Subculture And Queer Subjectivity, Natalie Woodlock

University of New Orleans Theses and Dissertations

My work explores subculture as a form of cultural resistance to the dominant ideology. I'm concerned with the ambiguous relationship we occupy as subjects to the material produced by popular culture, and how this is digested and understood by female viewers and cultural outsiders. The specific temporality of the queer subject is a key theme in my work.

Technique For The Developing Dramatic Soprano, Amber James

Dissertations

This dissertation was inspired by a Facebook post by David L. Jones regarding common pedagogical problems in the dramatic soprano Fach. I am a dramatic soprano, who has dealt with many of the technical problems listed in his post. David L. Jones is an internationally recognized teacher and coach and has worked with some of the most well-known professional dramatic sopranos. After considering these pedagogical challenges, it was decided the best course of action was to interview professional singers, teachers, and coaches in the dramatic soprano Fach. After conducting a state of research, it was found that there …

The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely

Dissertations

In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations of …

Enacting A Third Space Pedagogy In An Art Museum Setting: Strategies, Intersections, And Values, Claudia Patricia Orjuela Borda

Theses and Dissertations

This ethnographic case study investigates the theory and practice of third spaces in relation to a

professional development program for K-12 teachers in an art museum setting, with emphasis on

arts-based programming, lived curriculum, contemporary art, and critical teaching strategies. I

investigate how museums negotiate the transition from a pedagogy of place towards a pedagogy

of third spaces. The questions guiding my study were: how a third space is valued by educators

and museum staff? What are the components, strategies, and methodologies that allow for the

emergence of third spaces in professional development programs? What does a third space

pedagogy …

The Study Of Culturally Relevant Visual Imagery And Student Interest In Contemporary Secondary Art Classrooms, Carly Marie Anderson

MSU Graduate Theses

Contemporary art pedagogy indicates some educators are using visual cultural exemplars that contain little cultural relevance to many students in their secondary art classrooms. The purpose of this study was to investigate students’ preferences and interests concerning visual imagery as the focus of curricular content in current secondary art classrooms in Southwest Missouri. This investigation began with a review of visual imagery within traditional fine art academies and what role this imagery plays in contemporary art rooms. The research question included: Were current secondary art students more interested in contemporary, culturally relevant imagery or traditional Eurocentric Western fine art imagery? …

Creating Coping Mechanism: An Anatomy Of A Gallery-Based Installation And Performance Work, Jamie M. Kutner

LSU Master's Theses

The project described in this paper is an exhibition of gallery-based durational performance art, and resulting three-dimensional artifacts, that was created through a tangled process of relapse and recovery from mental illness. The first section of this paper peers into the parameters of ephemeral artistic practice. I discuss the process of merging my recovery and creative practice through performance art, and then parse the discussion of the work into the categories of performer, audience, site, and time. Section II details various aspects of spectator experience through a second-person narrative tracing the crowd flow of the exhibition. I conclude with an …

An Artful Habitat:Creating An Environment For Divergent Expression, Marilyn Edna Bambrough

Theses and Dissertations

Over the last century, teaching techniques and philosophies have changed extensively in the art classroom. Teaching methods have spanned a range that stretches from highly rigid, to self-expressive, more learner centered approaches. In recent years, there has been a resurgence of interest and research regarding the role of creativity in visual art education. This research project focused on the qualities of effective art instruction using elements from a number of historical ideologies, with the intent to study creative development in students. The research used a case-study methodology informed by a reflective, action research methodology. Research was used to determine effective …

Transit, Christopher Janke

Masters Theses

This written thesis, transit, accompanies an exhibition by the same name and serves to contextualize the exhibit. The written portion begins with an inquiry into the nature of the contextualization itself, questioning the nature of the relationship between the written thesis, the exhibit, and the University which explicitly requires and connects the two, especially the ways that the written word as granted authority through an institution of higher education might undermine the exhibit’s intent to provoke thought into other forms of knowledge and other avenues of legitimacy than those presented by this institution.

