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Articles 1 - 30 of 39
Full-Text Articles in Arts and Humanities
Voix, Mémoire Et Écriture: Transmission De La Mémoire Et Identité Culturelle Dans L'Oeuvre De Fadhma Et Taos Amrouche, Nathalie Malti
Voix, Mémoire Et Écriture: Transmission De La Mémoire Et Identité Culturelle Dans L'Oeuvre De Fadhma Et Taos Amrouche, Nathalie Malti
LSU Doctoral Dissertations
This project examines the question of memory and cross-cultural identities in the context of diasporic cultures, focusing in particular on the works of two Algerian women: Fadhma Amrouche and her daughter Taos Amrouche. Both occupy a unique position in Maghrebian literature. Precursors of women’s writing in Algeria, their works reflect the experience of exile and displacement, and the shift from orality to the written word, from artistic creation to preservation of cultural patrimony, from identity crisis to a quest of one’s own cultural identity. Women writers at this time were marginalized and Fadhma’s and Taos’ marginalization appear as threefold. Firstly, …
Summary Of Lecture Recital: Bright Sheng's Selected Chamber Music For Strings: Two Violin Solos, And Two String Quartets, Mei-Mei Wei
LSU Doctoral Dissertations
Bright Sheng was born in Shanghai, China, in 1955, and became one of America’s leading composers in the twentieth-century. Bright Sheng’s orchestral music, opera and chamber music is frequently performed throughout the world. His musical language combines Chinese folk music and Western techniques--the meeting of East and West. This essay will discuss Bright Sheng’s The Stream Flows for solo violin (1990), Three Fantasies for Violin and Piano (2006), String Quartet No.3 (1993), and String Quartet No.4 Silent Tempo (2000). These works represent Sheng’s chamber music for strings. This essay will be organized as follows: Chapter 1 will provide Bright Sheng’s …
Peter Christoskov's Twelve Caprices For Solo Violin, Opus 1: A Historical And Theoretical Analysis Of The Work And Its Connection To Bulgarian Folk Music, Borislava A. Iltcheva
Peter Christoskov's Twelve Caprices For Solo Violin, Opus 1: A Historical And Theoretical Analysis Of The Work And Its Connection To Bulgarian Folk Music, Borislava A. Iltcheva
LSU Doctoral Dissertations
This document is an analysis of Twelve Caprices for Solo Violin, op.1 by Peter Christoskov. The analysis concentrates on the theoretical and historical aspects of the work as well as its connection to Bulgarian folk music traditions. The cycle contains twelve caprices based on various song and dance models. Each caprice is analyzed separately, with detailed information regarding the structure, harmony, melody, rhythm and meter. In addition, it establishes the relationship between the instrumental writing in the caprice and the folk music model from which it is derived. This document does not go into extensive detail about the performance and …
Reinscribing The Revolution: Genre And The Problem Of National History In Early American Historical Novels, Joseph John Letter
Reinscribing The Revolution: Genre And The Problem Of National History In Early American Historical Novels, Joseph John Letter
LSU Doctoral Dissertations
This dissertation examines nine early historical novels of the Revolution that recover an important yet largely forgotten archive of American cultural history. In the years following the War of 1812 writers from the Revolution’s successor generation reinscribed the history of national origins through narratives of the Revolution that address issues left unresolved by the Revolutionary War and subsequent Constitutional debates; thus, the Revolution itself becomes an important and ubiquitous subject area for writers attempting to situate narratives of national history. These national allegories, consciously constructed as patriotic narratives, unconsciously “bring forth” figurations that represent the official nation’s Others, people excluded …
Viewing Novels, Reading Films: Stanley Kubrick And The Art Of Adaptation As Interpretation, Charles Bane
Viewing Novels, Reading Films: Stanley Kubrick And The Art Of Adaptation As Interpretation, Charles Bane
LSU Doctoral Dissertations
Greg Jenkins has observed that adaptation "is a presence that is woven into the very fabric of film culture." Although this statement is true, no definitive theory of adaptation exists. Critics and scholars ponder adaptation, yet cannot seem to agree on what makes an adaptation a success or a failure. The problem of adaptation stems from many sources. What, if anything, does a film owe the novel on which it is based? How, if possible, does a film remain faithful to its source? Is a film a version of a story or its own autonomous work of art? Who is …
"To Live Outside The Law, You Must Be Honest" -- Words, Walls, And The Rhetorical Practices Of The Angolite, Scott Howard Whiddon
"To Live Outside The Law, You Must Be Honest" -- Words, Walls, And The Rhetorical Practices Of The Angolite, Scott Howard Whiddon
LSU Doctoral Dissertations
