Arts and Humanities Commons^™

Pax Yearbook 2003, Subiaco Abbey And Academy

The Pax, 1927; 1946-2020

Yearbook of Subiaco Abbey and Academy for the 2002-2003 school year.

General Recital - December 11, 2003, Music Department

General and Sophomore Recitals

This general recital is from December 11, 2003.

General Recital - December 9, 2003, Music Department

General and Sophomore Recitals

This general recital is from December 9, 2003.

General Recital - December 2, 2003, Music Department

General and Sophomore Recitals

This general recital is from December 2, 2003.

James Bradley, Baritone, Richard Brooks, Bass, And Brandon Brown, Baritone, Music Department

General and Sophomore Recitals

This student recital from November 18, 2003 features James Bradley (baritone), Richard Brooks (bass), and Brandon Brown (baritone) with Meredith Hemker (piano), Laura Wampler (piano), and Jason Yarcho (piano).

General Recital - October 21, 2003, Music Department

General and Sophomore Recitals

This general recital is from October 21, 2003.

All Recital Programs For Fall Semester 2003, Music Department

General and Sophomore Recitals

This document contains all recital programs for Fall Semester 2003.

Is 'The Blues' Black Enough?, Stephen Asma

Stephen T Asma

Reviews the television program "The Blues."

The Effects Of Auditory Perception And Musical Preference On Anxiety In Naive Human Subjects, Seung-A Kim Ph.D., L.C.A.T., Mt-Bc, Elliott Salamon, Steven R. Bernstein, Minsun Kim, George B. Stefano

Faculty Works: MT (2003-2021)

Background: The use of music as a method of relieving anxiety has been studied extensively by researchers from varying disciplines. The abundance of these reports focused on which genre of music best aided in the relief of stress. Little work has been performed in the area of auditory preference in an attempt to ascertain whether an individual’s preferred music type aids in their anxiety reduction at levels greater than music that they have little or no propensity for.

Material/Methods: In the present report we seek to determine whether naive human subjects exposed to music of their preference show a decrease …

Music Copyright Via The Internet, Damian O'Regan

Masters

This thesis will ask if it is possible to use the Internet as a means of copyrighting music. At present, the Internet is not used for the copyrighting of music and furthermore no studies have been carried out to see if this is feasible. Digital technology is used in the composition, recording, playing and downloading and storage of music and the author will research if and how these existing technologies can work in conjunction with the Internet to create a music copyright system. This thesis will research existing copyright requirements, the current technologies used in music that have potential copyright …

The Periscope, 2001-2003, Subiaco Abbey And Academy

The Periscope, 1921-2020

Bound volume of the Subiaco Academy newspaper entitled The Periscope, September 2001 to May 2003

Uncharted Waters: "Hidden" Jazz Collections At The U.W.O Music Library, Lisa Rae Philpott

Western Libraries Presentations

Popular music has long been ignored by academic music programs and their associated libraries. If we are now playing 'catch-up' with pop music, then what is the status of jazz music? At Western, surprising collections of jazz music exist, but are hidden. This presentation offers an overview of the Simmons Collection and the CKGW Radio Orchestra collection, and highlights some of the Canadian content contained therein.

General Recital - May 1, 2003, Music Department

General and Sophomore Recitals

This general recital is from May 1, 2003.

Coke, William Gaston, 1895-1977 - Collector (Mss 143), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscript Collection 143. Shaker journal, 1891-1893 (184p.) kept by James Carr, South Union, Kentucky, giving daily activities within the Shaker community. Includes hymnals, 1836-1856 (9), compiled by Shaker society members. A name index is available.

General Recital - April 22, 2003, Music Department

General and Sophomore Recitals

This general recital is from April 22, 2003.

A Primer On U.S. Intellectual Property Rights Applicable To Music Information Retrieval Systems, Michael Carroll

PIJIP Faculty Scholarship

Digital technology has had a significant impact on the ways in which music information can be stored, transmitted, and used. Within the information sciences, music information retrieval has become an increasingly important and complex field. This brief article is addressed primarily to those involved in the design and implementation of systems for storing and retrieving digital files containing musical notation, recorded music, and relevant metadata – hereinafter referred to as a Music Information Retrieval System (“MIRS”). In particular, this group includes information specialists, software engineers, and the attorneys who advise them. Although peer-to-peer computer applications, such as Napster’s MusicShare or …

All Recital Programs For Spring Semester 2003, Music Department

General and Sophomore Recitals

This document contains all recital programs for Spring Semester 2003.

