Arts and Humanities Commons^™

Slavery And The Civil War: The Reflections Of A Yankee Intern In Appomattox, Jonathan G. Danchik

Student Publications

An overview of the "Lost Cause" and the resultant challenges faced by interpreters in Civil War parks.

The "Unfinished Work:" The Civil War Centennial And The Civil Rights Movement, Megan A. Sutter

Student Publications

The Civil War Centennial celebrations fell short of a great opportunity in which Americans could reflect on the legacy of the Civil War through the racial crisis erupting in their nation. Different groups exploited the Centennial for their own purposes, but only the African Americans and civil rights activists tried to emphasize the importance of emancipation and slavery to the memory of the war. Southerners asserted states’ rights in resistance to what they saw as a black rebellion in their area. Northerners reflected back on the theme of reconciliation, prevalent in the seventy-fifth anniversary of the war. Unfortunately, those who …

Memory As Torchlight: Frederick Douglass And Public Memories Of The Haitian Revolution, James Lincoln

Masters Theses, 2010-2019

The following explores how Frederick Douglass and others used public memories of the Haitian Revolution during the nineteenth century.

The Memory Of Battle Surrounds You Once Again: Iowa Grand Army Of The Republic Reunions And The Formation Of A Pro-Union Nationalism, 1886-1949, Peter Bautz

The Gettysburg College Journal of the Civil War Era

Following the bloody years of the Civil War, veteran organizations became a breeding ground for nationalism making and memory shaping. Historians, like Caroline Janney and David Blight, have debated what these memories meant for northern veterans. Did members of the Grand Army of the Republic [G.A.R.], the Union veterans association, reconcile with the South over a shared whiteness, as Blight suggests? Or were the memories of Northerners less reconciliatory, as Janney argues? Using Iowa G.A.R. reunions as a case study, this article demonstrates that Union veterans were shaping a pro-Union nationalism distinct from the Lost Cause. From songs praising the …

Gettysburg College Journal Of The Civil War Era 2015

The Gettysburg College Journal of the Civil War Era

No abstract provided.

The Unfinished Work: Slavery Today, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

2.7 million. That’s an estimate for the number of slaves in the world today. The true number is probably higher, even though the United States abolished slavery 150 years ago. Most of today’s slaves go unseen and unaided, victims of an opaque system of exploitation that conspires to keep them oppressed. [excerpt]

Business, Education, And Enjoyment: Stakeholder Interpretations Of The Gettysburg Museum And Visitors Center, Ava M. Muhr

Student Publications

An anthropological study of the Gettysburg Museum and Visitors Center undertaken to understand the ways in which the visitor experience is conditioned by their own personal background, as well as filtered through the carefully constructed historical narrative created by museum historians, National Park Service rangers, and administrators. The Gettysburg Museum and Visitors Center is a site in which multiple stakeholders contend to ensure that their interpretations of the museum’s purpose is being upheld. This paper will examine the ways in which these various stakeholders – primarily NPS rangers, Civil War historians, and history buffs – interpret the catalyst(s) for constructing …

Assessing Reconstruction: Did The South Undergo Revolutionary Change?, Lauren H. Sobotka

Student Publications

With the end of the Civil War, came a number of unanswered questions Reconstruction would attempt to answer for the South. While the South underwent economic, political and social changes for a short period, old traditions continued to persist resulting in racist sentiment.

“Children Of The Damned”: An Indie Band Remembers Andersonville, Heather L. Clancy

The Gettysburg Compiler: On the Front Lines of History

When alternative band Quiet Hounds released Megaphona in 2012, they presented an album peppered with an impressive range of styles, from folksy ballads to pseudo-manic hipster club tunes. The album’s most unexpected choice, though, came in the form of its closing song, “Beacon Sun.” In it, the band’s lead singer carries a mournful melody. A hypnotizing rhythm runs through the track, underscored by the tattoo of a lethargic tambourine. Indeed, the track is more akin to a jazzed-up hymn than anything else, an impression that is not surprising to listeners once they heave themselves out of the indie haze long …

“I Am Always Thinking First Of You:” The Chamberlains In Love And War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Soldier. Professor. Hero. Braggart. Joshua Lawrence Chamberlain has been called many things by many people. Regardless of whether one loves or despises him, Chamberlain and his role in the American Civil War never fail to evoke intense emotion. While books, movies, and the occasional painting have all immortalized Chamberlain the soldier, rare is the occasion to observe Chamberlain the husband. In honor of Valentine’s Day, I bring you the story of the Chamberlains; a story of romance and rebuttal, of peace and conflict, of injury both physical and emotional and, in the end, a deep, abiding love. [excerpt]

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …

Fruit Of A Vile Tree: The Eshelman Family's War, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Frederick Eshelman's father wasn't home. He was in Petersburg, the chilly and treacherous trenches stretching to his right and left as far as the imagination might take them. That's where the danger was. That's where war lived. [excerpt]

Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh

Schmucker Art Catalogs

Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.

This fall, students in my course at Gettysburg College “Art and Public …

July 4, 1865: A Nation In Search Of Itself, Sorn A. Jessen

Graduate Student Theses, Dissertations, & Professional Papers

The eighty-ninth anniversary of the declaration of American independence from Britain, on July 4, 1865, caught the nation at a critical time in its history. The great national crisis of civil war was over, but the nation had not yet re-united. The thesis argues that in the aftermath of the Civil War, American nationalism could not be reconstituted on neither an ethnic nor a civic model. Rather, on the eighty-ninth anniversary of Independence, the course of American Nationalism fell out along lines decreed by historical memory. The narrative construction of the past in the present constituted the only common thread …