Arts and Humanities Commons^™

"A Life And Death Dilemma", Christy Lester

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

“Looking Skyward: An Analysis Of ‘Augress’ By Michael Shewmaker”, Lydia Anvar

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

“Son Of Man (Of Steel): Messianic Imagery In Zach Snyder’S Man Of Steel (2013)", Jordan Upton

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

“I Love Lucy” Gender Analysis And Its Influence On Popularity And Longevity, Brianna Knoll

Scholarly and Creative Works Conference (2015 - 2021)

This thesis takes an analytical approach to examine the television show I Love Lucy. The contributing factors to the show’s continued success are considered, including Lucille Ball’s comedic style, domesticity and the role of housewives, marital relations, pregnancy on television, and the larger gender representations with a subtopic of social norms. Upon studying the above aspects of I Love Lucy, it is clear that each topic played an essential role in the success of the show. Ball’s comedic style combined with her portrayal of a 1950s housewife, and the social norms that she and her co-stars broke through …

From Page To Screen: The Rhetoric Of Tolkien And Jackson’S The Lord Of The Rings Trilogy, Nicole Motahari

Georgia State Undergraduate Research Conference

No abstract provided.

The Chromophilic Chromophobe: Transference Of Racial Otherness In The Royal Tenenbaums, Reginald Hill

Georgia State Undergraduate Research Conference

No abstract provided.

The Merry Death Collector, Benjamin Wade Murphy

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

Documentary filmmaking puts life on lens and who knows what the outcome will be. The creative team chose Arnie Meredith to be the subject of the short documentary The Merry Death Collector. The oddball LaFollette, Tennessee resident collects and sells antique items from estate sales and recently purchased two buildings to house and run his business. The story follows Arnie’s struggle to open and maintain a small-town business. He attends a convention in Knoxville, Tennessee to raise funds, and even attempts to hang a biplane in one of his buildings. With his projected opening date around the corner, an exhausted …

I Don't Want To Live Without You, Alanna F Wilkinson

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

One side of a cassette tape preserves a pivotal moment between two lovers from two different worlds. Through a recorded phone conversation and various mixtapes, a real story of true love unfolds between Navyman, Keith Wilkinson and waitress, Evelyn Espejo as they prepare for their new lives together in the United States. A black screen begins the story as the sound of a play button is pressed, and audio from a phone conversation is heard. Subtitles accompany the sound at the bottom of the screen. There is a cut to a photograph of Keith in his Navy uniform as Evelyn …

The Magic In The Music Of Disney, Sara K. Chasse

The Research and Scholarship Symposium (2013-2019)

Walt Disney created a film industry that has captivated people of all ages for years, and the most important component of this industry is its nostalgic, thematic, and seemingly magical music. Disney music has made an impact in today’s society since its beginning and I am going to explain why that is. I will explain this in three different ways. I will first discuss Walt Disney’s vision for Disney music and how that has made it a success. Second, I will discuss how Disney music has stayed consistent over the years. Lastly, I will uncover research about how Disney music …

Crossing Borders: From Indifference To Empathy, Stimulating A Humanist Perspective On The Issue Of Illegal Immigration Through Film, Pedro J. Lopes

South East Coastal Conference on Languages & Literatures (SECCLL)

Smuggled is the latest of a vast repertoire of films focusing on the issue of the illegal border crossing between Mexico and the United States.

Directed by Ramon Hamilton and released in 2012, Smuggled tells the story of Miguel, a 9-year-old boy, and his mother as they attempt to illegally cross the border into the United States hidden in a compartment underneath a tour bus.

That same year, the well-known Mexican actor Gael García Bernal produces a documentary titled Who is Dayani Cristal?, in which he himself retraces the steps and circumstances that led to the disappearing of this …

University Scholar Series: Alison Mckee, Alison L. Mckee

University Scholar Series

The Woman’s Film of the 1940s: Gender, Narrative, and History

On February 25, 2015, Dr. Alison L. McKee spoke in the University Scholar Series hosted by Provost Andy Feinstein at the Dr. Martin Luther King, Jr. Library. Dr. McKee discussed her recent book, The Woman’s Film of the 1940s: Gender, Narrative, and History, which addresses the terrain between official public histories and private experiences of love, desire, and loss against the backdrop of World War II. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre Arts at SJSU. She specializes in film history, theory …

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …

The Perpetual Other: Native American Representation In Documentaries, Julia E. Largent

Ray Browne Conference on Cultural and Critical Studies

When an individual uses an Internet search engine to find images of Native Americans, the person will most likely find that most of the images are paintings of the Native American warrior or are older black and white portraits. After searching for other races, such as Asian American or African American, the search is more likely to come up with contemporary images of people playing sports, in school, or with their families. Why is there such a stark difference? Why are Native Americans so often thought about as only in the past? From the early days of books and portraits …