“To Live Outside the Law, You Must Be Honest”: Words, Walls, and the Rhetorical Practices of The Angolite examines the 50 year history of The Angolite, a news magazine published and edited by inmates at Louisiana State Penitentiary. While The Angolite and the efforts of former editor Wilbert Rideau have been discussed in the public media, especially here in Louisiana, my dissertation is the first extended scholarly account of this prison publication. Specifically, I examine how inmate writers held in one of the most historically violent penitentiaries in the United States choose to represent themselves, their multiple literacies, and their …
The Scent Of A New World Novel: Translating The Olfactory Language Of Faulkner And García Márquez, Terri Smith Ruckel
The Scent Of A New World Novel: Translating The Olfactory Language Of Faulkner And García Márquez, Terri Smith Ruckel
LSU Doctoral Dissertations
Both William Faulkner and Gabriel García Márquez introduce the olfactory as a focal element in their writing, producing works that challenge the singular primacy of sight as the unrivaled means by which the New World might be understood. As they translate experiences of the New World into language, both writers record the power of olfactory perception to reflect memory and history, to shape identity, to mark unmistakably certain crisis moments of ethical action, and to delineate a form of knowledge crucial to their New World poetics of the novel. Observing and analyzing the olfactory language particular to the cultural spaces …
Green Theatre: Proto-Environmental Drama And The Performance Of Ecological Values In Contemporary Western Theatre, Kurt Gerard Heinlein
Green Theatre: Proto-Environmental Drama And The Performance Of Ecological Values In Contemporary Western Theatre, Kurt Gerard Heinlein
LSU Doctoral Dissertations
The aim of this study is to illustrate the purpose and potential of theatre that promotes a proto-environmental agenda, or Green Theatre, in re-orienting Western behavior and mores in a direction that creates positive socio-environmental change. In correlation, this dissertation will examine the objectives and performance modes of several educational and professional theatre entities that house a distinctly unique Green agenda. The primary performances featured will include Peter Schumann’s Bread and Puppet Theatre, Blue Man Group’s Tubes, performances by Koko the signing lowland gorilla, and Playmakers of Baton Rouge’s production of Habitat Cats.
Repression And Reduction: The Apparatchik's Discourse In The Works Of Ammianus Marcellinus, Denis Diderot, Victor Serge And George Orwell, Jason Paul Juneau
Repression And Reduction: The Apparatchik's Discourse In The Works Of Ammianus Marcellinus, Denis Diderot, Victor Serge And George Orwell, Jason Paul Juneau
LSU Doctoral Dissertations
In monopolizing political power, the state claims to possess the best idea towards leading a society and solving its problems. While these claims may vary according to regime, all face the eventual failure of expectation on the part of its subjects. No regime can master all the variables in running the country, and so it must convince their subjects otherwise of its legitimacy, despite the reality of their failure. The apparatchik’s discourse is the interaction of the state’s discourse and that of its institutions. This discourse is used to uphold the state’s legitimacy through the expertise of its institutions. The …
Mindfulness Meditation: Creative Musical Performance Through Awareness, Sheri Oyan
Mindfulness Meditation: Creative Musical Performance Through Awareness, Sheri Oyan
LSU Doctoral Dissertations
Musicians spend countless hours practicing their instruments over the course of a lifetime. These hours are primarily spent learning how to manipulate the instrument through scale studies, etudes, and repertoire. However, despite intense and diligent effort, many musicians find themselves unable to perform for an audience without some kind of interruption in creativity in the form of mental and/or physical distractions. The symptoms of such distractions can include heart palpitations, muscle tension, shaking, feelings of fear and panic, and an inability to focus on the task at hand. The presence of these symptoms, typically referred to as “performance anxiety,” is, …
Battle For The Ruhr: The German Army's Final Defeat In The West, Derek Stephen Zumbro
Battle For The Ruhr: The German Army's Final Defeat In The West, Derek Stephen Zumbro
LSU Doctoral Dissertations
This chronicle describes the events concerning the retreat of Field Marshal Walter Model’s Army Group B from the invasion of Normandy in June, 1944 to it’s ultimate destruction in the Ruhr Pocket in April, 1945. The author focuses on the German perspective of the Second World War, and describes the experiences of former Wehrmacht soldiers, Volkssturm conscripts, Hitler Youth members, and civilians as they witnessed the collapse of the Third Reich. The study encompasses events in northwest Germany, primarily in the lower Rhineland and the Ruhr Valley, as Model’s army group was encircled and destroyed by Allied forces. Detailed accounts …
Interior Revolutions: Doing Domesticity, Advocating Feminism In Contemporary American Fiction, Kalene Westmoreland
Interior Revolutions: Doing Domesticity, Advocating Feminism In Contemporary American Fiction, Kalene Westmoreland
LSU Doctoral Dissertations