A Primer On U.S. Intellectual Property Rights Applicable To Music Information Retrieval Systems, Michael W. Carroll

Michael W. Carroll

Digital technology has had a significant impact on the ways in which music information can be stored, transmitted, and used. Within the information sciences, music information retrieval has become an increasingly important and complex field. This brief article is addressed primarily to those involved in the design and implementation of systems for storing and retrieving digital files containing musical notation, recorded music, and relevant metadata – hereinafter referred to as a Music Information Retrieval System (“MIRS”). In particular, this group includes information specialists, software engineers, and the attorneys who advise them. Although peer-to-peer computer applications, such as Napster’s MusicShare or …

General Recital - March 18, 2003, Music Department

General and Sophomore Recitals

This general recital is from March 18, 2003.

General Recital - February 25, 2003, Music Department

General and Sophomore Recitals

No abstract provided.

Francis And Cheryl Wyatt For Wright State University Oral History Course 685, Steven Glazier, Francis Wyatt

Dayton and Miami Valley Oral History Project

On February 3, 2003 Steven Glazier interviewed Francis, a director of music at Ginghamsburg United Methodist, and Cheryl Wyatt a professional singer, for a class project dealing with oral histories and capturing the history of the Miami Valley. During the interview Francis and Cheryl discuss their respective childhoods, meeting in the Air Force band, and their married life as an interracial couple.

Organ Recital: Treasures For The Paschal Season, Marie Rubis Bauer

Symposium on Worship Archive

Includes Komm Heiliger Geist, Windows of Comfort: Two Oranbooks, Versetti, and Chorale Variations sur la théme du "Veni Creator Spiritus", Op. 4.

Faith And Music In The Christian Liberal Arts College, Thomas R. Holm

Faculty Tenure Papers

No abstract provided.

The Nature Of Sound And Music, Seung-A Kim Ph.D., L.C.A.T., Mt-Bc

Faculty Works: MT (2003-2021)

Throughout history, musicians, music educators, psychologists, scientists, philosophers, researchers, and others from various disciplines have attempted to define ‘sound’ and ‘music’. However, it seems to be difficult to achieve one agreement on this topic since it can be interpreted in various ways, depending upon ‘who defines it’ and ‘the purpose of doing it’. My intention in raising these introductory questions is not to argue for one definition of sound and music, but to introduce various perspectives of them. More importantly. I would like to discuss how music therapists perceive this matter in a music therapy context. A music therapist uses …

The History Of Russian Vaudeville From 1800 To 1850, Alexander V. Tselebrovski

LSU Doctoral Dissertations

 There is no significant scholarly work on the history of the Russian vaudeville. The author of the dissertation makes an attempt to explore the history of vaudeville in Russia from 1812, when the first original vaudeville was written by A. Shakhovskoi, to the 1850s, when vaudeville as a genre was finalized as a form and brought to its classic completion. Two phases of the history of vaudeville in Russia, aristocratic and democratic-raznochinnyi, are considered in close connection with the political, social, and cultural events of Russian society of the time. The first phase embraces the period from 1812, when …

Algorithmic Composition In Contrasting Music Styles, Tristan Mcauley, Philip Hingston

Research outputs pre 2011

The aim of this research was to automate the composition of convincingly “real” music in specific musical genres. By “real” music we mean music which is not obviously “machine generated”, is recognizable as being of the selected genre, is perceived as aesthetically pleasing, and is usable in a commercial context. To achieve this goal, various computational techniques were used, including genetic algorithms and finite state automata. The process involves an original, top down approach and a bottom up approach based on previous studies. Student musicians have objectively assessed the resulting compositions.

Cocteau Au Cirque: The Poetics Of Parade And "Le Numéro Barbette" , Jennifer Forrest

Studies in 20th & 21st Century Literature

Parade (1917) was a joint effort production with libretto by Jean Cocteau music by Erik Satie, decor, costumes, and curtain by Pablo Picasso, and choreography by Léonide Massine. It was not only Cocteau's first truly original work, but, as Pierre Gobin contends, Parade is central to an understanding of the structures that would inform all of his subsequent work. Equally central, proposes Lydia Crowson, is Cocteau's July 1926 Nouvelle Revue Française article on "Le Numéro Barbette." The essay on the transvestite striptease trapezist Barbette offers a poetics of the theater that will have changed little by the time of his …

Revisiting The Early Format Of The Big Band: So You Want To Be A Band Leader?, Amanda L. Jones

Theses: Doctorates and Masters

The aims of this research are to set up a large contemporary ensemble that plays varied repertoire in different performance contexts and may generate at the same time, a vehicle for my composition and arranging. Involved within the research are strategies to increase the musical and performance skills of the musicians, to break down barriers between the audience and performers, to look at ways to include I promote/ increase/ audience participation, to work with the community, and find opportunities for paid employment for big band situations. Aspects of New Orleans brass bands, the Duke Ellington's and Count Basie's Orchestra's will …

Poetry, Music, And The Sustainability Of Language, Jan Wellington

Jan Wellington

No abstract provided.