Arts and Humanities Commons^™

Oceans Of Space, Stephanie Steinbrecher '16

EnviroLab Asia

"Oceans of Space" relates my observations of the 2016 EnviroLab Asia Clinic Trip to Singapore and Sarawak, Malaysia. In this meditation, the concept of space serves as a lens to examine assumptions of geopolitical, historical, and philosophical positioning—regionally and globally. At the center of my inquiry is EnviroLab's connection to the Dayak communities in Baram, Sarawak. This region is experiencing dramatic social and ecological change as a result of industrial development. By triangulating my subjective impressions of this space, various knowledge systems, and the qualitative data EnviroLab gathered in Southeast Asia, I aim to untangle some paradoxes that complicate the …

Vida En Sombras, Tommy Canales Burns

CGU MFA Theses

Verisimilitude. What is reality? Subconsciously we are acting out and absorbing information collating data and in turn responding with instincts. Learning processes to view and shape this world. I think of the Hermann Hesse’s doppelganger, the idea of a shadow self. Group identities can also have strange shadow selves. It is bizarre to look back at history and see the changing context of social norms, fashions, traditions, scientific, philosophical, and political thought. Art is a sign of the times, creating space for the inner dialogue of collective consciousness to be purged and hashed out.

When I'M With You, Jenny Ziomek

CGU MFA Theses

Everything I make is related to books. My artwork functions as visual storyboards or is used directly in books. Props and videos are inspiration for drawings. My paintings are meant to feel like pages from a larger narrative. Often, the formats through which stories are told are as important as the stories themselves.

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

"The Art Of Re-Enchantment: Making Early Music In The Modern Age," By Nick Wilson, Geoffrey Burgess

Performance Practice Review

Geoffrey Burgess discusses Nick Wilson's 2013 work.

Wilson, Nick. The Art of Re-enchantment: Making Early Music in the Modern Age. Oxford: Oxford University Press, 2013. ISBN: 978-0199939930.

Tapestry, Alana Medina

CGU MFA Theses

The wall pieces are intentionally left to be crude, unrefined, and raw. A look at the world with a border, walking backwards to a beginning, what it was like before the traffic of the mind. Itinerant qualities along with an objective dissidence bring about an experience of tribal nomadic earthy hues. The paintings stay close to my interpretation of the earth, similar to the sculptures. Like twins born in the same embrace with contemporaneous qualities they exist together with a connection in materiality. There is a relationship between my paintings and sculptures; a mutual dependence seen and experienced together that …

Visualizing A Plant Cell, Rudaba R. Hasan

The STEAM Journal

Why visualizing science is important, especially as a school student.

The Wonder Of A Child, Shraddha Chaplot

The STEAM Journal

A personal piece on the wonder of childhood and the continuation of curiosity into adulthood.

Fire – The Enigma That Continues To Blaze, Sara Kapadia

The STEAM Journal

How did humans first discover fire? What stories do we pass down to explain the discovery of fire?

Hands 2 Paws – A Canine Artist Story, London Labrador, Leza Labrador

The STEAM Journal

Artwork made by London, a canine artist.

Stack And Bend, Ngoc “Knock” Ho

The STEAM Journal

An excerpt on body contortion.

Jaguar Sun, Anya Nadal

The STEAM Journal

Cymatics, is derived from a Greek word, meaning "wave", is a subset of modal vibrational phenomena. The term was coined by Hans Jenny, a Swiss follower of the philosophical school known as anthroposophy. This is a visual representation of the frequency field. I created this piece from acrylic on canvas based on the subtle energies I can see and feel.

An Interview With The Scorpion: Walter O’Brien, Walter O'Brien

The STEAM Journal

An interview with Walter O'Brien (hacker handle: "Scorpion"), known as a businessman, information technologist, executive producer, and media personality who is the founder and CEO of Scorpion Computer Services, Inc. O'Brien is also the inspiration for and executive producer of the CBS television series, Scorpion.

Acting Is Repetition, Job Barnett

The STEAM Journal

A short discussion of repetition in acting.

Transforming Body, Angelina Prendergast

The STEAM Journal

This is a reflection about the use of balls for body therapy.

The Art And Science Of Light Painting, Reid Godshaw

The STEAM Journal

A short overview of the making of light painting portraits explained by the artist.

Engaging The Community: Reflections On A Steam Institute, Dennis Doyle, Yat-Long Sam Poon

The STEAM Journal

Staff at an elementary school working with artists from a non-profit arts integration professional development organization developed a highly engaging full day STEAM Institute to engage the community in experiential STEAM learning practices and to leverage the experience for systemic impact. This reflection considers the outcomes that went well beyond the original goals.

Newton’S Third Law In Karmic Warfare, Kazmier Maślanka

The STEAM Journal

A work entitled "Newton's Third Law in Karmic Warfare" is a mathematical visual poem which is a perfect example of a technique, that I call The Paradigm Poem. This piece makes a direct connection with the concept of karma and Newton’s Third Law of motion. I will introduce the concept of “The Mathematical Paradigm Poem” to illuminate an example of how metaphor is used in mathematical visual poetry. I will also discuss much of the process in making this aesthetic expression.