Domesticity has endured as a facet of everyday life in the late twentieth century and beyond, despite cultural acceptance of feminist beliefs and ideals which encourage women’s movement away from the private sphere of the home. A tumultuous and remarkable cultural transformation has marked the four decades since the publication of Betty Friedan’s The Feminine Mystique, a key text of early second-wave feminism. Equality and choice seem viable and attainable, yet many women today feel overwhelmed by responsibilities and the pressure to live up to the idealization of motherhood. Domesticity can be used as a tool of oppression, against which …
Attitudes Des Éducateurs Envers Le Français Et Le Créole: Le Cas D'Haïti, Lesly Jean-François
Attitudes Des Éducateurs Envers Le Français Et Le Créole: Le Cas D'Haïti, Lesly Jean-François
LSU Doctoral Dissertations
Language attitudes represent a serious challenge for Haitian education policy makers. This research is the first attempt to study the attitudes of elementary school educators toward the linguistic situation in Haiti. A survey of 154 teachers addressed their attitudes toward language use, preference and choice, and their stereotypes toward other Haitian native speakers. Three instruments (quantitative questionnaire, Match-Guise-Technique, and qualitative questionnaire) were utilized and two Statistical Methods (descriptive and inference), along with Chi-Square were used in order to observe the significance of differences in independent variables. Since Haitian teachers who participated in this study were assumed bilingual, the questionnaire first …
Using The Rod: Education, Punishment, And The New Woman In Fin De Siã¨Cle British Literature, Kristin C. Ross
Using The Rod: Education, Punishment, And The New Woman In Fin De Siã¨Cle British Literature, Kristin C. Ross
LSU Doctoral Dissertations
This study examines the relationship between female education and punishment in the British novel of the fin de siécle. It considers the “New Woman” (the emancipated, intellectualized, and unmarried prototypical feminist appearing in late nineteenth-century culture) in light of how female education affects fictional characterizations of her. Female education in the “New Woman” and her fictional counterparts worked to destabilize class and gender hierarchies for Victorian Society, producing anxiety in its culture and texts. To defuse this anxiety, authors frequently demonstrated the consequences of espousing the feminism driving the “New Woman” and the education producing her. The education she desired/received …
Liminality In Gender, Race, And Nation In Les Quarteronnes De La Nouvelle-Orléans By Sidonie De La Houssaye, Christine Koch Harris
Liminality In Gender, Race, And Nation In Les Quarteronnes De La Nouvelle-Orléans By Sidonie De La Houssaye, Christine Koch Harris
LSU Doctoral Dissertations
This project examines themes of race, gender, and nation in a series of four novels by nineteenth-century Louisiana author Sidonie de la Houssaye. The series, called Les Quarteronnes de la Nouvelle-Orléans (The Quadroons of New Orleans), is based on the system of plaçage. Plaçage, a system of concubinage in which white men took women of mixed racial heritage (such as “quadroons”) as mistresses, becomes a source of conflict and contradiction in the series. The author sees plaçage as a tragic necessity for some educated and morally “upright” quarteronnes. For others, those quarteronnes depicted as libidinous and avaricious, it is a …
The Musical Journey Of Opera Singer Lenora Lafayette: A Louisiana Treasure, Kyla Dean Pitcher
The Musical Journey Of Opera Singer Lenora Lafayette: A Louisiana Treasure, Kyla Dean Pitcher
LSU Doctoral Dissertations
Lenora Lafayette (1926-1975) was an African-American opera singer who developed her professional path while facing tremendous racial, cultural, and economic barriers. She was a Louisiana native with great vocal potential who attempted to enroll at Louisiana State University in Baton Rouge, but was denied admission due to segregation. Lenora attended The Juilliard School as an alternative and earned scholarships that covered her tuition for an entire year. She studied with the prestigious faculty member Dusolina Giannini and developed her talent to the degree that she was able to win a John Hay Whitney Fellowship for study abroad. She traveled to …
The Other Side Of The Tracks: Railroads, Race, And The Performance Of Unity In Nineteenth-Century American Entertainment, Elissa Sartwell
The Other Side Of The Tracks: Railroads, Race, And The Performance Of Unity In Nineteenth-Century American Entertainment, Elissa Sartwell
LSU Doctoral Dissertations
Nineteenth-century Americans took great pride in the completion of the first transcontinental railroad in 1869. This pride was not solely grounded in the knowledge that a grand, technological feat had been accomplished. When placed in its historical context, the celebration surrounding the completion of the railroad suggests a clear and visible statement of unity following a bitter and divisive civil war. The transcontinental railroad of 1869 undeniably unified the States. But any railroad simultaneously unites and divides, for while the tracks serve to link distant locations, they also produce a literal and metaphorical division in the communities through which they …
Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright
Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright
