Arts and Humanities Commons^™

Alfred Russel Wallace, Journalist, Charles H. Smith

Charles H. Smith

No abstract provided.

Alfred Russel Wallace, Journalist, Charles H. Smith

Charles Kay Smith

No abstract provided.

Batista-Era Havana On The Bayou, Michael Mizell-Nelson

Michael Mizell-Nelson

Review Essay: Kent B. Germany. New Orleans After the Promises: Poverty, Citizenship, and the Search for the Great Society. Athens, Ga.: University of Georgia Press, 2007. J. Mark Souther. New Orleans on Parade: Tourism and the Transformation of the Crescent City. Baton Rouge: Louisiana State University Press, 2006. Anthony J. Stanonis. Creating the Big Easy: New Orleans and the Emergence of Modern Tourism, 1918–1945. Athens, Ga.: University of Georgia Press, 2006.

This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen

Faculty Publications

This essay examines the benefits and disadvantages of using imagination as a method of historical research in the archive. Employing Jean-Paul Sartre's notion of “image-consciousness” in The Psychology of Imagination, imagination is defined and explored as a form of perception based upon temporal absence or suspension. This method is then discussed in relation to the exhibition “Not Given: Talking of and Around Photographs of Arab Women” (2006), curated by the author with artist Isabelle Massu. The installation was assembled with the cooperation of the Arab Image Foundation in Beirut and traveled from Marseille (2005-06) to San Francisco (2007). The author …

Masque Scenery And The Tradition Of Immobilization In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell

Julie Campbell

This study addresses two of the pivotal magical interventions in The First Part of The Countess of Montgomery's Urania, specifically those in which Wroth makes use of the masque tradition of immobilization: the Three Towers of the House of Love and the Marble Theatre on an island in the Gulf of Venice. In these enchantments, which include architecturally fantastic structures, music, and the symbolically posed, stilled characters, Wroth creates masque-like ‘idealized fictions’ that emblematize the romantic relationships she depicts. They are meant to elevate the sometimes sordid realities of real relationships to a higher allegorical plane on which the virtue …

Masque Scenery And The Tradition Of Immobilization In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell

Faculty Research & Creative Activity

This study addresses two of the pivotal magical interventions in The First Part of The Countess of Montgomery's Urania, specifically those in which Wroth makes use of the masque tradition of immobilization: the Three Towers of the House of Love and the Marble Theatre on an island in the Gulf of Venice. In these enchantments, which include architecturally fantastic structures, music, and the symbolically posed, stilled characters, Wroth creates masque-like ‘idealized fictions’ that emblematize the romantic relationships she depicts. They are meant to elevate the sometimes sordid realities of real relationships to a higher allegorical plane on which the virtue …

Lady Caroline Lamb’S Revisions To Her Novel Glenarvon: Some Observations, Paul Douglass

Faculty Publications, English and Comparative Literature

No abstract provided.

'On The Technique Of Working-Class Journalism', Rowan Cahill

Rowan Cahill

This article examines some of the views of prominent Australian left journalist Rupert Lockwood (1908-1997) on the role and nature of working class journalism.

'Hussel,' 'Bussel' And 'Kussel,' Or, Using Google Books To Stalk The Elusive Alfred Russel Wallace, Charles H. Smith

Charles H. Smith

No abstract provided.

The Christian At War, Marc A. Clauson

Marc A. Clauson, J.D., Ph.D.

No abstract provided.

Theoretical And Formal Continuity In James Tenney's Music, Brian Belet

Brian Belet

James Tenney created much of his music and theoretical writing as an objective experimenter, observer and codifier. This article examines Tenney's traits of curiosity, experimentation and honest self-evaluation through a subset of his compositions from the 1960s, 1970s and 1980s. Although quite diverse in many ways, these compositions share his mark of intense individuality, integrity and compositional rigor, which creates a macro-unity and formal continuity between works. Perhaps this is his ultimate ‘clang’ and conceptual ‘temporal gestalt-unit’. Each composition grows out of the need to address one or more specific formal questions: each work is indeed an experiment designed to …

Lady Caroline Lamb’S Revisions To Her Novel Glenarvon: Some Observations, Paul Douglass

Paul Douglass

No abstract provided.

