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Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

2018

History

Conference

University of Lynchburg

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

No Such Thing As A Slave Narrative: Abba, Coobah, And Sally, Shelby K. Miller Apr 2018

No Such Thing As A Slave Narrative: Abba, Coobah, And Sally, Shelby K. Miller

Student Scholar Showcase

Within history, there is a push to combine and generalize individual experiences into a single narrative. However, individual slaves lived massively different lives even when they lived on the same planation. My presentation will focus on three specific slaves from Thomas Thistlewood’s sugar cane plantation in Jamaica. These three women lived in the same place, experienced the same brutality, and yet all responded differently to their trauma. I will agree that historians cannot create a comprehensive slave narrative because of these varying and greatly contrasting lives.


Not All Art Belongs In The Living Room: The Tale Of Robert Mapplethorpe, Shelby K. Miller Apr 2018

Not All Art Belongs In The Living Room: The Tale Of Robert Mapplethorpe, Shelby K. Miller

Student Scholar Showcase

Following the death of Robert Mapplethorpe in 1989, a group of scholars put together a retrospective exhibition of his life’s work with the help of a grant from the National Endowment for the Arts. The subject matter, namely those in Mapplethorpe’s X and Z portfolios that included male nudes and depictions of sadomasochism, caused major controversy across the country. The presentation will cover Helms Amendment of 1990 and the obscenity trial that took place in Cincinnati in 1990 with a specific focus on the lasting impacts that these events have had on the NEA and the art world.


From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp Apr 2018

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …