Arts and Humanities Commons^™

Georgia Latino & Immigrant-Serving Nonprofit Organizations: Identifying And Mapping Human Services, Karen Costa, Gabriela Mosso

Symposium of Student Scholars

No abstract provided.

You Throw Like A Girl, Alison Dees

Georgia State Undergraduate Research Conference

No abstract provided.

Sickle Cell Disease Among African-American Children: Exploring Relevant Literature And Identifying Research Needs, Dawana Owens

Georgia State Undergraduate Research Conference

No abstract provided.

Black Lives Matter: A Comparative Study In Just How Far We Have Really Come, Dream Nc Mcclinton

Georgia State Undergraduate Research Conference

No abstract provided.

The Aftermath Of The Temple Bombing: A Catalyst For Social Change During The Civil Rights Movement In The Deep South, Alaina D'Anzi, Sara Maxi Howel

Georgia State Undergraduate Research Conference

No abstract provided.

I Don't Want To Live Without You, Alanna F Wilkinson

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

One side of a cassette tape preserves a pivotal moment between two lovers from two different worlds. Through a recorded phone conversation and various mixtapes, a real story of true love unfolds between Navyman, Keith Wilkinson and waitress, Evelyn Espejo as they prepare for their new lives together in the United States. A black screen begins the story as the sound of a play button is pressed, and audio from a phone conversation is heard. Subtitles accompany the sound at the bottom of the screen. There is a cut to a photograph of Keith in his Navy uniform as Evelyn …

Reaching Reality: Realistic Portrayals Of Racism, Paige Evans

MAD-RUSH Undergraduate Research Conference

This paper argues that genre is essential to the accurate depiction of racism. By focusing on three landmark texts—Richard Wright’s Native Son, Ralph Ellison’s Invisible Man, and Percival Everett’s Erasure—an overview of the most powerful genres in this discussion is given. The first, Realism, is defined by its determination to show physical reality. The next, Surrealism, is associated with cognitive reality. Poststructuralism, the last genre included, is described as using the cognitive effects of Surrealism to actively commentate and critique the physical realities of Realism. It is this interaction that marks Poststructuralism as the genre best suited …

English In The Amazon: Unhomeliness In Evelyn Waugh’S “The Man Who Liked Dickens”, Hannah E. Rau

The Research and Scholarship Symposium (2013-2019)

In the short story “The Man Who Liked Dickens,” Evelyn Waugh describes a cultural collision deep in the jungles of Brazil. The story’s narrative centers around two men, one of whom is an Englishman taking what he believes to be a temporary exploratory expedition to Brazil. The other, Mr. McMaster, is a half-Brazilian, half-white landowner who loves the Dickens books he cannot read for himself. Henty, the Englishman, leaves home to escape his wife, who loves another man, and goes on an ill-fated mission to explore the unmapped regions of Brazil. Along the way, he loses his companions and ends …

Captivity Of The Mind: A Postcolonial Analysis Of “The Man Who Liked Dickens”, Juliann R. Phillips

The Research and Scholarship Symposium (2013-2019)

Ever since the age of Columbus, the ideas of travel, adventure, and exploration have pervaded Western consciousness. In 1933, Evelyn Waugh, a social critic and satirist (Longman 2818), published a short story entitled “The Man Who Liked Dickens” that The Longman Anthology of British Literature describes as “a cautionary tale of what might happen to an ordinary, if wealthy, Englishman venturing ‘beyond the pale’ of European civilization in a disastrous journey to the Amazon” (2818). This chilling story centers around the misfortune of Henty, a rich and uneducated Englishman, who gets swept along on an expedition to the jungles of …

Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii

Ray Browne Conference on Cultural and Critical Studies

I plan to show how the characters in Another Country uncover the inherently racist and homophobic requirements for citizenship in a nation. The novel Another Country by African American author James Baldwin (1924-1987) exposes the fallible nature of hetero-normative and racial ideals that narrowly define a model citizen of a nation-state. The queer interracial relationships in the novel, particularly between the main character Rufus and his lover Eric, transgress the boundaries of nation, race, and sexuality, thus revealing the illusionary nature of categorizations that are defined and applied by nation-state apparatuses in order to discriminate and maintain uniformity. In addition …

The Transnational Rhetoric In Cabeza De Vaca’S La Relacion, Bincy Abdul Samad

Ray Browne Conference on Cultural and Critical Studies

Abstract on La Relacion by Cabeza de Vaca

Identity is an important concept in postcolonial literature, especially when one’s identity is achieved rather than inherent. It is interesting to pursue how Cabeza de Vaca, the protagonist of La Relacion undergoes a transformation from his initial identity as a Spanish colonizer to a transnational hybrid, the Spanish-American. Despite multiple critics’ argument that La Relacion is “a discourse of failure” that “subverts the established order,” my paper rereads the narrative as a transnationally successful rhetoric by incorporating multiculturalism and hybridity. Thus Cabeza de Vaca becomes a hero if we accept his story …

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …

The Perpetual Other: Native American Representation In Documentaries, Julia E. Largent

Ray Browne Conference on Cultural and Critical Studies

When an individual uses an Internet search engine to find images of Native Americans, the person will most likely find that most of the images are paintings of the Native American warrior or are older black and white portraits. After searching for other races, such as Asian American or African American, the search is more likely to come up with contemporary images of people playing sports, in school, or with their families. Why is there such a stark difference? Why are Native Americans so often thought about as only in the past? From the early days of books and portraits …