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Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Modernist Aesthetics Of "Home" In Virginia Woolf's Mrs. Dalloway And Rebecca West's The Return Of The Soldier, James Harper Strom
Modernist Aesthetics Of "Home" In Virginia Woolf's Mrs. Dalloway And Rebecca West's The Return Of The Soldier, James Harper Strom
English Theses
The First World War wrought untold destruction on the physical and psychological landscape of Europe. For Britain, the immediate post-war period represented no less than a national “nostos,” or homecoming, and few social institutions were so fragmented by the conflict as the home. This thesis will explore the various conceptions of “home,” from the nation and the domestic sphere to post-war consciousness, through the lens of Virginia Woolf’s "Mrs. Dalloway" and Rebecca West’s "The Return of the Soldier." Though unique in style and scope, Woolf and West interrogate and revise pre-war notions of “home” and suggest a Modernist aesthetic of …
"Nam-Shub Versus The Big Other: Revising The Language That Binds Us In Philip K. Dick, Neal Stephenson, Samuel R. Delany, And Chuck Palahniuk", Jason Michael Embry
"Nam-Shub Versus The Big Other: Revising The Language That Binds Us In Philip K. Dick, Neal Stephenson, Samuel R. Delany, And Chuck Palahniuk", Jason Michael Embry
English Dissertations
Within the science fiction genre, utopian as well as dystopian experiments have found equal representation. This balanced treatment of two diametrically opposed social constructs results from a focus on the future for which this particular genre is well known. Philip K. Dick’s VALIS, Neal Stephenson’s Snow Crash, Samuel R. Delany’s Babel-17, and Chuck Palahniuk’s Lullaby, more aptly characterized as speculative fiction because of its use of magic against scientific social subjugation, each tackle dystopian qualities of contemporary society by analyzing the power that language possesses in the formation of the self and propagation of ideology. The utopian goals of these …
Modernism, Philip M. Weinstein
Modernism, Philip M. Weinstein
English Literature Faculty Works
This article examines the impact of modernism on philosophy and literature. It proposes two defining dimensions of modernist texts: their initial difficulty and their experimental departure from earlier conventions of thinking. It considers in some detail the practice of novelists Marcel Proust, Franz Kafka, and William Faulkner with the aim of shedding light on central strategies and powers of modernism. It shows that the formal practices of my novelists enact a philosophic stance through their particular way of deploying materials.
Religion And Realism In Late Nineteenth-Century American Literature, Lisa Irene Moody
Religion And Realism In Late Nineteenth-Century American Literature, Lisa Irene Moody
LSU Doctoral Dissertations
A critical approach to understanding the analytical power of realism and its representational claims in the late nineteenth-century is to examine the relationship between realism and a common cultural concern that opposes the very tenets of realism, one that necessarily pervaded all aspects of class, gender, nationality, race, sexual orientation, or other classifiable subsets of society typically linked with various schools of literary theory: the subject of religion. In fact, religion, with its disembodied immaterialism, surely the antithesis of realism, represents a unique cultural problem that tests the conceptual biases of the realist mode. One basic issue is that religion …
Cosmological Vision(S) : History, Modernism, And American Renewal In Hart Crane's The Bridge, Lauren Grewe
Cosmological Vision(S) : History, Modernism, And American Renewal In Hart Crane's The Bridge, Lauren Grewe
Honors Theses
With the help of recent Crane studies, along with my own ear, I intend to prove the worth of Crane's myth of bridging as a way of responding to and eventually reforming the Elitonian vision of the modem world. The Bridge counters Eliot as a way to offer hope to the modem world in place of despair, as a way to offer a system of belief that is neither dogmatic nor futile, that incorporates a vision of the future just as much as a vision of the past.