Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 10 of 10

Full-Text Articles in Arts and Humanities

Rep Stages 'White House Murder' [Review Of The Play "The White House Murder Case" At The Milwaukee Repertory Theater, Milwaukee Wi], Curtis Carter Oct 2010

Rep Stages 'White House Murder' [Review Of The Play "The White House Murder Case" At The Milwaukee Repertory Theater, Milwaukee Wi], Curtis Carter

Curtis Carter

None Provided


Rep Stages 'White House Murder' [Review Of The Play "The White House Murder Case" At The Milwaukee Repertory Theater, Milwaukee Wi], Curtis Carter Oct 2010

Rep Stages 'White House Murder' [Review Of The Play "The White House Murder Case" At The Milwaukee Repertory Theater, Milwaukee Wi], Curtis Carter

Curtis Carter

None Provided


The Comic Apocalypse Of The Year Of The Flood, Hope Jennings Aug 2010

The Comic Apocalypse Of The Year Of The Flood, Hope Jennings

English Language and Literatures Faculty Publications

If one of the primary tensions in Margaret Atwood's work is between survival (for the individual or humanity as a whole) and "the question of whether survival is even merited," exemplified by the author's recurring interest in exploring the end of the world (Wilson 177), then Atwood has become one of contemporary literature's. most rigorous demythologizers of Apocalypse, while at the same .contributing to its tradition of prophetic warning.


Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, And The Artist As Masochist, Chase Morgan Erwin Aug 2010

Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, And The Artist As Masochist, Chase Morgan Erwin

Masters Theses

This study presents an attempt to understand the political and aesthetic relationship between two of Modernism’s most enigmatic authors, Wyndham Lewis and Ford Madox Ford by examining their novelistic practice in light of their writings on politics and social criticism. A close look at the use of ironic distance, a hallmark feature in our understanding of modernist fiction, in Tarr (1918) and The Good Soldier (1915) reveals both authors conscious effort to distance themselves from their novel’s subjects, Fredric Tarr and John Dowell respectively. In light of both novels’ satirical element, a scathing attack on bourgeois narcissism caused by the …


Nature Et Fonction Du Portrait Chez Molière : Le Misanthrope Et Le Tartuffe, Anemarie Calin Apr 2010

Nature Et Fonction Du Portrait Chez Molière : Le Misanthrope Et Le Tartuffe, Anemarie Calin

World Languages and Cultures Theses

Nous nous proposons de suivre l’histoire du portrait littéraire et la place de Molière en tant que portraitiste dans deux de ses piè ces les plus célèbres, Le Tartuffe et Le Misanthrope. Molière déplace l’intérêt de l’action dans ses comédies vers les portraits des personnages. S’appuyant sur les principes des Anciens : « castigat ridendo mores », Molière rév èle à travers les portraits, les vices, surtout l’hypocrisie, et l’importance du masque dans la société du XVIIe siècle. La grande varié ;té des portraits sera illustrée de nombreux exemples. Nous nous intéressons aux diverses fonctions des portraits. Ils dévoilent l’intérêt …


Illusion In Troilus And Cressida, Edward Janz Apr 2010

Illusion In Troilus And Cressida, Edward Janz

USF Tampa Graduate Theses and Dissertations

This thesis is an examination of Shakespeare's 1603 satire Troilus and Cressida that looks at illusion and the value given to it by means of war, Helen of Troy, and ultimately the two lovers themselves. Although it is depressingly obvious throughout the drama that life is an illusion, it is also obvious that there is a need for that illusion, and an equally profound necessity to have the illusion debunked.

The first part of the thesis examines the impact of war on Troy. This part concentrates on the myth of the hero, who like Falstaff presents himself to the world …


Uncommon Sense In Renaissance English Literature, Eric Byville Jan 2010

Uncommon Sense In Renaissance English Literature, Eric Byville

Dissertations

My project explores the distinctive union of Senecan tragedy and Elizabethan satire in Renaissance English drama, particularly the works of John Marston and William Shakespeare. Unlike Ben Jonson, who incorporated both Senecan tragedy and Elizabethan satire in his drama but did so in different plays (Catiline, Every Man Out), Marston and Shakespeare combined the two traditions in one and the same play, such as the former's Antonio's Revenge (1600) and The Malcontent (c. 1603) and the latter's Troilus and Cressida (1601) and Timon of Athens (c. 1606). They recognized and exploited a deep compatibility between the two traditions, a compatibility …


Satire In Boaistuau’S Théâtre Du Monde, Alison Baird Lovell Jan 2010

Satire In Boaistuau’S Théâtre Du Monde, Alison Baird Lovell

Quidditas

Le Théâtre du monde [Theater of the World] (1558) of Pierre Boaistuau was an encyclopedic compilation in three books presenting a litany of vices and miseries in human life; the book proved to be an early modern “bestseller” and was reproduced in many editions and translations across Europe. Boaistuau, the first editor of the tales of Marguerite de Navarre, also edited other story collections, besides investigating religious matters, early modern science and medicine including prodigies and monsters, and other developing forms of knowledge. The Théâtre du monde manifested topoi including the theatrum mundi with its vast spectacle displayed …


Ionesco’S Rhinocéros And The Menippean Tradition, Preston Fambrough Jan 2010

Ionesco’S Rhinocéros And The Menippean Tradition, Preston Fambrough

Studies in 20th & 21st Century Literature

Mikhail Bakhtin argues that Menippean satire, one of the two serio-comic genres of classical antiquity from which the carnivalesque strain in Western literature derives, continues its development in modern times in the “fantastic story” and the “philosophical fairy tale.” This modern form of the menippea is characterized by the presence of the grotesque, the use of the fantastic for philosophical purposes, the crowning of a (wise) fool or jester as carnival king, and “a sense of the gay relativity of prevailing truths and authorities” (Rabelais 11) which informs all carnivalized literature. A genre of “ultimate questions of worldview,” it …


Ua94/6/3 Student/Alumni Personal Papers Wku Publications, Wku Archives Jan 2010

Ua94/6/3 Student/Alumni Personal Papers Wku Publications, Wku Archives

WKU Archives Collection Inventories

Underground publications created by students while attending WKU, includes 1960's/1970's political protest papers such as the Apocalypse and the Expatriate. How to Survive is a guide to courses and professors to avoid and a guide to life in Bowling Green for university students. The Big Red Tool a 21st century satirical take on WKU is also found here.