Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Orchestra Concert, Cedarville University Nov 2012

Orchestra Concert, Cedarville University

Ensemble Concerts

No abstract provided.


Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard Aug 2012

Marshall University Department Of Music Presents Missa In Angustiis, Hob. Xxii: 11 “Nelson Mass” Franz Joseph Haydn And Fantasia In C Major, Opus 80 For Piano, Chorus, And Orchestra, Ludwig Van Beethoven, David Castleberry, Henning Vauth, Elizabeth Reed Smith, Marlayna Maynard

David Castleberry

No abstract provided.


Concertino, Doug Lofstrom, Jennet Ingle, Kelsey Molinari, Kirk Muspratt Jul 2012

Concertino, Doug Lofstrom, Jennet Ingle, Kelsey Molinari, Kirk Muspratt

Doug Lofstrom

Orchestral works released on Origin Classical out of Seatlle, Washington on July 17, 2012. Featuring: Jennet Ingle, oboe; Kelsey Molinari, harp; with accompanying musicians; Kirk Muspratt, conductor; Doug Lofstrom, conductor.


Orchestra And Concerto Concert, Cedarville University Apr 2012

Orchestra And Concerto Concert, Cedarville University

Ensemble Concerts

No abstract provided.


A Survey Of The Sacred Choral-Orchestral Works Of Sir Henry Walford Davies (1869-1941), Martin C. Cook Jan 2012

A Survey Of The Sacred Choral-Orchestral Works Of Sir Henry Walford Davies (1869-1941), Martin C. Cook

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.

Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …