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When I Die, I Won't Stay Dead: The Poetry Of Bob Kaufman, Mona Lisa Saloy Jan 2005

When I Die, I Won't Stay Dead: The Poetry Of Bob Kaufman, Mona Lisa Saloy

LSU Doctoral Dissertations

This dissertation begins with the premise that critical attention to the work of Bob Kaufman is long overdue, and that Bob Kaufman is a significant American poet in the African American and Beat traditions. The purpose of this dissertation begins to rectify this need with a study of Bob Kaufman’s verse. My exploration of Kaufman necessitates some pointed attention to the cultural, social, and psychological influences that gave rise to his work, specifically his upbringing in the south, his travels, and the misrepresented times of his life in current biographical entries and some present scholarship. I will also address the …


A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva Jan 2005

A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva

LSU Doctoral Dissertations

Choral music is one of the most common musical activities in Brazil. However, the lack of biographical studies, music publication, and theoretical works which discuss stylistic and interpretative aspects of choral performance creates problems for conductors. The primary goal of this study is to consider Amaral Vieira’s Stabat Mater, op. 240 specifically from a conductor’s point of view, focusing on biographical, analytical, stylistic, and interpretative issues. The document is divided into three chapters; chapter one discusses twentieth-century Brazilian choral music, Amaral Vieira’s life and music, history and overview of the Stabat Mater, op. 240, and textual aspects. Chapter two presents …


The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King Jan 2005

The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King

LSU Doctoral Dissertations

This study reads the rise, reign, and fall of the English gentleman through the lens of the hobbledehoy novels of Anthony Trollope. It explores Trollope’s use of the hobbledehoy (a term, now almost archaic, for an awkward young man) in eight novels appearing between 1857 and 1879: The Three Clerks (1857), The Small House at Allington (1864), The Last Chronicle of Barset (1867), Phineas Finn (1869), Phineas Redux (1874), John Caldigate (1879), The Way We Live Now (1875), and The Prime Minister (1876). Since the hobbledehoy figure serves as a cultural reference point or touchstone, then by examining the permutations …


Leona Queyrouze (1861-1938): Louisiana French Creole Poet, Essayist, And Composer, Donna M. Meletio Jan 2005

Leona Queyrouze (1861-1938): Louisiana French Creole Poet, Essayist, And Composer, Donna M. Meletio

LSU Doctoral Dissertations

This new historicist study chronicles the life and work of a Louisiana French Creole, Leona Queyrouze (1861-1938) who grew up in the turbulent era following the Civil War. Her articles and poetry, mostly written in French, were published in the local periodicals, L’Abeille, Comptes-Rendus, the Picayune and the Crusader under the pseudonyms, Constant Beauvais, Salamandra, and Adamas. She also translated plays from French into English in New York under at the request of Harpers Bazar and wrote two symphonies that were performed at the World Exposition in New Orleans in 1884. Through an ever-widening critical lens, I focus upon her …


Problems Of Modernization In Late Imperial Russia: Maksim M. Kovalevskii On Social And Economic Reform, Evgeny Badredinov Jan 2005

Problems Of Modernization In Late Imperial Russia: Maksim M. Kovalevskii On Social And Economic Reform, Evgeny Badredinov

LSU Doctoral Dissertations

The problems of social and economic reform were at the center of academic and political activities of Maksim M. Kovalevskii (1851-1916), a prominent Russian historian and sociologist. The comparative study of rural communal institutions led him to conclude that the village commune remained a viable social and economic institution in late imperial Russia. Although he believed firmly in private agriculture, he criticized the Stolypin land reform for attempting to pressure peasants to separate from communes. Kovalevskii argued that in a country dominated by communal traditions the state must not destroy the collective economy by legislative fiat. He urged Russian policy-makers …


Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean Jan 2005

Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean

LSU Doctoral Dissertations

This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …


A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira Jan 2005

A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira

LSU Doctoral Dissertations

Heitor Villa-Lobos is one of the most important names in South American music and probably the most important name in Brazilian music. His musical output includes symphonies, symphonic poems, operas, chamber music, concertos, and choral music, among other genres. His choral music output is significant and includes pieces in which the chorus seems to be used for color and rhythm in a primarily instrumental texture, educational music, folk and secular pieces, large scale choral pieces, and sacred music. This document provides a brief survey of his choral music and a conductor's study of his last two choral works, Bendita Sabedoria …


Pursuing Enlightenment In Vienna, 1781-1790, Heather Morrison Jan 2005

Pursuing Enlightenment In Vienna, 1781-1790, Heather Morrison

LSU Doctoral Dissertations

Radical transformations came about in Vienna during the 1780s, as intellectuals in the city embraced the Enlightenment and explored ways in which the movement could be spread. In 1781, Joseph II and his state reformed censorship. In an instant, the Viennese had access to the great scholarly works of seventeenth- and eighteenth-century Europe. In an instant, Vienna spawned a multitude of writers, publishing houses, reading rooms and all the accoutrements of a culture of print. The newly generated intellectual culture produced an amazing amount of pamphlets, an era termed the Broschürenflut in Austrian history. Public debate on the state, religion, …


"We Are No Preacher" [Electronic Resource] : Margaret Oliphant's Textual Authority, Shannon Landry Brown Jan 2005

"We Are No Preacher" [Electronic Resource] : Margaret Oliphant's Textual Authority, Shannon Landry Brown

LSU Doctoral Dissertations

In this dissertation, I examine four of Margaret Oliphant's novels, her supernatural fiction, and her literary reviews, revealing how she relies on her knowledge of the cultural sign system, domesticity, and women's value to show how women may successfully navigate middle-class Victorian society. She accomplishes this by identifying the places where women's strengths lie: the boundaries between work and family, between the spiritual and material, amid the everyday details that she herself realizes reveal the workings of society. She sets herself up as a voice of authority within the system itself, not as a distant, all-knowing sage but as someone …


Gerald Finzi And John Ireland: A Stylistic Comparison Of Compositional Approaches In The Context Of Ten Selected Poems By Thomas Hardy, Richard Michael Jupin Jan 2005

Gerald Finzi And John Ireland: A Stylistic Comparison Of Compositional Approaches In The Context Of Ten Selected Poems By Thomas Hardy, Richard Michael Jupin

LSU Doctoral Dissertations

The purpose of this paper is to provide a stylistic analysis that contrasts five Thomas Hardy settings by Gerald Finzi with five settings by John Ireland. In order to investigate the apparent intuitiveness with which both Ireland and Finzi approached Thomas Hardy’s poetry, biographical information is provided to reveal similarities in the backgrounds of each composer. Highlighted are the compositional techniques and text setting ideologies each composer utilized when facing the challenges and eccentricities of Hardy’s poetry. A brief discussion on the philosophical foundations of Thomas Hardy’s poetry is also included. The repertoire discussed within are the settings Summer Schemes, …


The Foundation Of An Apparel Factory: Culture's Place Becomes A Practiced Space, Kim T. Chavis Jan 2005

The Foundation Of An Apparel Factory: Culture's Place Becomes A Practiced Space, Kim T. Chavis

LSU Doctoral Dissertations

The study provides a reformulation of culture as space. Building on Michel Certeau's theory of space and place, this study incorporates Karla Holloway's theory of historicity, memory, and metaphor - specifically, how these elements are formed and behave - W.E.B. Dubois's theory of double consciousness, Homi Bhabha's theory of the beyond and interstices, John Fiske's culture of everyday life, Bourdieu's idea of the habitus, Brett Williams' theory of texturing, and Edward Said's travel theory. These critical ideas are woven together to construct an operating construct of space, which allows for that culture to be a dynamic, fluid construction, represented in …


Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere Jan 2005

Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere

LSU Doctoral Dissertations

This dissertation addresses Samuel Beckett's bilingualism in an effort to understand how the author's use of language affected his writing style and depiction of gender. Beckett began writing in English, switched to French for the composition of new works for ten years, and then returned unexpectedly to English. His first English works are characterized by stylistic virtuosity, erudition, and misogyny. With Beckett's adoption of French his style became simple, spare, and cerebral. Plot structure based on a journey in early works was abandoned in favor of static situations and dialogue. Women were either ignored or viewed negatively. In 1956, Beckett …


Sites Of Resistance: Language, Intertextuality, And Subjectivity In The Poetry Of Diane Wakoski, Cordelia Maxwell Hanemann Jan 2005

Sites Of Resistance: Language, Intertextuality, And Subjectivity In The Poetry Of Diane Wakoski, Cordelia Maxwell Hanemann

LSU Doctoral Dissertations

This dissertation explores the interconnectedness of language and related cultural texts and women’s subjectivity. The poststructuralist feminist enterprise of examining and critiquing language and signifying practices for the ways in which they impose social values and of interrogating and undermining the fixity of meanings in cultural texts will serve as my primary frame. Concerned with the individual (gendered) consciousness, poststructuralist feminist theory of subject formation posits that while language, along with ideologically biased texts of the culture, construct subjects, language and the cultural texts also serve as sites of resistance for the deconstruction and reconception of individual and collective subjectivities. …


Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin Jan 2005

Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin

LSU Doctoral Dissertations

This dissertation is focused on the contribution of literature in the establishment of democracy in four French-speaking countries of the Golf of Guinea between 1988 and 1998. They are Benin, Cote d’Ivoire, Guinea and Togo. In 1991, a democratization movement that started in Benin occurred in many West African countries. It was propelled by an invented idea of National Conferences that were gathered by the countries elites either with the support or against the will of the ruling government. Thus, it was possible to organize a successful National Conference in some of those countries like Benin, Mali and Niger. But …


La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark Jan 2005

La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark

LSU Doctoral Dissertations

This dissertation analyzes Guillaume Apollinaire's rewriting of Merlin's mother and the Dame du Lac in L'Enchanteur pourrissant as a commentary on writing. I consider Merlin's state in the tomb as an effect of his desire for the Dame du Lac and relate this to the poet's relationship to writing, which is the result of his desire for a unity of expression -- to express what can be designated in the text, but not directly communicated in its totality through language. There is always something missing from any writing, but the very absence of meaning influences poetic production by encouraging attempts …


The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris Jan 2005

The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris

LSU Doctoral Dissertations

Pauline Viardot (1821- 1910) was a famous mezzo-soprano with a career spanning twenty-four years (1839-1863). Her Music Salon is credited for launching the careers of Camille Saint-Säens, Jules Massenet, Gabriel Fauré, and Charles Gounod. After her retirement she turned her attention towards teaching and composition. She has written over 100 Vocal compositions, 15 Instrumental compositions and 5 Salon Operas. Chapter 1 presents an introduction and biography of the composer, with special emphasis on her family, friends, colleagues, performance career and music salon. Chapter 2 is a closer look at her salon opera Cendrillon including an analysis of the work. This …


After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors Jan 2005

After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors

LSU Doctoral Dissertations

In “After Scotland: Irvine Welsh and the Ethic of Emergence,” the author’s objective is to mirror what he argues is the Scottish writer Irvine Welsh’s objective: to chart out a future Scotland guided by a generative life ethic. In order to achieve this objective, the author lays open and reengages Scotland’s past, discovers and commits to neglected or submerged materials and energies in its past, demonstrates how Welsh’s work is faithful to those and newly produced materials and energies, and suggests that Welsh’s use of those materials and energies enables readers to envision a new Scotland that will be integral …


