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2003

Art and Design

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Articles 1 - 30 of 132

Full-Text Articles in Arts and Humanities

A Sense Of Place., Neli Ilieva Ouzounova Dec 2003

A Sense Of Place., Neli Ilieva Ouzounova

Electronic Theses and Dissertations

Concerned with anxiety and displacement, the artist explores a sense of place within the self. Personal experiences are presented as an accumulation of fragmented symbols, textures and pattern. Symbolic imagery is being created, influenced by a devaluation of established norms and a reorganization of cultural identity. The individualÆs interaction and experience with the surrounding world affirms his idiosyncratic symbolism. The artwork is a visual language that through the use of disparate segments sets up the portrayal of the fragmented self and psychological journeys of the artist.

Individuals establish themselves in many ways, including gestures as part of expression. This expression …


Marking Time: A Figurative Humanist Approach To Drawing., Donna Michele Wilt Dec 2003

Marking Time: A Figurative Humanist Approach To Drawing., Donna Michele Wilt

Electronic Theses and Dissertations

This document is a supportive paper for the M.F.A. Graduate Exhibition "Marking Time" held at the B. Carroll Reece Museum, East Tennessee State University, in fulfillment of the Master of Fine Arts degree. Within this paper, I discuss the subjective nature of my drawings and claim my role as a figurative humanist. Through drawing, I explore the emotive qualities of my own form. Rather than depicting actual spaces, I place myself in psychological spaces that reflect specific moods. Chiaroscuro creates an altered reality where visual tension is implicated through the physicality of my movements.

This paper also briefly discusses the …


Floor Vase, Jake Van Wyk Dec 2003

Floor Vase, Jake Van Wyk

Pro Rege

No abstract provided.


Steele Prairie Dawn, James C. Schaap Dec 2003

Steele Prairie Dawn, James C. Schaap

Pro Rege

No abstract provided.


Poster Design: Sioux County Oratorio Society, David Versluis Dec 2003

Poster Design: Sioux County Oratorio Society, David Versluis

Pro Rege

No abstract provided.


Floor Vase, Jake Van Wyk Dec 2003

Floor Vase, Jake Van Wyk

Pro Rege

No abstract provided.


Rhythmic Improvisation, Joanne Alberda Dec 2003

Rhythmic Improvisation, Joanne Alberda

Pro Rege

Cotton, machine quilted


Wind And Water, David Versluis Dec 2003

Wind And Water, David Versluis

Pro Rege

No abstract provided.


Untitled, Susan Van Geest Dec 2003

Untitled, Susan Van Geest

Pro Rege

No abstract provided.


Ways Of Mercy, Susan Van Geest Dec 2003

Ways Of Mercy, Susan Van Geest

Pro Rege

No abstract provided.


Claus/Claws: A Journey Through Leonardland's Multivalent Meanings, Chris Leonard Dec 2003

Claus/Claws: A Journey Through Leonardland's Multivalent Meanings, Chris Leonard

Theses and Dissertations - UTB/UTPA

This exhibition paper presents the linkage of apparently unrelated topic and content. This arduous task is accomplished through an exploration of opposites and an overall presentation in the form of family fun or domestic distress disguised within personal world and the overall umbrella of homonyms: Claus (as in Santa) and Claws (as in cat). The work presented is a view of Leonardland, an intensely personal vision of my family and our history melded into a proposed future as seen through a wild conglomeration of seemingly dissimilar visions comprising the eclectic cultural mix that is our life on this geographic and …


A Link With Nature: The Healing Of Soul, Kelly B. Kraehe Dec 2003

A Link With Nature: The Healing Of Soul, Kelly B. Kraehe

Theses and Dissertations - UTB/UTPA

This paper accompanies the Master of Fine Arts exhibition titled A Link With Nature. Art cannot divorce itself from its process, from its artist, and from becoming a product. Like the canopy, trunk and roots of a tree, the parts of art are mysteriously interdependent and would not exist alone. So too in my art, the artist, process, and product are woven together to form a visual tapestry that I have defined throughout the thesis paper. As artist, aesthetic experiences have formed the vision that I portray through painting and sculpture. The process of going places, seeing things and …


Reconstructing Memories: An Investigation Of The Relationship Between Mental And Real Space In Art And Architecture, Claudia S. Behar Dec 2003

Reconstructing Memories: An Investigation Of The Relationship Between Mental And Real Space In Art And Architecture, Claudia S. Behar