The thesis discusses the philosophic question sometimes …

Taking (Birth) Control: Empowerment Through Contraceptive Education, Meghan Saas

LSU Master's Theses

TAKING (birth) CONTROL is a body of work that educates women on their options for contraceptives, and empowers them to claim their right to choose if—and when—to have a child. Utilizing graphic design and letterpress printing processes, I created a visual system consisting of carefully honed typographic, color, and graphic styles. The bulk of the materials make up an educational toolkit for use at Delta Clinic of Baton Rouge, one of only three remaining abortion providers in Louisiana. Delta Clinic was in need of comprehensive and affordable materials for their patients on the subject of contraception. The toolkit consists of …

1981: One Or Several Aesthetics?, Jacob Norris

Electronic Thesis and Dissertation Repository

Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze’s understanding of language and …

Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn

MFA in Visual Arts Theses

My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II. Section …

Skim, Joy Wong

Electronic Thesis and Dissertation Repository

This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is comprised of three parts: a comprehensive artist statement outlining the methodology and theory to my work, a case study of painter Cecily Brown, and photographic documentation of my studio practice. These components illustrate the research and material engagement about skin, corporeality, the abject, the grotesque, the formless, and purity.

The Everyday Universe, Ashley W. Hope

University of New Orleans Theses and Dissertations

I take inspiration from ordinary objects and materials. Through photography, I attempt to transcend the familiar to discover complexity within the bits and pieces of my everyday life. Like other artistic representations, a photograph is a singular portrayal, not an actualization of physical reality. My artistic exploration of this involves incorporating elements of abstraction to point to the truth that all photographs are, by nature, an abstraction of our physical reality based on perspective. The resulting images often share a quality of impermanence, counterbalanced by the act of making a photographic document. By evoking this temporal quality of photography and …

Art Theft, Art Vandalism, And Guardianship In U.S. Art Institutions., Katharine L. Salomon

Electronic Theses and Dissertations

Art crime scholars and art world professionals constantly grapple with determining the most effective methods by which to reduce and prevent victimization by art thieves and art vandals. Despite the numerous accounts of this form of criminality, there is a dearth of empirical studies focused on the security and care of art collections. Using Routine Activities Theory to guide the research, the present study explores the relationship between social and physical guardianship practices and the prevalence of art theft and art vandalism using questionnaire data collected from 111 American art museums and art galleries. The results indicate an overwhelming lack …

I Cut Off My... Voice: An Autoethnography Of An Artist And Art Educator With A Brca Genetic Mutation, Nicki Lynn Hornbaker

Electronic Theses and Dissertations

The effects of BRCA genetic mutations on artists and art educators had not been known. Autoethnography is a qualitative method for writing about personal experiences through a cultural lens. I used my personal experiences within a BRCA positive community to understand shared experiences among artists and art educators with this genetic mutation. This study aimed to explore the commonalities that are occurring within this subgroup. Anxiety and emotional stress played a role in most of the respondents‟ lives, affecting them in numerous ways. Most of the respondents underwent salpingectomy, oophorectomy, and mastectomy surgeries which led to further emotional and physical …

Disintegrating Loops Of Uprooted Plastic, Jacin Giordano

Masters Theses

I’m interested in paint’s malleability. In my work, I transform the physical possibilities of paint in a literal way, using it as a tactile material to be cut apart, reassembled, or simply exposed for what it is. My paintings are labor-intensive. They are not predetermined, they meticulously evolve; crafted rather than executed. Remnant material from one painting, the result of a working process of cutting, gouging, or sanding, leads directly to the production of a new piece. In my work there is no illusion, material is meant to reiterate itself. Unlike abstract painters of the early 20th century, who hoped …

Altar To Uncertainty, Kelly Stombaugh

LSU Master's Theses

ABSTRACT

I have always been in awe of great storytellers. Like an alchemist, the masterful storyteller can take the most mundane of tales and transmute it into an enrapturing experience. The best of these, however, are the stories which seem very otherworldly but, in the end, can reveal deep and relatable truths to the listener.