Conspiracy Culture In America After World War Ii, Valerie Rose Holliday Jan 2005

Conspiracy Culture In America After World War Ii, Valerie Rose Holliday

LSU Doctoral Dissertations

Feminism has all too often been reified as a theoretical category. Specifically, Marxist critical categories fail to account for the integral importance of gender in any sociopolitical critique. This dissertation attempts to dereify gender and demonstrate a theoretical model that seamlessly integrates psychoanalysis, Marxism, and feminism. Conspiracy culture in America since World War II is an ideal aperture through which we may envision such a theoretical approach, and indeed see the critical need for such an approach. This dissertation looks at several post-war American conspiracy narratives, including Oliver Stone’s JFK and Nixon, Don DeLillo’s Libra, Sidney Lumet’s Fail Safe, John …


"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters Jan 2005

"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters

LSU Doctoral Dissertations

This dissertation argues that readings of the Civil War novels published in America since 1955 should be informed by a consciousness of the social forces at work in each author’s time. Part One consists of a study of the popular Civil War novel, 1955’s Andersonville by MacKinlay Kantor; part two, 1974’s The Killer Angels by Michael Shaara. Chapters One through Three explain that Kantor was especially fitted for the ideological work going on in Andersonville, then outlines the way that novel tried to contribute to the transition between World War II and the Cold War. The book attempted to aid …


Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie Jan 2005

Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie

LSU Doctoral Dissertations

“Solitary Blessings: Solitude in the Fiction of Hawthorne, Melville, and Kate Chopin” examines a construction of solitude in which nature is alien and perilous, the self confronts rejection and death, the subject is subordinated to an unknown, and the revealed truth is experienced as both gift and curse. Arising out of fictional portraits of people under duress, this interpretation counters a more dominant construction in American literature, enunciated by Edwards, Emerson, and Thoreau, that shows solitude as composed and calming, subordinating nature to mind, and revealing an underlying truth in presentable form. Solitude has been equated with privation and exile …


"Let Me Play A While": Storytelling Characters And Voices In The Works Of Mark Twain, William Faulkner, And Lee Smith, Kenneth Mark Broyles Jan 2005

"Let Me Play A While": Storytelling Characters And Voices In The Works Of Mark Twain, William Faulkner, And Lee Smith, Kenneth Mark Broyles

LSU Doctoral Dissertations

This dissertation focuses on the difference between narrators and characters in fiction who tell stories. It also argues that traditional orality persists in American culture and is a significant influence in the fiction of Mark Twain, William Faulkner and Lee Smith. In their work, they try to overcome what some perceive as a structural discrimination inherent in the novel and imbue their characters' speaking voices with authority that is determined by something other than their position in the structural hierarchy. All three authors attempt to give their characters speaking voices which are not necessarily inferior to the narrative or authorial …


The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung Jan 2005

The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung

LSU Doctoral Dissertations

American composer and pianist Amy Marcy Cheney Beach -- Mrs. H. H. A. Beach (1867-1944) was born in Henniker, New Hampshire. She is recognized as the best American composer of her time. She was the first American woman to compose large-scale art music, and she was also a virtuosic pianist. The "Sonata for Violin and Piano in A Minor, Op. 34" (1896) is Beach’s most representative chamber music work. It contains four movements, with Classical formal design, and expresses a style featured in late Romantic music. The Violin Sonata begins with a large, imposing movement, followed by a folk-like second …


The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton Jan 2005

The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton

LSU Doctoral Dissertations

From the perspective of the twenty-first century, it might be easy to dismiss frontier literature as a minor historical anomaly, as a descriptor limited to setting, or as an insignificant variation from a country struggling to reach the heights of British fictional “norms.” However, when American literature began to flourish in the 1820s, it was primarily a literature of the frontier. Examining what this frontier quality means for literary elements beyond setting, such as narrative voice, textual structure, and genre, more clearly explains the importance of the frontier to literary nation-building. After all, the literary frontier ranged across literary genres, …


Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng Jan 2005

Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng

LSU Doctoral Dissertations

Contemporary feminist hard-boiled detective fiction has been studied as an adaptation of the traditional masculine hard-boiled detective genre. Writers such as Sara Paretsky, Sue Grafton, and Marcia Muller create compelling feminist protagonists to fill the role of detective. The successes and failures of these feminist detectives have then been measured against the standards created in the classic genre by Raymond Chandler, Dashiell Hammett, and James M. Cain. The classic hard-boiled masculine genre came of age in the 1930s and 1940s at the same time as proletarian literature. The two genres share many characteristics including reliance upon first person narrative, the …


