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Articles 1 - 30 of 44
Full-Text Articles in Arts and Humanities
Tuning Into The Future: Sharing Initial Insights About The 2012 Musical Futures Pilot Project In Ontario, Betty Anne Younker, Ruth Wright, Leslie Linton, Carol Beynon
Tuning Into The Future: Sharing Initial Insights About The 2012 Musical Futures Pilot Project In Ontario, Betty Anne Younker, Ruth Wright, Leslie Linton, Carol Beynon
Ruth Wright Dr
This article reports on a pilot research project introducing informal music pedagogy developed by Professor Lucy Green to two Ontario schools. Developed from the observed learning practices of popular musicians, the pedagogy locates production and development of musical knowledge firmly with the students. The research team's initial training visit to the UK is reported upon. The research questions and methodology for the project are presented and some initial observations from the early stages of the Canadian implementation project are discussed.
Impressionism: Performance And Lecture, Del Parkinson
Impressionism: Performance And Lecture, Del Parkinson
Del Parkinson
In the Rick Allen Room of the Herrett Center for Arts and Science, his presentation called “Impressionism” will feature composers Maurice Ravel and Claude Debussy. The performance will blend music, narration and paintings as well as projected images of moonlight, rain, waterfalls, oceans, gardens and other beauty depicted by the music.
Outback And Urban: Australian Country Music, Philip Hayward
Outback And Urban: Australian Country Music, Philip Hayward
Professor Philip Hayward
This book provides an in depth introduction to aspects of Australian country music. Individual chapters address such topics as the origins and pre-history of the form in Australia, the development of Aboriginal country music, and other relevant country music issues.
Rethinking Purpose: Music, Education And Disciplinary Bridges, Samuel Richards, Cathy Benedict, David Biedenbender, Betty Younker, Mark Clague, Catherine Rand
Rethinking Purpose: Music, Education And Disciplinary Bridges, Samuel Richards, Cathy Benedict, David Biedenbender, Betty Younker, Mark Clague, Catherine Rand
David Biedenbender
Disciplinary identity is often at the core of our musical engagements, scholarly research and educational goals. Our schools, curricula, and pedagogy are repeatedly (and historically) shaped by how we (and others) view ourselves within the institution, the arts, and our culture. However, recent developments in communications, production, distribution, and consumption of music have drastically changed the way everyone engages with music. Have our educational objectives, goals, and identities evolved as well? We believe that at the nexus of these developments is the necessity to create a productive dialogue with other disciplines, both inside and outside of music, in order to …
Interdisciplinary Collaboration And Creativity: The Mind Ensemble, David Biedenbender
Interdisciplinary Collaboration And Creativity: The Mind Ensemble, David Biedenbender
David Biedenbender
This presentation will look at the benefits and challenges of collaborating with other, often seemingly disparate, disciplines, using the MiND Ensemble (Music in Neural Dimensions) as a case study. The MiND Ensemble is a group at the University of Michigan that brings together students and faculty in many different programs, including music performance, music composition, computer engineering, design science, biomedical engineering, biology, performing arts technology, and art design and design.
Invited Performance With Black Bayou Brass Trio, Alexander Noppe
Invited Performance With Black Bayou Brass Trio, Alexander Noppe
Alexander Noppe
No abstract provided.
Faculty Artist Series Recital, Jeanne Belfy
Faculty Artist Series Recital, Jeanne Belfy
Jeanne M. Belfy
Belfy will play with sophomore oboe major Taylor Vulgamore, graduate student cellist David Feldman and Boise State alumnus Jerry Jensen, pianist, in a performance of G.F. Handel’s Trio Sonata No. 5 in G, and Czech composer Pavel Haas’s poignant Suite for Oboe and Piano of 1939 follows. The remainder of the Boise State Faculty Wind Quintet, flutist Nicole Molumby, clarinetist Leslie Moreau, bassoonist Janelle Oberbillig, and hornist David Saunders, will join Belfy to perform Cuban composer Paquito d’Rivera’s Aires Tropicales, a multi-movement exploration of the Latin rhythms, jazz harmonies and ostinato-based forms of Cuban music.
