender and …

Delphine Ugalde: Defying Gender Norms Both On And Off The Stage In 19th Century Paris, Michael T. Brown

Theses and Dissertations

The social and professional networks that grew out of Paris’ vibrant theatrical and salon culture in the late 19th century supported a number of female artists in somewhat “non-traditional” roles. While the careers and influence of artists such as the sculptor Hélène Bertaux and singer-composer Pauline Viardot have been thoroughly researched in recent years, little attention has been paid to the life and work of the coloratura soprano, actor, pedagogue, and composer Delphine Ugalde. During her performing career, Ugalde was highly regarded for her ability to portray both male and female characters. After retiring from the stage, she engaged in …

The Influence Of Mindful Movement On Elementary Students’ Music Listening Enjoyment And Comprehension, Jean Louise Boiteau

Theses and Dissertations

The purpose of this study was to examine the effects of mindful movement on elementary students’ listening comprehension and enjoyment. Participants (N = 40) were third-grade music students who participated in an ABAB within-subjects research design. During baseline phases, participants listened to one of four musical selections. During treatment phases, participants completed a mindful movement activity while listening to the musical selections. After each baseline or treatment experience, participants rated how much they enjoyed the musical recording, answered a free-response question justifying why they chose that enjoyment rating, and completed a listening comprehension test. Although there was a slight increase …

Experimental Music In Higher Education: Toward A Pedagogy Of Creativity, Philip Melancthon Snyder V

Theses and Dissertations

Experimental music is rarely taught in higher education music programs but it could nevertheless be useful for providing students a methodology through which to develop creativity. This document seeks to find common ground between the seemingly disparate worlds of classical music and experimental music in pursuit of revealing the usefulness of experimental music practice for musicians trained in the classical tradition. In seeming contrast to classical music, experimental music values include process, indeterminacy, and non-subjectivity. This document shows that these aspects, despite seeming exclusive to experimental music, are in fact integral to all music. This document will also discuss writings …

A Conductor’S Guide To Camille Saint-Saëns’S Messe De Requiem Op. 54, Thomas R. Matrone

Theses and Dissertations

Described as the French Mendelssohn, Camille Saint-Saëns (1835-1921) was acclaimed as the epitome of French genius. He played a unique role in transforming French musical taste from grand opera to the classical symphony and led the charge as the first composer to blend resources of French folk song and music from the Arab world into the classical tradition. However, many of Saint-Saëns’s choral works have been lost in obscurity. One such composition has emerged, the Messe de Requiem. The Messe de Requiem represents Saint-Saëns’s deep integrity and commitment to composition through traditional form and style. This study evaluates the composer’s …

Diction For Mandarin/Chinese Singers: A Methodology To Achieve Resonant Tone And Vowel Unification In Western Choral Music, Chien-Yi Li

Theses and Dissertations

Understanding vowel production is vital in order to develop a rich choral tone based on unified vowels, appropriate resonance, and freely produced singing. Likewise, correct articulation of consonants produces understandable text. Enunciating the texts of Western choral repertoire is often challenging for Mandarin singers, and learning English pronunciation requires a significant amount of rehearsal time. Further, amateur and developing singers in Mandarin-speaking countries often employ a bright sound and lowered soft palate when singing, in common with their native speaking position. Therefore, voice placement, resonance, and vowel modification must be carefully addressed and improved upon when they are singing Western …

Attitudes And Thoughts On Tone Quality In Historic Piano Teaching Treatises, Jeongsun Lim

Theses and Dissertations

Various approaches to the perception and production of tone quality on the piano have been suggested throughout the history of piano pedagogy. Tone quality differences are controversial among physicists, acoustic scientists, pianists, and piano pedagogues. Studies and research began to investigate tone quality with scientific experiments, and physicists and scientists asserted that differences in tone quality are differences in pitch, intensity, duration, and in combinations of tone and noise. They asserted that tone quality does not change with different physical touches and the pianist cannot control the quality of the tone. However, pianists and pedagogues believed that pianists have control …

A Guide For Playing The Viola Without A Shoulder Rest, Chin Wei Chang

Theses and Dissertations

Knowing how to hold the viola is always the first step for not only beginners but also for those that progress to become teachers, professional soloists, orchestral musicians, and chamber musicians. Although there are pedagogy books and articles, these resources only devote a small amount to how to hold the instrument. There are also a number of videos online in which violinists or violists share their thoughts on this topic. As a violist, holding the viola is a lifetime issue because of the weight, and the variety of shapes and sizes of the instrument. These factors can cause more difficulty …