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Full-Text Articles in Arts and Humanities

The Maritorious Melodrama: Film Noir With A Female Detective, Philippa Gates Oct 2009

The Maritorious Melodrama: Film Noir With A Female Detective, Philippa Gates

English and Film Studies Faculty Publications

Feminist critics tend to disagree whether the parachuting of women into traditionally male roles—for example, that of detective—results in a feminist representation. The female detective of the 1930s, however, can be seen to offer a decidedly positive feminist hero in that she defies the stereotype of the “masculine” (i.e. unnatural) woman—especially when one considers the time in which she appeared and representations of female detectives in contemporary film. Despite popular conceptions of classical film, Hollywood did offer progressive representations of working women, ironically in the decade characterized by economic and social upheaval during the Depression. The prolific female detective of …


Icyireze In Rwanda Fifteen Years Post-Genocide, Madelaine Hron Oct 2009

Icyireze In Rwanda Fifteen Years Post-Genocide, Madelaine Hron

English and Film Studies Faculty Publications

No abstract provided.


Itsembabwoko ‘À La Française’? Rwanda, Fiction And The Franco-African Imaginary, Madelaine Hron Mar 2009

Itsembabwoko ‘À La Française’? Rwanda, Fiction And The Franco-African Imaginary, Madelaine Hron

English and Film Studies Faculty Publications

This article explores the literary representation of the genocide in Rwanda, and by extension, that of the Franco-African imaginary. Since the horrific events in 1994, “Rwanda” has become a discursive epiphenomenon, be it in global human rights, African or francophone contexts. Literary works about itsembabwoko, mostly published in France, now represent both a varied and a substantial corpus in Francophone literature. Problematically, however, France played a critical, if not insidious, role in the 1994 Tutsi genocide. This paper therefore examines to what extent Francophone literature about Rwanda is shaped by French politics. Specifically, it contrasts Franco-African texts produced as part …


Improvising Chicago, Tamas Dobozy Jan 2009

Improvising Chicago, Tamas Dobozy

English and Film Studies Faculty Publications

d, 7(1):101-127 (provide link). Reproduced with permission.


Saltwater Sacraments And Backwoods Sins: Contemporary Atlantic Canadian Literature And The Rise Of Literary Catholicism, Andrew Peter Atkinson Jan 2009

Saltwater Sacraments And Backwoods Sins: Contemporary Atlantic Canadian Literature And The Rise Of Literary Catholicism, Andrew Peter Atkinson

Theses and Dissertations (Comprehensive)

In the 1990s, Canadian readers were offered a new literary trend: the Atlantic Canadian Catholic novel. In this dissertation, I examine works from six authors whose writing reflects the scope of this trend and I argue for a consideration of their collective impact on our social imaginary. The bulk of my argument is devoted to an examination of the Catholic religious content in the five novels and one memoir: David Adams Richards’ Bay of Love and Sorrows (1998); Ann-Marie MacDonald’s Fall on Your Knees (1996); Lynn Coady’s Strange Heaven (1996); Wayne Johnston’s Baltimore’s Mansion: A Memoir (1999); Patrick Kavanagh’s Gaff …


Phantoms Of Old Forms: The Gothic Mode In The Dramatic Verse Of Tennyson And Browning, Michael E. Ackerman Jan 2009

Phantoms Of Old Forms: The Gothic Mode In The Dramatic Verse Of Tennyson And Browning, Michael E. Ackerman

Theses and Dissertations (Comprehensive)

My dissertation, “Phantoms of Old Forms: The Gothic Mode in the Dramatic Verse of Tennyson and Browning” situates Alfred Lord Tennyson and Robert Browning within a lineage of writers who experimented with the Gothic mode in dramatic and verse forms. This study is, in the first instance, an experiment in applying a specific strain of Gothic critical theory, one that addresses issues of gender, to canonical literary materials not ordinarily approached in that light. Definitions of the Gothic are notoriously elusive, and this project is not an assertion that the Gothic is always, in all of its manifestations, about gender. …