Pedagogical Techniques And Student Outcomes In Applied Instrumental Lessons Taught By Experienced And Pre-Service American Music Teachers., Kimberly Councill, J. Henninger, P. Flowers
Pedagogical Techniques And Student Outcomes In Applied Instrumental Lessons Taught By Experienced And Pre-Service American Music Teachers., Kimberly Councill, J. Henninger, P. Flowers
Kimberly H Councill
The purpose of the study was to examine the effect of teacher experience on student progress and performance quality in an introductory applied lesson. Nine experienced teachers and 15 pre-service teachers taught an adult beginner to play ‘Mary Had a Little Lamb’ on a wind instrument. The lessons were videotaped for subsequent analysis of teaching behaviors and performance achievement. Following instruction, a random sample of teachers was interviewed about their perceptions of the lesson. A panel of adjudicators rated final pupil performances. No significant difference was found between pupils taught by experienced and pre-service teachers in the quality of their …
A Summary Of The 2004 Ohio Music Education Association Research Forum Presented By Dr. Patricia J. Flowers., Kimberly Councill
A Summary Of The 2004 Ohio Music Education Association Research Forum Presented By Dr. Patricia J. Flowers., Kimberly Councill
Kimberly H Councill
Each year, the Research Committee of the Ohio Music Education Association sponsors a half-day Research Forum prior to the beginning of the state music education association conference. In 2004, Dr. Patricia J. Flowers, Professor of Music at the Ohio State University was the guest speaker. This article summarizes her talk on the process of becoming a music education researcher
Mirari Brass Quintet: "Spires", Alexander Noppe
Mirari Brass Quintet: "Spires", Alexander Noppe
Alexander Noppe
The debut recording by the Mirari Brass Quintet features an appealing and exciting mix of music spanning many genres. Includes new works by composers Austin Jaquith and Eric Nathan, as well as the music of Bach, Puccini, Chick Corea, and Charles Mingus.
Jorge Montilla’S Ironwood Trio, Jana Starling, Leslie Moreau, Anne Watson
Jorge Montilla’S Ironwood Trio, Jana Starling, Leslie Moreau, Anne Watson
Leslie M. Moreau
No abstract provided.
How To Buy A Step-Up French Horn, David Saunders
A 20th-Century Alternative For The Alto Trombonist: Paul Hindemith's Sonata For Alto Horn, David Mathie
A 20th-Century Alternative For The Alto Trombonist: Paul Hindemith's Sonata For Alto Horn, David Mathie
David G. Mathie
As more trombonists use the alto trombone on recitals, finding music from various historical periods becomes a problem. The works of the baroque and classical periods for alto trombone, such as the Albrechtsberger and Wagenseil concerti, are now performed enough to be considered "warhorses"! Although many contemporary composers, such as Frigyes Hidas and Thom Ritter George, have written excellent new works for the instrument, 20th-century recital music for the alto trombone is still scarce. An alternative is to transcribe works from the brass literature; one of the finest is the Sonata for Alto Horn by Paul Hindemith.
Improving The Sound Of Your Trombone Players, David Mathie
Improving The Sound Of Your Trombone Players, David Mathie
David G. Mathie
No abstract provided.
Where Are The Euphoniums?, David Mathie
'Judith' And The Louisville Orchestra: The Rest Of The Story, Jeanne Belfy
'Judith' And The Louisville Orchestra: The Rest Of The Story, Jeanne Belfy
Jeanne M. Belfy
Musicians and scholars who lived through the late 1940s and early 1950s witnessed an astounding activity which took place in Louisville, Kentucky during that time. An ambitious effort by civic and musical leaders yielded an extraordinary legacy of new music, pioneering a concept that placed the composer first in the orchestral bureaucratic hierarchy. From the fall of 1948 through 1958, the commissioning project of the Louisville Orchestra fostered the creation of 132 musical compositions. The Louisville Orchestra preserved performances of approximately one hundred of these compositions on long-playing records at a time when little contemporary art music was available through …
The Sound Of Racial Melancholia: Listening To And Performing Rock Music In Asian America, Wendy Hsu
The Sound Of Racial Melancholia: Listening To And Performing Rock Music In Asian America, Wendy Hsu
Wendy Hsu
No abstract provided.
