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Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
"Bring Out Your Dead!": Cashing In On Shakespeare In The First Folio, John M. Bowers
"Bring Out Your Dead!": Cashing In On Shakespeare In The First Folio, John M. Bowers
Special Collections Events
William Shakespeare wrote his plays for box-office profits at the theater, not for a reading public. When his old colleagues John Hemings and Henry Condell published his plays seven years after his death, they too were looking for financial profit and "packaged" the dramas -- as well as the dramatist himself -- to boost income by appealing to a new market of readers, thus making Shakespeare the subject of literary studies ever since.
21st Century Shakespeare, Evelyn Gajowski
21st Century Shakespeare, Evelyn Gajowski
Special Collections Events
Why do Shakespeare's texts resonate so powerfully for us at the outset of the twenty-first century? Why is Shakespeare more popular today than ever before? What are the various ways in which we consume Shakespeare's texts 400 years after he produced them? Professor Gajowski aims to suggest answers to these questions by elucidating the current state of the art of analyzing Shakespeare
A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr.
A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr.
Dissertations
William Grant Still’s lynching drama …And They Lynched Him on a Tree is a rarely performed work for white choir, black choir, contralto soloist, narrator and orchestra. The title and subject matter of the work have been significant hurdles for many conductors who have considered the piece for performance. Additionally, the piece exists in several editions, and among each edition there are inconsistencies in terms of scoring and text, further making the piece difficult to program. Further, the piece, published as a choral ballad, is often labeled as a cantata, oratorio, ballad or play. It is true that the piece …
Lovable Rogue: The Shenanigans Of Sir Toby Belch In William Shakespeare's "Twelfth Night", William Clark Rogers
Lovable Rogue: The Shenanigans Of Sir Toby Belch In William Shakespeare's "Twelfth Night", William Clark Rogers
Graduate Theses and Dissertations
This thesis documents and explores the actor’s approach to and discovery of the values, methods and motivations of Sir Toby Belch in the Fall 2015 University Theatre production of William Shakespeare’s “Twelfth Night.” In addition, the author’s second thesis role was as Andrew Makepeace Ladd III in A. R. Gurney’s, “Love Letters” produced and performed in Kimpel Hall Studio during Spring 2016. The thesis also includes a personal statement of artistry, programs for the thesis related performances, a headshot, resume, production photos and a link to the actor’s website.
A Brother's Portrait : Memoirs Of Rev. William Barber, Aquila Barber
A Brother's Portrait : Memoirs Of Rev. William Barber, Aquila Barber
Heritage Material
No abstract provided.