LSU Doctoral Dissertations
What does it mean to be a “citizen” of the United States? In the simplest of terms, citizenship is a limited position of identity, relegated to a narrow definition of legal and geographical position for an individual. But to be a “citizen” in America means far more than that – it becomes an accepted image of our collective identity which seeks an historical and political supremacy that allows America, and its citizens, to claim ideological status over anyone who is not a part of that nationalistic frame. The citizen has, for us, become a set of understood rights and privileges, …
Money And Tragedy In The Nineteenth-Century Novel, Clany Soileau
Money And Tragedy In The Nineteenth-Century Novel, Clany Soileau
LSU Doctoral Dissertations
The nineteenth-century novelists studied in this dissertation used tragic form to investigate economic and social changes taking place around them. Honoré de Balzac’s Le Père Goriot (1834), William Dean Howells’ The Rise of Silas Lapham (1884-1885), Giovanni Verga’s Mastro-don Gesualdo (1888), Benito Pérez Galdós’s Miau, (1888), and Thomas Mann’s Buddenbrooks (1901) reflect the interest of writers in France, the United States, Italy, Spain, and Germany in questions concerning how money in an evolving capitalist society not only had a major role in shaping the behavior and personalities of specific individuals but also affected such institutions as the family. Under these …
Stage(D) Mothers: Mother-Daughter Tropes In Twentieth-Century American Drama, Kristin Hanson
Stage(D) Mothers: Mother-Daughter Tropes In Twentieth-Century American Drama, Kristin Hanson
LSU Doctoral Dissertations
The relationship between mother and daughter is an important one for many women. In learning how to best become a successful member of society, daughters look to their mothers to demonstrate the behaviors and beliefs appropriate to a female. Such explicit and implicit instruction makes the mother-daughter relationship a central one in the socialization of women. Because it is such a powerful site, the mother-daughter relationship has received attention in the world of representation. Of particular import to this study is the representation of the mother-daughter relationship in Twentieth-Century American drama. Recent scholarship has shown that such representations can, however, …
The Transcription For Two Double Basses Of Selections From Pièces De Violes, Quatrème Livre, Deuxiême Partie: Suitte D'Un Goût Etranger By Marin Marais, Yong Hao Pan
LSU Doctoral Dissertations
Marin Marais (1656-1728) was one of the most celebrated bass viol composer-performers of the French school from the late seventeenth century to the early eighteenth century. The purpose of this project is to introduce some of his music to double bass players through transcriptions. The monograph starts with an overview on the importance of transcriptions in double bass literature. A historical background of the viol and its relation to the double bass are discussed in the second chapter. The third chapter reviews Marin Marais’s biographical sketch, and some of his most significant compositions. The transcription process of eight selected bass …
A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie
A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie
LSU Doctoral Dissertations
Ingolf Dahl’s Concerto for Alto Saxophone and Wind Orchestra was written in 1949 for the famous concert saxophonist, Sigurd Rascher and was then revised to its present state in 1953. The concerto, widely known by saxophonists and wind band conductors alike, is considered among the finest of repertoire for band as well as for saxophone. Although Dahl’s concerto is one of the most frequently performed saxophone concerti, there has been surprisingly little written about it. Available published sources deal directly with the concerto, but do not address harmonic implications, the saxophone solo part, or the published wind band score. This …
Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa
Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa
LSU Doctoral Dissertations
Falstaff (premiered in 1893) draws more explicitly on primo ottocento formal conventions for duets, arias, and central finales than scholars have previously argued. A description of those conventions (generally referred to as the solita forma) is followed by the analytical application of those conventions to selected passages from Falstaff. A general description of the solita forma for duets and arias is followed by a pertinent example from Rossini’s Semiramide. Three passages from Falstaff are then shown to have strong grounding in the solita forma. These passages include Falstaff’s “Honor” monologue in act I, part 1; the scene for Mrs. Quickly, …
The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen
The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen
LSU Doctoral Dissertations
This purpose of this study was to examine the solo piano compositions of Polish composer and pianist, Andrzej Dutkiewicz (1942- ). These works include Toccatina (1969), Suite for Piano (1970), Three Sketches in Retrospect (1985), and À-la (1986). Although his compositions have been performed in festivals and concerts, there has been little written about his works. This is the first academic research presented by an American scholar. This monograph is divided into three chapters as follows: Chapter One includes background and biographical information on Dutkiewicz; Chapter Two presents a comprehensive analysis of À-la from an analytical and stylistic perspective; Chapter …