"Faith And The Claims Of Reason, Scott Paeth

Scott R. Paeth

No abstract provided.

Die A Graphic Death:" Revisiting The Death Of Genre With Graphic Novels, James Carter

James B Carter

A revisitation of the concept of genre as it applies to graphica. I argue, as have others, that comics is a medium or art form rather than a genre. But, I also illustrate the concept for rhetoric's sake.

Not S0-Same Old, Bringing The Music Of Israel Into Academia, Orit A. Eylon

Orit A Eylon

No abstract provided.

In The Form Of A Longhouse: Haudenosaunee Political Philosophy And Social Contract Theory, Sam Grey

Sam Grey

This essay presents the Haudenosaunee Confederacy (sometimes referred to as the Iroquois League or Five Nations) as part of an alternative social contract theory, contrasting the social and political institutions and norms of the Five Nations with those proposed by Enlightenment-era philosophers. Although the oral history of the Haudenosaunee describes a Hobbesian ‘state of nature’ prior to the founding of the Confederacy, the Five Nations entered into, and constantly renewed, a substantially different ‘social contract’ than that theorized by Hobbes, Rousseau, or Locke. Because these differences reveal a unique understanding of human nature and potential, undergirded by distinctly Haudenosaunee political …

Afflicting The Comfortable: An Assessment Of The Stasis In International Bioethical Discourse, Sam Grey

Sam Grey

Despite decades of clinical research being carried out in the 'developing' world, neither the socio-political and economic context of the global South, nor the nature and historical trajectory of global inequality have played a substantive role in determining the nature and extent of North-to-South bioethical obligations. Instead, context has been used to vacate obligation, shut out theories of justice, and collapse the “four principles' of bioethics” – sacrosanct in the 'developed’ world - into a singular, non-negotiable focus on autonomy as a procedurally-defined right. Proponents of a minimum-standards system of international clinical research conflate scientific, statistical, economic, and ethical issues, …

Historical Roots, Contemporary Relevance: Explaining The Persistence Of Polygyny In Sub-Saharan Africa, Sam Grey

Sam Grey

Despite the pervasive belief that monogamous marriage and the nuclear family are natural or inevitable features of modernity, many other nuptial and household forms exist. Polygyny – simultaneous marriage to multiple wives – is one such form. Today, widespread polygyny is virtually a sub-Saharan African phenomenon, and it perseveres here in the face of rapid, ostensibly antipathetic, socio-economic change. Predictions that development and modernization would obliterate traditional kinship systems in sub-Saharan Africa remain unrealized because they fail to appreciate that polygyny is not merely a historical relic or cultural idiosyncrasy, but a rational, internally consistent strategy that enables both individuals …

In Harm's Way: Justification, Excuse, And Civilian Safety In Just War Theory, Sam Grey

Sam Grey

Just War Theory asserts that armed conflict can be fought in a way that safeguards moral and legal norms while responding to pragmatic/military imperatives. One of the ways in which it seeks to safeguard justice is through specific provisions for the immunity of, and due care for, the vulnerable and innocent. Unfortunately, two doctrines within Just War Theory – the Doctrine of Double Effect and the Doctrine of Supreme Emergency – suspend or vacate these provisions. The net effect is to render justifications inaccessible, leaving only excuses, the use of which establishes that no one is truly accountable, no meaningful …

The Big Payoff? Educational And Occupational Attainments Of Ethnic Minorities In Beijing, Reza Hasmath

Reza Hasmath

Ngos In China: Issues Of Good Governance And Accountability, Reza Hasmath, Jennifer Yj Hsu

Reza Hasmath

对中国公民社会组织良好治理的研, Reza Hasmath, Jennifer Yj Hsu

Reza Hasmath