Clinic: Beyond The Blues Scale: Improvisation Games, And Performance With The Indiana University Alumni Trumpet Ensemble, Alexander Noppe
Clinic: Beyond The Blues Scale: Improvisation Games, And Performance With The Indiana University Alumni Trumpet Ensemble, Alexander Noppe
Alexander Noppe
No abstract provided.
The Eminence Front, Andrew Blitman
The Eminence Front, Andrew Blitman
Andrew Blitman
Thirty years ago, a British rock band called The Who made a profound statement. Following the unexpected death of legendary drummer Keith Moon in 1980, Who guitarist and composer Pete Townshend entered a long period of mourning and reflection. Out of this epoch of uncertainty for the band emerged a musical gem, the likes of which never seen before or since. “Eminence Front”, the premiere single of the 1982 album It’s Hard, represents the insight gained from the intense feelings of loss associated with Moon’s demise. And, that knowledge bears enormous implications for the ways of the individual and for …
"Celebracion Mexicana" For String Orchestra, Dominic Dousa
"Celebracion Mexicana" For String Orchestra, Dominic Dousa
Dominic Dousa
A performance of my original composition by the UTEP String Orchestra, conducted by Lowell Graham.
Universidad Nacional De Tucuman, Argentina. Master Class, Oscar Macchioni
Universidad Nacional De Tucuman, Argentina. Master Class, Oscar Macchioni
Oscar Macchioni
Presented a Master Class for students at the Instituto Superior de Musica, Universidad Nacional de Tucuman, Argentina
Setting Up Your Concert Percussion Section For Success, Joseph Tornello
Setting Up Your Concert Percussion Section For Success, Joseph Tornello
Joseph F. Tornello
No abstract provided.
Transforming Diaspora: The Kominas’ Translocal Socio-Musical Geography, Wendy Hsu
Transforming Diaspora: The Kominas’ Translocal Socio-Musical Geography, Wendy Hsu
Wendy Hsu
No abstract provided.
Ironwood Clarinet Trio, Jana Starling, Leslie Moreau, Anne Watson
Ironwood Clarinet Trio, Jana Starling, Leslie Moreau, Anne Watson
Leslie M. Moreau
Works by Alfred Prinz, Paquito D’Rivera, Michael Kibbe, David Snow, and Peter Schickele.
Faculty Artist Series Recital, Boise State University, Linda Lamar
Faculty Artist Series Recital, Boise State University, Linda Lamar
Linda Kline Lamar
No abstract provided.
El Paso Music Teachers Association. Master Class, Oscar Macchioni
El Paso Music Teachers Association. Master Class, Oscar Macchioni
Oscar Macchioni
Presented a Master Class for the EPMTA.
Non Pitched Percussion Notation And Orchestration (Guest Lecturer), Joseph Tornello
Non Pitched Percussion Notation And Orchestration (Guest Lecturer), Joseph Tornello
Joseph F. Tornello
No abstract provided.
The Recorder: A Research And Information Guide, Richard Griscom, David Lasocki
The Recorder: A Research And Information Guide, Richard Griscom, David Lasocki
Richard Griscom
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Les Structures Du Rêve, For Two Marimbas And Multipercussion., Bruno Louchourn
Les Structures Du Rêve, For Two Marimbas And Multipercussion., Bruno Louchourn
Bruno Louchouarn
Recent studies have likened dreams to virtual reality. They are much closer in nature to our conscious life than previously thought. In many ways the apprehension of dreams parallel that of music. In both case a stream of virtually real events is pieced together and accepted by the mind in a very intuitive fashion, with similar suspension of disbelief, and similar level of aesthetic responses from the beautiful to the disturbing. Their structure is clear from moment to moment but less precisely felt globally
Surface Tension, David Biedenbender
Surface Tension, David Biedenbender
David Biedenbender
I am often inspired by the fleeting moments of consciousness as I fall asleep, a space that lies between the real and the surreal, between waking and dreaming. As I lay in bed one evening, I began to imagine a glass of water, filled to the brim, with the water rising slightly over the top, surface tension preventing it from spilling over. I picked up the glass and began to toss it up and down, yet the water remained intact, held together by a strange force. I then pulled the water out of the glass with my fingers and tossed …