La Réécriture Des Mythes Et Le Combat Des Femmes Pour Leur Libération: Étude De Maïéto Pour Zékia De Bohui Dali, De La Guerre Des Femmes De Zadi Zaourou, De La Révolte D'Affiba De Régina Yaou Et De Assémien Déhylé, Roi Du Sanwi De Bernard Dadié, Souleymane Fofana
LSU Doctoral Dissertations
My dissertation examines the rewriting of myths by writers from the Ivory Coast: Maïéto Pour Zékia by Bohui Dali, La guerre des femmes by Zadi Zaourou, La révolte d'Affiba by Régina Yaou and Assémien Déhylé, roi du Sanwi by Bernard Dadié. I analyze these texts in the context of nineteenth and twenty century French works by Baudelaire (Le peintre de la vie moderne); Camus (Le mythe de Sisyphe); Aragon (Le paysan de Paris). Comparisons with feminist texts by Beyala (Femme nue, femme noire); Djebar (Femmes d'Alger dans leur appartement); Bâ (Une si longue lettre) underline how the rewriting of myths …
The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose
The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose
LSU Doctoral Dissertations
The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure the effects of contextual interference practice conditions on the acquisition, retention, and transfer of a complex task—right hand lead percussion sticking technique among university musicians. All participants (N = 120) demonstrated rhythmic competency for the task, and were necessarily unable to perform the sticking technique with accuracy at the start of treatment. Three treatment groups …
Reading Trauma In Postmodern And Postcolonial Literature: Charlotte Delbo, Toni Morrison, And The Literary Imagination Of The Aftermath, Sylviane Finck
Reading Trauma In Postmodern And Postcolonial Literature: Charlotte Delbo, Toni Morrison, And The Literary Imagination Of The Aftermath, Sylviane Finck
LSU Doctoral Dissertations
Some personal or collective histories can never be completely integrated into the continuum of one's emotional life. Such stories produced in traumatic times or in disastrous events are likely to remain only partially understood or accepted. Examining the human consequence of traumatic events such as the enslavement of Africans in the United States or the attempted extermination of the Jewish people in Europe is one challenging focus of this work. It is comparatively productive, however, if these events are approached from the perspective of the trauma they have produced-an approach that suspends chronological and geographical barriers of time and space. …
Painful Discourses: Borders, Regions, And Representations Of Female Circumcision From Africa To America, Tameka Latrece Cage
Painful Discourses: Borders, Regions, And Representations Of Female Circumcision From Africa To America, Tameka Latrece Cage
LSU Doctoral Dissertations
This project considers issues of representation and how literature, personal testimony, popular culture, and African film script a narrative of change and/or participate in change in the female circumcision debate. Texts that currently shape the female circumcision debate are increasingly focused on viable methods of social change and couch issues of change in dynamics of discourse and representation, including Obioma Nnaemeka’s Female Circumcision and the Politics of Knowledge: African Women in Imperialist Discourses, Rogaia Mustafa Abusharaf’s Female Circumcision: Multicultural Perspectives, and Oyèrónké Oyewùmi’s African Women and Feminism: Reflecting on the Politics of Sisterhood, all of which I cite in the …
A Conductor's Study Of Ruth Watson Henderson's Voices Of Earth, Ryan Jeffrey Hebert
A Conductor's Study Of Ruth Watson Henderson's Voices Of Earth, Ryan Jeffrey Hebert
LSU Doctoral Dissertations
Ruth Watson Henderson (b. 1932) has become one of Canada’s most prolific composers. She began her music study at a very early age and her career as a performer prospered as she received many awards and honors throughout her life. Her accomplishments as a performer and composer are numerous. Her work as the accompanist for the Toronto Children’s Choir has led to many pieces for children’s voices, and her involvement in church music as an organist has resulted in many sacred compositions for mixed choir. This research presents a brief biographical introduction of Ruth Watson Henderson and a conductor’s analysis …
The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper
The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper
LSU Doctoral Dissertations
Anthony Burgess, primarily known for his literary career, was also a prolific composer. Composition and music was his first love and passion. At the present time, there is no study specifically on the choral music of Anthony Burgess and there have been only a few performances of his music. The primary goal of this paper is to consider the choral compositions of Anthony Burgess. In a comparison of the works list produced by Anthony Burgess in This Man and Music, a works list complied by Paul Phillips and the inventory of holdings in the Burgess collection at the Ransom Center, …