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Animating Aesthetics: Pixar And Digital Culture, Eric Duwayne Herhuth

Theses and Dissertations

In the pre-digital age of cinema, animated and live-action film shared a technological basis in photography and they continue to share a basis in digital technology. This fact limits the capacity for technological inquiries to explain the persistent distinction between animated and live-action film, especially when many scholars in film and media studies agree that all moving image media are instances of animation. Understanding the distinction in aesthetic terms, however, illuminates how animation reflexively addresses aesthetic experience and its function within contexts of technological, environmental, and socio-cultural change. “Animating Aesthetics: Pixar and Digital Culture” argues that the aesthetics that perpetuate …