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Full-Text Articles in Arts and Humanities
Una Perspectiva Multigeneracional En La Representación Teatral De La Familia Mexicana, Abigail Calish
Una Perspectiva Multigeneracional En La Representación Teatral De La Familia Mexicana, Abigail Calish
Honors Theses
This thesis explores the representation of the Mexican family in plays from the three major generations of playwrights in contemporary Mexican theater. These generations are the Generation of 1950, the New Dramaturgy, and the New Theater. The family is a central unit in society, and so it is a recurring theme in many plays. Playwrights use their daily lives as inspiration for their works, and family is a constant in daily life; no matter where one lives, the family is an unavoidable part of their life. All audiences can relate to problems and issues that families experience, and so playwrights …
El Mortífero Machismo: La Representación De La Hipermasculinidad En El Teatro Mexicano Contemporáneo, Laura Crowe
El Mortífero Machismo: La Representación De La Hipermasculinidad En El Teatro Mexicano Contemporáneo, Laura Crowe
Honors Theses
This paper explores two Mexican plays from the 1980s that denounce rigid societal demarcations that force men to exude hyper‐masculine facades, a cultural phenomenon, which both playwrights expose as problematic and dangerous. In their respective plays, La daga (1982) and Dulces compañías (1987), Víctor Hugo Rascón Banda and Oscar Liera employ villainous male characters of the working class who project hyper‐masculine identities in order to hide their own insecurities. In so doing, the playwrights reveal the hypocrisy and danger of a system in which society cares more about preserving heteronormative values than promoting the safety and acceptance of all of …
La Representación De La Familia En Épocas De Transformación: Un Análisis De La Carreta (1953) De René Marqués Y Noche Cubana (2009) De José Luis García Rodríguez, Alyssa Feldman
Honors Theses
This project investigates the dramatic works La carreta (1953) by René Marqués and Noche cubana (2009) by José Luis García Rodríguez to analyze the playwrights’ utilization of the family to represent the conditions of their respective nations. La carreta describes a Puerto Rican family during the island’s transition to a Commonwealth of the United States. Marqués uses the disintegration of the family to show his opposition to Puerto Rico’s colonial status and dependency on the United States. The struggles of the family in La carreta also express Marqués’ condemnation of Puerto Rico’s industrialization and abandonment of agrarian society. Noche cubana …
México, Una Nación En Riesgo: La Descomposición De La Dinámica Familiar Patriarcal En Las Obras De Jesús González Dávila, Diana Fletcher
México, Una Nación En Riesgo: La Descomposición De La Dinámica Familiar Patriarcal En Las Obras De Jesús González Dávila, Diana Fletcher
Honors Theses
This thesis explores the decomposition of the patriarchal family model in three plays written by Mexican dramatist Jesús González Dávila. Focusing on Pastel de zarzamora, El jardín de las delicias and De la calle, the present study analyzes the roles of the adult and the youth characters. González Dávila portrays oppressive, authoritative fathers who are power hungry and need to have control over all family matters. These domineering fathers are the roots of all the problems exhibited by the youth protagonists in all three of these plays. The younger generation has been damaged by the harsh behavior of their parents, …
Inmigracion Y Género: La Representación De La Mujer Inmigrante En El Cine Español Contemporáneo, Jenna Langhans
Inmigracion Y Género: La Representación De La Mujer Inmigrante En El Cine Español Contemporáneo, Jenna Langhans
Honors Theses
This project explores the representation of undocumented women immigrants in Spanish cinema in the past three decades through the analysis of three films: Flores de otro mundo (1999) directed by Icíar Bollaín, and Princesas (2005) and Amador (2010), both directed by Fernando León de Aranoa. These directors are part of a third wave of Spanish film makers whose artistic motives lie in conveying pertinent commentary concerning important and controversial issues that affect contemporary Spanish society at the economic, political, and cultural levels. The intersection of immigration and gender dynamics is one of such issues that has evolved significantly since the …