Arts and Humanities Commons^™

P. Herc. 1570 Pieces 4, 5, 6a, 6b: [Philodemi] [De Divitiis], Joseph Anton Ponczoch

Theses and Dissertations

P. Herc. 1570 is an unedited papyrus extant in seven pieces that together measure ca. 1.6 m. long; these are contained in five frames in the Officina dei Papiri Ercolanesi “Marcello Gigante” at the Biblioteca Nazionale “Vittorio Emanuele III&rduo; in Naples, Italy. Like many of the Herculaneum papyri, P. Herc. 1570 has remained unedited largely because of the great difficulty with which traces of letters can be discerned on its surface. It was unrolled more than fifty years after its discovery, as one of ca. 1,100 papyri that were unearthed during the excavation of first-century Herculaneum (1752-1754); but it was …

Through The Eyes Of Shamans: Childhood And The Construction Of Identity In Rosario Castellanos' "Balun-Canan" And Rudolfo Anaya's "Bless Me, Ultima", Tomas Hidalgo Nava

Theses and Dissertations

This study offers a comparative analysis of Rosario Castellanos' Balún-Canán and Rudolfo Anaya's Bless Me, Ultima, novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow and develop in a context where they need to build bridges between their European and Amerindian roots in the middle of external influences that complicate the construction of a new mestizo consciousness. In order to attain that consciousness and free themselves from their divided selves, these children receive the aid of an indigenous mentor who teaches them how to establish a …

Ashok Kumar Malhotra. Instant Nirvana: Americanization Of Mysticism And Meditation., Michael Andregg

Comparative Civilizations Review

No abstract provided.

Ironic Multiplicity: Fernando's "Pessoas" Suspended In Kierkegaardian Irony, Michelle Pulsipher Hale

Theses and Dissertations

This thesis applies Søren Kierkegaard's understanding of irony as outlined in his master's thesis, The Concept of Irony, to the literary works of Fernando Pessoa. Recently Kierkegaardian scholarship has opened possibilities for non-traditional interpretation of Kierkegaard's dissertation and pseudonymous "aesthetic" texts by reading them in the ironic tone in which they were written. This paper offers a similar re-reading of the poetic and prose works Pessoa attributes to his heteronyms.

Kierkegaard's presentation of Socrates as irony serves as a model for how Pessoa sustains the heteronymic project by balancing the use of rhetorical irony within the works of the heteronyms …

Front Matter

Quidditas

No abstract provided.

Iconoclasm And Iconophilia In Othello, Catherine E. Winiarski

Quidditas

In his book War Against the Idols, Carlos Eire argues that iconoclastic resistance to the Medieval Catholic Church began with the gentle scolding of Erasmus and ended as the "shibboleth" of radical Calvinism. The use of images in religious instruction and practice was one of the major points of dispute between Protestant reformers and Catholic counter-reformers. Iconoclasm was certainly not confined to radical Calvinism; Anglican reformers, especially those who had spent time in continental Europe as exiles (like John Jewel, Bishop of Salisbury), quickly raised the issue in their country, which had its own unique history of religious reform. …

Fama And Fortuna: Giorgio Vasari’S Michelangelo, Peter Kanelos

Quidditas

The life of Michelangelo is set indisputably as the capstone to Giorgio Vasari’s monumental, Le vite de’ più eccellenti pittori scultori e architettori (1568). Cathedral-like in its detail and expanse, Vasari’s collection of biographies is itself a carefully designed and constructed work of art. Its separate parts are crafted with concern for the whole; from its series of individual narratives, a single grand narrative emerges. Buonarroti’s position in this is conspicuous, and purposefully so. In the first edition of the Vite (1550)—his biography, the only one granted a living artist—concludes the work decisively. It is the final entry and the …

Wedding Vows And Coffins: Canticles' Rhetoric, The Liturgical Form Of Matrimony And Middleton's A Chaste Maid In Cheapside (1613), Lisa Beauchamp

Quidditas

The concluding scene of Thomas Middleton’s A Chaste Maid in Cheapside begins as a double funeral procession and turns into a wedding as the lovers rise from their coffins to be married; but what are coffins doing in a wedding scene? The coffins, as an onstage sign of the metamorphosis of funeral into wedding, are the emblematic focus for this paper. This investigation exposes the resonances of Canticles’ erotic betrothal and Revelation’s matrimonial fulfilment as a rhetoric common to both theatrical rituals and to ecclesiastical scriptures. After briefly introducing what I call Canticles’ rhetoric – Canticles itself, its exegesis, and …

Full Issue

Quidditas

No abstract provided.

Betwixt War And Peace: The Dual Function And Substance Of The Bell, James K. Otté

Quidditas

This paper owes its inspiration to Stephen Crane’s Red Badge of Courage and to its protagonist, Henry Fleming, who

One night, as he lay in bed, the winds had carried to him the clangoring of the church bell as some enthusiast jerked the rope frantically to tell the twisted news of a great battle. This voice of the people rejoicing in the night had made him shiver in a prolonged ecstasy of excitement. Later, he had gone down to his mother’s room and had spoken thus: ‘Ma, I'm going to enlist.’ ‘Henry, don't you be a fool,’ his mother had …

Delno C. West Award Winner (2003)

Quidditas

James K. Otté

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Allen D. Breck Award Winner (2003)

Quidditas

Catherine E. Winiarski

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

The Morality Of Misogny: The Case Of Rustico Filippi, Vituperatore Of Women, Fabian Alfie

Quidditas

At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries. As scholars analyze writers of earlier periods, the investigation of the cultural and textual background can become increasingly difficult.

Helena, Heraclius, And The True Cross, Hans A. Pohlsander

Quidditas

More than three hundred years stand between the empress Helena, or St. Helena, and the Byzantine emperor Heraclius. This chronological distance has not been a hindrance to a very close association of the two personalities with each other. The link is not dynastic but thematic; it is provided by the Holy Cross, or the True Cross, i. e. the very cross of Christ's passion. It is the purpose of this article to show the manifestation of this link in the religious literature and ecclesiastical art of the Middle Ages and in the liturgy to this day.