Theses and Dissertations - UTB/UTPA

As an architect and artist I believe that there is a strong relationship between art and architecture. The perceived relationship between both has at times been thought more or less significant; however, history has shown us that a society or an individual can enhance the relationship between the two disciplines. I am working on establishing the strength of that relationship. My work of art is focused on the creation of spaces. It is about experiencing a variety of places through the visual and the emotional senses. The architectural settings that I depict and construct are far from the realm of …


Enterprise Ireland: Design For Competitive Advantage Conference, Peter Dee Nov 2003

Enterprise Ireland: Design For Competitive Advantage Conference, Peter Dee

Other resources

A stimulating conference bringing together world leading experts on design to address the importance of brand development strategies to achieve competitive advantage. Peter Dee - Strategic Design and Marketing Consultant, specialised in the creation of brand development strategies for Enterprise Ireland’s Design Unit. Peter was responsible for the design and development of the the brand identity for the Enterprise Ireland Design for Competitive Advantage Conference in Dublin.


Proceedings Of The 3rd Conference Of Doctoral Education In Design (2003), David Durling, Kazuo Sugiyama Oct 2003

Proceedings Of The 3rd Conference Of Doctoral Education In Design (2003), David Durling, Kazuo Sugiyama

DRS Conference Volumes

The 3rd conference on 'Doctoral Education in Design' was hosted by several Asian design societies in partnership with the Design Research Society, and was held in parallel with the 6th Asian Design Conference, in Tsukuba, Japan, in October 2003. The call for papers stressed an overriding theme of the 'Practice of Research'. We were particularly interested in identifying best practice, and the practical application of best practice, with a focus on organising and teaching the doctorate in design.


Inscape Fall 2003, Morehead State University Oct 2003

Inscape Fall 2003, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2003 edition of the Inscape: Literary and Art Magazine.


Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries Oct 2003

Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries

Exhibition and Program Catalogs

Nine artists participating in this exhibition share a concern with how practices of visual representation work to construct individual and collective identity. They examine and then reformulate familiar codes of visual culture, turning established conventions of visual representation against themselves. In highly sophisticated and nuanced critical commentary, they explore how both individual and group identities are shaped in and by one's cultural environment. At the same time, they recognize that limiting understanding can be an equally powerful influence in the shaping of one's sense of self and community.


Fall 2003, 909 Wmpg Fm Oct 2003

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003


The Lantern Vol. 71, No. 1, Fall 2003, Katy Diana, Bart Brooks, Sarah Napolitan, Susannah Fisher, Sarah Kauffman, Dan Bruno, Trevor Strunk, Jan Cohen, Jen Brink, Jonathan Gagas, Shane Borer, Kate Chapman, Dennis Kearney, Crystal Mccarney, Ashley Mcintosh, Klaus Yoder, Kate Juliano, John Ramsey, Melanie Scriptunas, Alison Shaffer Oct 2003

The Lantern Vol. 71, No. 1, Fall 2003, Katy Diana, Bart Brooks, Sarah Napolitan, Susannah Fisher, Sarah Kauffman, Dan Bruno, Trevor Strunk, Jan Cohen, Jen Brink, Jonathan Gagas, Shane Borer, Kate Chapman, Dennis Kearney, Crystal Mccarney, Ashley Mcintosh, Klaus Yoder, Kate Juliano, John Ramsey, Melanie Scriptunas, Alison Shaffer

The Lantern Literary Magazines, 1933 to Present

• Lights of Venice
• Portrait
• Switzerland
• Drunken
• Revel Writing
• Nectarines
• Shifting Gears
• Stogie
• Reflect
• In the Key of Fuchsia Minor
• Jarring
• Sissy
• Mongols vs. Amish: X-Treme Culture Clash
• Holding On
• The Bethany
• Creekside
• The Real Thing
• On Being Alone and Other Pleasures
• Forced Entry
• The Case of Beauty: Aesthetics of Distance


Textile Society Of America Newsletter 15:3 – Fall 2003 Oct 2003

Textile Society Of America Newsletter 15:3 – Fall 2003

Textile Society of America Newsletters

Peru Study Tour Report
TSA News
President’s Letter, Shep Award
TSA Member News
Fiber Program at the University of Kansas
Book Reviews, Conference Reviews
Exhibition Reviews
Collections News
Conferences & Symposia, Calls for Papers
Calendar- Exhibitions
Calendar – Lectures & Workshops, Tours, Publication News
Workshop Registration


Designers' Perceptions Of Interdisciplinary Design Education., Timothy D. Dolan Aug 2003

