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Full-Text Articles in Arts and Humanities

Happiest People Alive: An Analysis Of Class And Gender In The Trinidad Carnival, Asha L. St. Bernard Nov 2015

Happiest People Alive: An Analysis Of Class And Gender In The Trinidad Carnival, Asha L. St. Bernard

Electronic Thesis and Dissertation Repository

Many of the marketing strategies inherent to the modern version of the Trinidad Carnival include texts that represent Trinidadians as young, fit, bikini-wearing, party enthusiasts. In these advertisements, Trinidadians are often characterized as carefree and welcoming to anyone participating in the much-anticipated annual festival. However, dominant narratives highlight certain groups and cultural aspects of the island while frequently masking several inequalities. They cleverly conceal other narratives and therefore marginalize groups and individuals from the very festival that is understood by many as a national symbol. Through informal participant-observation, and an analysis of some of the main promotional material, in particular …


Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts Oct 2015

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Sarah T. Roberts

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …


Reel Women: Gender Stereotypes In Film, Kayla Marie Krahn Jul 2015

Reel Women: Gender Stereotypes In Film, Kayla Marie Krahn

Master's Theses and Doctoral Dissertations

Horror films portray female characters as sexual, helpless victims. When horror films attempt to portray female characters as the hero, this sends a message to audiences that women can be strong and independent. An experiment was conducted to test an audience's perceptions gender stereotypes of women in the horror film, Scream. Results indicate that stereotypes present in the horror film effected the participants' perception of women as competent heroes. Female participants were also more likely to perceive women as more competent than male participants. Then, from a qualitative standpoint, five individuals were interviewed about their perceptions of characters in their …


(Re)Animating The Horror Genre: Explorations In Children's Animated Horror Films, Megan Estelle Troutman May 2015

(Re)Animating The Horror Genre: Explorations In Children's Animated Horror Films, Megan Estelle Troutman

Graduate Theses and Dissertations

This project seeks to define the subgenre of children's animated horror film by examining its classification within the children's film genre and its use of generic conventions of horror. While this project does not aim to conflate children's film as a genre and animation as a medium, the scope of this project will be limited to children's animated horror films from 1993 - present day. In order to explore the subgenre of children's animated horror films from 1993-present, I will focus specifically on the following films: Tim Burton's The Nightmare Before Christmas (1993), Wallace and Gromit: Curse of the Were …


Iranian Women, Iranian Cinema: Negotiating With Ideology And Tradition, Najmeh Moradiyan Rizi Apr 2015

Iranian Women, Iranian Cinema: Negotiating With Ideology And Tradition, Najmeh Moradiyan Rizi

Journal of Religion & Film

Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, however, the new generation of Iranian women is negotiating the notions of femininity, sexuality, and modernity in Iran’s society. Along with this negotiation, Iranian cinema, as the visual showcase of Iranian culture and society, has recently represented an unprecedented portrayal of Iranian women on the screen. This portrayal stems from the gender consciousness of Iranian women …


“Betches,” “Slams,” And Gender Construction: Satire (Mis)Use In Total Frat Move And Betches Love This, Jenna Gollands Mar 2015

“Betches,” “Slams,” And Gender Construction: Satire (Mis)Use In Total Frat Move And Betches Love This, Jenna Gollands

Communication Studies

No abstract provided.


Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer Jan 2015

Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer

All Master's Theses

Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …