Arts and Humanities Commons^™

Between Regional And National Identity: Spectacle And Festival In Modern Japan, Sean H. Mcpherson

2013 New England Association for Asian Studies Conference

Distinctive cultures of display and spectacle mark the regional diversity of Japanese festivals. At the same time, material and ritual links among these traditions speak to broader forces of cultural standardization and commodification. This paper examines the mobile architecture and wood sculpture of festival floats (dashi) in central Japan as discursive and material markers of the connections between local Shintō festivals (matsuri) and broader agendas of nationalism in modern Japan. The Chita peninsula in Aichi prefecture is famous for dashimatsuri, Shintō shrine festivals featuring the procession of huge, wheeled floats called dashi. I argue that the recurrent reinvention …

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang

2013 New England Association for Asian Studies Conference

In this paper I analyze Gao Shiqi’s高士奇 (1645-1704) collecting practices in the context of early Qing politics. This paper argues that art collecting was used as an effective networking tool and played an significant part in defining Gao Shiqi’s cultural status in the court during the Kangxi reign (r. 1661-1722).

Gao Shiqi rose to prominence as Kangxi Emperor’s favorite courtier despite not having a jinshi degree. Because of his inferior background, Gao Shiqi was under pressure to assert his status within the circle of cultural elite—art collecting was his solution. Analysis of his private art inventory indicates that Gao had …

Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly

Hollins Student Conference (2012-2016)

The mythological story of Hephaestus’ return to Mount Olympus exists in fragmentary literary accounts which are augmented by a pictorial record. Working backward from Classical images of Hephaestus’ return, the François Vase manifests as the primary source of the depiction’s overall composition. Examination of sixty-three vases featuring the return as published in the Lexicon Iconographicum Mythologiae Classicae reveals certain themes cycling through over the course of the 6th and 5th centuries BCE. By creating a timeline of these images, deductive reasoning establishes the François Vase as the iconographic prototype. Later images expand or abbreviate its motifs as they simultaneously reflect …

Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman

Creative Activity and Research Day - CARD

Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.

The Neue Frau And The Significance Of Beetle Imagery In The Photomontages Of Hannah Höch, Hannah C. Waara

Georgia State Undergraduate Research Conference

No abstract provided.

New Research In Modern And Contemporary Art, Vic Colaizzi

Undergraduate Research Symposium

Chair: Dr. Vic Colaizzi, Department of Art History

New Research In Renaissance And Baroque Art, Anne Muraoka

Undergraduate Research Symposium

Chair: Dr. Anne H. Muraoka, Department of Art History