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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Language As Leadership, Shirley Freed
Language As Leadership, Shirley Freed
Journal of Applied Christian Leadership
"Human beings have a fundamental connection to “home.” Christian leaders all have the underlying goal of leading the way home. We speak of heaven as home; we use phrases like, “home is where the heart is,” and “home Sweet home.” When circumstances are difficult, when we are worn and discouraged, we lean on life’s tired dreams and murmur, “i just want to go home.” home means many things to each of us, but i think that language is one of the vehicles that takes us home. For example, i always jump when i hear a Canadian accent, and i say …
Gender, Family, And Morality In Ben Jonson’S Volpone, Shanelle Kim
Gender, Family, And Morality In Ben Jonson’S Volpone, Shanelle Kim
Posters, Presentations, and Papers
During the sixteenth and seventeenth centuries in England, the transformation in categories of value resulting from a money economy clashed with older forms of institutionalized values. Ben Jonson’s dramatic satire Volpone (1606) diagnoses social ills arising from the emerging proto-capitalist culture of his time. Though Jonson critiques the corrosive impact of a money culture, the two distinct embodiments of moral good in Jonson’s play, Celia and Bonario, prove ineffective in battling the creeping value transformations associated with money. In part, their failure derives from systemic fissures in Early Modern understandings of the family unit and gendered roles within such a …
P-05 A Study In Red: The Codification And Practical Application Of A Copyediting Procedure, Nathan Berglund
P-05 A Study In Red: The Codification And Practical Application Of A Copyediting Procedure, Nathan Berglund
Honors Scholars & Undergraduate Research Poster Symposium Programs
Editing is an integral part of publishing professional-level writing, but editing—specifically copyediting—can be very subjective, relying on the copyeditor’s best judgment. For novice editors such as myself, this responsibility can be intimidating. For this research project, I formulated and tested a step-by-step copyediting procedure aimed at alleviating these jitters. By reading copyediting guides and interviewing four active copyeditors, I developed a procedure. I then tested that procedure on Timothy Huck’s 115-page manuscript, The Lights of the Arno: A Novel. I conclude that even with a standardized editing methodology, editors will always need to rely on their subjective judgment.
P-14 Discourse And Narrative: Creating Gender Control In Junot Diaz’S The Brief Wondrous Life Of Oscar Wao, Charles Lee
P-14 Discourse And Narrative: Creating Gender Control In Junot Diaz’S The Brief Wondrous Life Of Oscar Wao, Charles Lee
Honors Scholars & Undergraduate Research Poster Symposium Programs
Junot Diaz’s Pulitzer-Prize-Winning 2007 novel The Brief Wondrous Life of Oscar Wao explores Dominican masculinity through narrator Yunior de Las Casas’s portrayal of protagonist Oscar de León’s family history. Yunior’s perceived virility shapes his understanding of masculinity, which he stresses through the novel’s plot and structure. This analysis considers how Yunior constructs Dominican masculinity through his narrative by marginalizing and emasculating passive characters such as Oscar. I argue that Yunior’s narrative closely links definitions of masculinity and power as he strives to dominate passive characters in order to assert his virility as the “best” method for being a Dominican man.
P-20 “The Story Which He Never Stops Telling Himself”: Autobiography, Narrative Community, And The Deconstruction Of Selfhood In Virginia Woolf’S The Waves, Melodie Roschman
P-20 “The Story Which He Never Stops Telling Himself”: Autobiography, Narrative Community, And The Deconstruction Of Selfhood In Virginia Woolf’S The Waves, Melodie Roschman
Honors Scholars & Undergraduate Research Poster Symposium Programs
This paper examines narrative, biography, and selfhood in Virginia Woolf’s The Waves (1931). The novel, a “play-poem,” follows six friends’ monologues from childhood to death. I analyze aspiring writer Bernard from his childhood of telling stories about companions to his inability to narrate his autobiography, arguing that he fails because he has no self to narrate. Referencing Jacques Derrida’s Of Grammatology’s (1974) theory of the deconstructed self identifiable only in conversation, I argue that Bernard destroys his identity by silencing his friends and becoming the sole speaker; Woolf’s biographical theory thereby establishes the communal self, prefiguring tenets of postmodern …
Faces And Figures Of Fortune: Astrological Physiognomy In Tamburlaine Part 1., Vanessa I. Corredera
Faces And Figures Of Fortune: Astrological Physiognomy In Tamburlaine Part 1., Vanessa I. Corredera
Faculty Publications
When articulating the relationship between man and the world around him (or her), George Peele imagines man as a canvas, a 'picture' of the universe, a microcosm whose makeup carries the 'face' or the viewable surface of the macrocosm. Peele's statement perfectly encapsulates the early modern belief in signatures and correspondences, in which 'Individual objects on earth...contain the signature of the heavenly bodies to which they supposedly correspond'. By envisioning man as a 'picture', Peele conceives of the universe as readily legible upon the human body. In his discussion of the history of signatures and correspondences in The Order of …