Open Access. Powered by Scholars. Published by Universities.®
- Publication
Articles 1 - 2 of 2
Full-Text Articles in Arts and Humanities
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Kathrin M. Bower
Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of goods …
Revisiting A Struggle: Port Kembla, 1938, Rowan Cahill
Revisiting A Struggle: Port Kembla, 1938, Rowan Cahill
Rowan Cahill
A review and discussion of the 2015 documentary film 'Pig Iron Bob' (Producer/Director Sandra Pires). The focus of this film is the dramatic 2-month long boycott by Australian waterside workers in Port Kembla (NSW), 1938/39, of a cargo of Australian pig-iron bound for Japan. The workers took their action in protest against Japanese militarism and the Sino-Japanese War. The boycott enraged the conservative Australian government of the day which pulled out all stops to maintain its policy of appeasement towards Japan.