For this exhibition, “Altar to Uncertainty,” I have undertaken the creation of a single book and story which surrounds and visually extends itself through printed etchings upon the walls to tell a transformative tale of redemption through trauma, hopelessness and loss.

My intention with this …

White Gilt, Daniel Schmidt

Electronic Theses, Projects, and Dissertations

White Gilt

This exhibition is a dissection of American masculinity and institutional oppression. The systematic mistreatment of people within certain social identity groups is supported and perpetuated by society. My work is a personal investigation of this flawed system, my place therein and its ramifications.

The fragility of masculinity provokes immeasurable violence. Whiteness can be stereotyped as a toggle switch between bland culture, and self-entitled bigotry. These works are a confrontation with the dark parts of the human psyche, and the fears surrounding vulnerability, power and sexuality.

Through discomfort we can deepen empathy and cultivate progress.

Daniel Schmidt

A Woman's Gaze, Emily Fiore

Honors Theses

My work merges my passion of thinking politically and artistically. This series, A Woman’s Gaze, is an extension of my Political Science thesis, where I focused on artists who combat the male gaze by representing women’s lives realistically, from a woman’s perspective. These paintings focus on intimate scenarios from women’s lives where the male gaze is absent. The large scale imagery brings visibility to these otherwise private moments.

Selfie-Portrait, John Shield, John Shield

Electronic Theses, Projects, and Dissertations

The selfie has become the currency of today; boldly stating: I was here, this is how I felt, and, most importantly, I exist.

This has become our self-reflection. Exploring the self-portrait, as have countless artists of the past, Johnny Shield uses the various selfies as reference for his sculptural works - both empty vessels and sculptural busts. Made from glass these fragile objects are all doomed to break. You, the viewer, are witnessing a truly damned object: the central portrait uneasily rests on a pedestal that is actively electrolytically corroding. While on display, this pedestal will lean more and more …

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.

Dear Diary : Musings From An Invisible Mixie, Sarah C. Creagen

Theses and Dissertations

This is a paper for mixed-race queers; visible, invisible, and maybe still deciding where they fall in the spectrum.

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

Motherfuck, Emily Furr

Theses and Dissertations

I want to record the breakdown of male systems and the rise of the mother archetype. In my paintings, I show symbols of masculinity being disassembled and retranslated. I embrace the return of the feminine as we move out of the phallic world of industrialism and into something new.

Private Rainbows, Mikey F. Estes

Theses and Dissertations

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.

A Caprine Carnival: Goats At The Vālaikkāl Vāyil, Madhini Nirmal

Theses and Dissertations

Madhini Nirmal uses Mikhail Bakhtin's concept of the carnival to imagine a goat-led subversion of political and social dogma in the context of the South Indian city of Chennai. She uses the mediums of monotype, painting and collage to create these artworks where the undoing of hierarchies is a result of the natural and bodily.

The English Landscapes In The Seventeenth Century, Helen Parkinson

Electronic Thesis and Dissertation Repository

Relatively few critical studies have been written concerning the English landscape genre in the seventeenth century, not due to a lack of production or interest in the genre, but rather as a result of an anachronistic definition that is the product of eighteenth century artistic discourse. In contrast, I explore landscape as it was defined in contemporaneous seventeenth-century works and literature. Rather than a singular definition, I propose that the genre in the seventeenth century was marked by multiple iterations, each of which corresponded to shifting perceptions concerning the role of land in the culture, economy and politics of England. …

It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom

Graduate School of Art Theses

My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.

In my video and installation work, I use a “sickeningly” …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Tracing Patterns: Making Sense Of Experience, Isabelle Davis

Bachelor of Fine Arts Senior Papers

In my life, I have developed several practices in attempt to preserve my memories in a way that I can relive them, knowing exactly how I felt at the time. Two of these practices are the practice of frequently journaling, and the practice of keeping objects for their sentimental value. For my thesis, I used journal entries and sentimental objects as a starting point for creating a metaphor for how I process emotions in my life. I created a quilt out of 36 excerpts of journal entries from throughout college to symbolize the way it is comforting to me to …