Designers' Perceptions Of Interdisciplinary Design Education., Timothy D. Dolan

Electronic Theses and Dissertations

The perceived value of interdisciplinary design among designers and the application of the design process was investigated. The research was designed to determine if interdisciplinary design was perceived to be beneficial to practitioners and educators. An 11-item survey was produced by the researcher and consisted of general demographic information, undergraduate education and training, and the benefits of interdisciplinary design. The sample was composed of representatives of the top 100 interior design firms of 2003 and members of the Interior Design Educators Council (IDEC). Respondents indicated training in Architecture, Graphic Design, Interior Design, and Industrial/Product Design, with Architecture and Interior Design …


There Is A Silver Lining., Kaki D. Crowell-Hilde Aug 2003

There Is A Silver Lining., Kaki D. Crowell-Hilde

Electronic Theses and Dissertations

I investigated two unique processes developed throughout this body of work. The first technique is the cracking and lifting of an electroformed layer from a core vessel form. The second process, that I named “crunch-raising”, is used to form vessels.

General data is gathered through research of traditional metalsmithing processes. Using an individualized approach, new data is gathered through extensive experimentation to develop a knowledge base because specific reference information does not currently exist.

I find that an electroformed layer can be lifted from a core form with extreme torch heat to reveal the underlining vessel. I also find that …


Love, Labor And Life: Existence Through A Neo-Surrealist Style, Manuel Saenz Jr. Aug 2003

Love, Labor And Life: Existence Through A Neo-Surrealist Style, Manuel Saenz Jr.

Theses and Dissertations - UTB/UTPA

The artistic work explained in this paper reflects imaginative ideas, consisting of meticulous work in a variety of media: pen and ink, oil paint, and steel. The creative process used to produce my works is based on both psychological and physical levels. Psychologically, I reflected and depended on dreams from the past to capture images from my sub-conscience. The importance of industrial symbolism and how it was chosen and strategically placed in the work aided me to deal with my preoccupation with death, a tradition that stems from my Hispanic roots, such as observing the Mexican holiday: Day of the …


Teacher In The Spotlight, Bjorn Karlman Aug 2003

Teacher In The Spotlight, Bjorn Karlman

Lake Union Herald

No abstract provided.


John B. Fairbanks: The Man Behind The Canvas, Rachel Cope Aug 2003

John B. Fairbanks: The Man Behind The Canvas, Rachel Cope

Theses and Dissertations

A biographical sketch of artist John B. Fairbanks, this thesis primarily probes Fairbanks' evolution as an artist. From amateur, to art missionary, to professional artist, Fairbanks influenced his cultural surroundings in Utah and in The Church of Jesus Christ of Latter-day Saints. His commitment to his career and his impact on others significantly affected Utah and Mormon art. Thus it is important to understand and recognize the full portrait of John B. Fairbanks.

John B. Fairbanks, born on 27 December 1855, developed an interest in art while still young. Until reaching the age of thirty-four, he often worked as an …


Inside Front & Back Covers: Artwork, Donna Stanton Jun 2003

Inside Front & Back Covers: Artwork, Donna Stanton

Bridgewater Review

No abstract provided.


Mentorship, Richard Bresnahan Jun 2003

Mentorship, Richard Bresnahan

Asian Studies Faculty Publications

Part of a special section on mentoring. Ceramist Richard Bresnahan discusses his role as a mentor. Since setting up his first studio at St John's University in Collegeville, Minnesota, in 1979, Bresnahan has trained 32 apprentices. To alleviate the poverty that is an extra burden for many apprentices, grants from the university, the studio, and regional foundations provide apprentices with housing, food, health care, and a small monthly stipend. As all the clays and glazes employed in the studio come from local sources and are processed on site, there is a ready supply of materials for both apprentices and visiting …


Metaphoric Vessels, Preston Saunders Jun 2003

Metaphoric Vessels, Preston Saunders

Bridgewater Review

No abstract provided.


Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler May 2003

Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler

Virginia A Dressler

Using some of the concepts from Heidegger's 'The origin of a work of art'
as a foundation, I will argue that every work is a unique and original entity, not
capable of being simulated or repeated by artificial means. A work is bound by the
temporal nature of its own material, as in all forms of matter. The product of
restoration work is ultimately a copy of the original, destroying a work's original
essence of time, material and space. Museums often present works as absolutes
within seemingly timeless walls of illusion. An environment of immortality is often
conveyed, where age …


Lorna Simpson, Review, Niamh Ann Kelly May 2003

Lorna Simpson, Review, Niamh Ann Kelly

Articles

No abstract provided.