Gathering Steam In Health Care: A Student History, Michael J. Leach

The STEAM Journal

In this reflection, I demonstrate STEAM in health care by outlining my 15 years as a university student engaged in formal education, extracurricular learning, research, and employment.

Infusing The Arts Into Science And The Sciences Into The Arts: An Argument For Interdisciplinary Steam In Higher Education Pathways, Christopher W. Thurley

The STEAM Journal

This article presents an argument for the integration of science into English courses in order to emphasize the usefulness of a Science, Technology, Education, Arts, and Mathematics (STEAM) education. The idea for this approach arose after the implementation of a divisional initiative to create learning communities with a STEM cohort of students called Student Persistence and Retention via Curricula, Cohorts, and Centralization (SPARC³). The author’s involvement in teaching a science-infused English course for this program inspired the argument that follows, which outlines why/how the sciences should learn from the humanities and why/how the humanities should learn from the sciences. The …

Re-Coding Blood: Menstruation As Activism, Shayda Kafai

The STEAM Journal

This reflection seeks to untangle the stigmatic ways we culturally frame menstruation. It explores the reasons why the FemCare industry and our contemporary culture position menstruation as abject and as embarrassment. It also offers contemporary strategies that can serve as activist modes of reframing the act and connotations associated with menstruation.

Gary Brewer - Dark Matter Series, Gary Brewer

The STEAM Journal

In the Dark Matter series of paintings I am abstracting images from NASA’s efforts to map dark matter using the Hubble Space Telescope. From these abstractions I create diaphanous veils of blue that convey a sense of movement; the movement suggests primal forces: wind, water air and fire.

The figure in the foreground is one of the elements: gold, copper, silver, which develop into a variety of fantastic shapes. The ‘elements’ which are the foundation of life on earth, are born in the heart of a star and explode out into the universe upon its death and collapse. The force …

Museum 4.0 As The Future Of Steam In Museums, Mark Walhimer

The STEAM Journal

Informal STEAM (Science, Technology, Engineering, Art and Math) activities (programs) and exhibits are common in science centers, children’s museums and natural history museums. As museums change to Museum 4.0 models (1), the STEAM exhibits and programs in museums also change. Museums 4.0 is the transformation of museums from a monolithic fixed location institution to a nimble community driven event driven organization. The Museum 4.0 becomes personalized to the visitor without fixed outcomes and without the physical restrictions of a single fixed location. As museums evolve to a Museum 4.0 model with visitor lead activities, STEAM activities within museums also change …

Animals In The Wild, Brittany Samson

The STEAM Journal

As a photographer, I am extremely interested in the concept of perception and I let this concept drive most of my artistic work. I present four images from my photographic series “Animals in the Wild,” which explore this idea of perception. These four images: Giraffe, Dinosaur, Buffalo, and Bunny—are drastically varied photos that include no real animals, but instead beg the mind to perceive shapes, colors, figure, and coincidence as an animal.

Leaf Miner's Leaves, Susan Hoenig

The STEAM Journal

For many years I have been collecting leaves and discovered a phenomena that I find truly fascinating on specific leaves called "leaf miner's leaves". The leaves are the dwellings of animals, various insects' architectural habitat. Leaf miner's leaves are a phenomena in nature in the plant kingdom where the larvae of various insects tunnel their way through a leaf eating its living tissue. The leaf miners create distinctive patterns on each leaf. The snake-like serpentine tunnels protect them from predators and plant defenses.

Harmonic Scale Transformations, John H. Chalmers

The STEAM Journal

My artwork derives from a project to delineate the transformations certain types of harmonic musical scales undergo as the sizes of their generating intervals vary over the space of the octave.

Cold Hard Facts, Paul Kelley

The STEAM Journal

COLD HARD FACTS is an ephemeral installation composed of a projector, digital images and ice. The work continues my interest in having the viewer slow down to have a more thoughtful and absorptive experience with the work and surrounding space. With a short-lived duration, the piece considers the transitory nature of things and how truths can be misconstrued as facts, whereas truths are malleable and facts are not. They are cold, hard and indifferent.

Inner Beauty, Kayla Darbyshire

The STEAM Journal

The artist references images captured by electron microscope photography of Dopamine, DNA, and the process of Mitosis (specifically occurring in the human body). Through the use of photoshop the artist was able to manipulate the images of Dopamine, DNA, and Mitosis to create low polygonal artwork. The artist created 15,000-30,000 individual triangles, piecing them together using photoshop to create the images that they were referencing. The body is an amazing spectacle rarely looked at from within by artists. Many find beauty on the surface of the body, but when explored further, the body has much more to offer. The artist …

Maker Education: The Steam Playground, Amanda Opperman

The STEAM Journal

Educators who are committed to teaching STEAM in their classes and programs will be inspired and encouraged by the capabilities for multidisciplinary instruction and project based learning offered by an emerging pedagogy known as Maker Education. While making was previously thought of as STEM-focused, it can easily be integrated across all subjects. Maker Ed's Resource Library has a section on Projects and Learning Approaches, which includes many cross-curricular project ideas that expand this model of education from STEM to STEAM and beyond.

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The STEAM Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …