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Full-Text Articles in Arts and Humanities

Miscegenation In The Marvelous: Race And Hybridity In The Fantasy Novels Of Neil Gaiman And China Miéville, Nikolai Rodrigues Aug 2012

Miscegenation In The Marvelous: Race And Hybridity In The Fantasy Novels Of Neil Gaiman And China Miéville, Nikolai Rodrigues

Electronic Thesis and Dissertation Repository

Fantasy literature in the twentieth and twenty-first centuries uses the construction of new races as a mirror through which to see the human race more clearly. Categorizations of fantasy have tended to avoid discussions of race, in part because it is an uncomfortable gray area since fantasy literature does not yet have a clear taxonomy. Nevertheless, race is often an unavoidable component of fantasy literature. This thesis considers J.R.R. Tolkien’s The Lord of the Rings as a taproot text for fantasy literature before moving on to Neil Gaiman’s American Gods and China Miéville’s Perdido Street Station, both newer fantasy …


Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr Aug 2012

Human Automata, Identity And Creativity In George Du Maurier's Trilby And Raymond Roussel's Locus Solus, Adrienne M. Orr

Electronic Thesis and Dissertation Repository

George Du Maurier’s Trilby (1895) and Raymond Roussel’s Locus Solus (1914) feature a unique figure, the human automaton, a human being who has been transformed into a machine. Rather than becoming objectified and dehumanized, thus transformed they produce great music and art defined by the single quality supposedly irreproducible by machines—variability. Drawing multiplicity from the sameness of exact repetition in their art, the human automata’s identities are equally capable of embodying otherness and oppositions in a plural identity that remains uniquely singular. This challenges contemporary attitudes towards automation as a fixative, deterministic and reductive, and ultimately dehumanizing transformation. Linking automatism, …


Hazardous Experiments: The Elusive Prefaces Of William Godwin, Mary Hays, William Wordsworth And Percy Bysshe Shelley, Jeffrey W. Miles Feb 2012

Hazardous Experiments: The Elusive Prefaces Of William Godwin, Mary Hays, William Wordsworth And Percy Bysshe Shelley, Jeffrey W. Miles

Electronic Thesis and Dissertation Repository

This study analyzes the prefaces of four Romantic-period writers: William Godwin, Mary Hays, William Wordsworth, and Percy Bysshe Shelley. Historically, the preface can be traced back to the insinuatio of classical rhetoric, the purpose of which is to evade audience hostility for writers presenting a bad case. Given the repressive political and cultural atmosphere of the Romantic period, writers like Godwin, Hays, Wordsworth, and Shelley, idealists who seek to disseminate radical ideas in an era of state censorship, must devise a strategy to convey their messages without attracting attention to their subversiveness. Thus, all four writers continually preface their works …