An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell Jan 2005

An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell

LSU Doctoral Dissertations

The dissertation is in two parts. The first part is a musical composition in one movement for orchestra, La Cosecha (The Harvest), based on the Maya Zodiac. The second part is a semiotic analysis of selected Puerto Rican folk music that will conclude that a rhythmic structure organizes all these musical forms in a coherent manner. The composition has thirteen sections each representing a figure of the zodiac. Each figure has a main rhythmic pattern and a chord that it is rotated to create unity among the distinctive chords. The first half represents the dry season and the second the …


The Relationship Between The Papacy And The Jews In Twelfth-Century Rome: Papal Attitudes Toward Biblical Judaism And Contemporary European Jewry, Marie Therese Champagne Jan 2005

The Relationship Between The Papacy And The Jews In Twelfth-Century Rome: Papal Attitudes Toward Biblical Judaism And Contemporary European Jewry, Marie Therese Champagne

LSU Doctoral Dissertations

The relationship of the papacy to the Jews in the Middle Ages, which had developed under the influences of Patristic writers, Roman law, and papal precedent, was marked in the twelfth century by toleration and increasing restriction, but also by papal protection. Between the First Crusade massacres of Jews and the restrictions and persecutions of the thirteenth century, the twelfth century is set apart as a unique era in the lives of European Jews. As Eugenius III (1145-1153) and Alexander III (1159-1181) extended their protection to the Jews of Rome and perhaps all of Christendom through the papal document Sicut …


Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman Jan 2005

Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman

LSU Doctoral Dissertations

This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and …


Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen Jan 2005

Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen

LSU Doctoral Dissertations

Jean-Paul Sartre's autobiography Les Mots (1964) is shown to be a departure from the Sartrean oeuvre because it represents an abandonment of littérature engagée. In Les Mots Sartre not only abandons littérature engagée, but also embraces a view of literature which he formerly opposed--l'art pour l'art. Sartre defines his views of literature--littérature engagée--in Qu'est-ce que la littérature? (1948) Robbe-Grillet defines l'art pour l'art in Pour un nouveau roman (1963). In Les Mots Sartre embraces Robbe-Grillet's l'art pour l'art and abandons his own littérature engagée. Since these two views of literature are theoretically opposed, it is interesting to find that Sartre …


Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell Jan 2005

Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell

LSU Doctoral Dissertations

This study is an examination of the public imaging of gay men and lesbians during the latter part of the twentieth and early part of the twenty-first centuries. The study looks at public imaging as it is performed in the service of the political aims of gay people, with an eye towards the kinds of tensions and erasures that occur when one monolithic identity is promoted. Through these examinations, I create a kind of contemporary history of the gay political rights movement. In the study, I examine theoretical approaches to identity from several postmodern theorists and then use these approaches …


An Introduction To The Life And A Cappella Music Of Sven-David Sandström And A Conductor's Prepatory Guide To Etyd Nr 4, Som I E-Moll And Laudamus Te, Karl Erik Nelson Jan 2005

An Introduction To The Life And A Cappella Music Of Sven-David Sandström And A Conductor's Prepatory Guide To Etyd Nr 4, Som I E-Moll And Laudamus Te, Karl Erik Nelson

LSU Doctoral Dissertations

The choral literature of Sven-David Sandström has become standard literature for many choirs in Scandanavia, but has been given very little attention in English publications. His neo-romantic style uses dense harmonies and madrigalisms to portray the texts while remaining faithful to traditional formal structures. The purpose of this monograph is to offer comprehensive insight into some of his music. This document focuses on the development of music in the life of Sven-David Sandström with particular attention given to his compositions, Etyd nr 4, som i e-moll and Laudamus Te. In chapter one, Sven-David Sandström’s influences, philosophies, and compositional styles are …