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Articles 1 - 30 of 128
Full-Text Articles in Arts and Humanities
A Gallery Of Pastels, Teresa Mccue
Nexus, Fall/Winter 1999-2000, Wright State University Community
Nexus, Fall/Winter 1999-2000, Wright State University Community
Nexus Literary Journal
Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.
Et In Terra Pax, Susan Vanrees
Judgement Seat, Susan Vanrees
Mercy Seat, Susan Vanrees
Waterworks, Joanne Alberda
Waterworks, Joanne Alberda
Pro Rege
Hand dyed cotton fabric using shibori techniques (shibori - an oriental method of tye-dying)
Of Beginnings And Endings, Susan Vanrees
Self Portrait, Jake Van Wyk
Scrape The Pen, Jake Van Wyk
Freewill, Susan Vanrees
Grace Seat, Susan Vanrees
Still Point Of The Turning World, Susan Vanrees
Stratum, Susan Vanrees
The Lantern Vol. 67, No. 1, Fall 1999, Padcha Tuntha-Obas, C. H. Edwards, Tom Lipschultz, Susan Fialkowski, Benjamin Jackendoff, Oana Nechita, Leah Miller, Susan Patton, Andrew Gerchak, Genevieve Romeo, Kristin Geist, Jen Heil, Harry Michel, Michael Pomante, Monica Stahl, Corey Taylor, Philip Malachowski, Tisha Callery, Jeffrey Algayer, Daniel Gallagher, Sal Ferrarello, Tom Howard, Rich Neal
The Lantern Vol. 67, No. 1, Fall 1999, Padcha Tuntha-Obas, C. H. Edwards, Tom Lipschultz, Susan Fialkowski, Benjamin Jackendoff, Oana Nechita, Leah Miller, Susan Patton, Andrew Gerchak, Genevieve Romeo, Kristin Geist, Jen Heil, Harry Michel, Michael Pomante, Monica Stahl, Corey Taylor, Philip Malachowski, Tisha Callery, Jeffrey Algayer, Daniel Gallagher, Sal Ferrarello, Tom Howard, Rich Neal
The Lantern Literary Magazines, 1933 to Present
• I Write Poetry
• So Many Poems Start This Way...
• Mantra 99 for A. Joe
• Indecision
• Last Night
• My Body Cut Off at the Back
• Brittany Sestina
• The Hearth
• To Jane
• Attention
• Chemistry
• Recombination
• Buried
• Going Home
• Bound for Happiness
• Stumble
• Punk Rock
• Ghost Spray and a Slingshot
• Distant Voices
• Beyond the Gear Shift
• Damn It
• Poppy Hands
• Waist Deep
• The Lie
• Paying Your Dues
Inscape Fall 1999, Morehead State University
Inscape Fall 1999, Morehead State University
Inscape: Art & Literary Magazine Archive
The Fall 1999 edition of the Inscape: Literary and Art Magazine.
大乘佛教的造經方法與早期佛教文學及藝術的發展關係, Zhengmei Gu
大乘佛教的造經方法與早期佛教文學及藝術的發展關係, Zhengmei Gu
嶺南學報 Lingnan Journal of Chinese Studies (1999-2006)
No abstract provided.
Thoughts Of An Artist In Stained Glass, Robert N. Oddy
Thoughts Of An Artist In Stained Glass, Robert N. Oddy
School of Information Studies - Faculty Scholarship
No abstract provided.
Textile Society Of America Newsletter 11:2 – Fall 1999
Textile Society Of America Newsletter 11:2 – Fall 1999
Textile Society of America Newsletters
Three Institutions Share Larsen Design Archives by Karen Searle
Textile Study at the University of Nebraska - Lincoln
TSA News
Letter from the President
People in the News
Exhibition/Conference Reviews
Fellowship/Publication Opportunities
Conferences
Exhibitions
Lectures/Workshops
Tours/Courses
Membership Application
Board Nomination Form
Thesis Awards 1998-1999, Syracuse University
Thesis Awards 1998-1999, Syracuse University
School of Architecture - All Scholarship
This small publication is a record of the noteable thesis projects from 1998-1999.
Addressing Gender Equity Through Artistic Process, Jane P. Rando
Addressing Gender Equity Through Artistic Process, Jane P. Rando
Critical and Creative Thinking Capstones Collection
On our society, girls and women face unique physical and psychic dangers. There is insufficient support for respectful surfacing and articulation of voice, neither are there sufficient tools with which to combat the socio-environmental phenomena of “hitting the wall” and “going underground.” (Gilligan 1983). While the creative process is full of risk taking and challenge for all, it presents additional problems for girls and women. This thesis identifies and explores the ideas and factors that influence female voicing, with a focus on artistic process as a voicing too. The reader is offered a selective review of the literature on gender …
Art And Geometry: Proportion And Similarity, Catherine A. Gorini
Art And Geometry: Proportion And Similarity, Catherine A. Gorini
Humanistic Mathematics Network Journal
No abstract provided.
Textile Society Of America Newsletter 11:2 – Summer 1999
Textile Society Of America Newsletter 11:2 – Summer 1999
Textile Society of America Newsletters
Textiles in Tucson
TSA Board Members
TSA News
Letter from the President
Letter from the Editor
People in the News
TSA Call for Papers: 7th Biennial Symposium
Career/Research Opportunities
Grants/Fellowships
Info Xchange
Exhibition Reviews
Conferences
Exhibitions
Lectures/Workshops
Tours/Courses
Membership Application
Drifters Lament, Mercedes Nuñez
When There Will Be Great Women Artists, Anne M. Stanton
When There Will Be Great Women Artists, Anne M. Stanton
Critical and Creative Thinking Capstones Collection
Linda Nochim has posed the question why there are no great women artists? (Nochim 1988) While this question can be challenged as a issue of perspective, I attempt to address it as an actual phenomenon. What is it that limits the productivity of women in art? Historically, women in the modem industrialized world have been objectified and stereotyped, and I will present a brief overview that discusses the definition of woman in this context (Bohan 1993, West and Zimmerman 1987, Hare-Mustin and Marecek 1990), and also demonstrate this view has saturated society. As a first step to change, women must …
Ch'ullus In Cosco: Identity In The Andes, Susan M. Kaesgen
Ch'ullus In Cosco: Identity In The Andes, Susan M. Kaesgen
MALS Final Projects, 1995-2019
This study centers on the ch'ullu, the knitted cap, usually with ear flaps and an elongated peak or tail, a hat that identifies the wearer as an indigenous Andean male. The long history of the ch'ullu is marked by both its use as geographic identifier, and as a canvas upon which to present the same designs that represent ancient Andean ideas about ancestry, land and time. Because the knitted hats of today function exactly as ancient ones did, the ch'ullu is proven a descendant of ancient hats, an important element to be preserved rather than discarded for factory made caps.
Tygr 1999: Olivet's Art And Literary Journal, Jill Forrestal, Catherine Swallow
Tygr 1999: Olivet's Art And Literary Journal, Jill Forrestal, Catherine Swallow
TYGR: Student Art and Literary Magazine Archives (1985-2017)
TYGR is the student art and literary magazine for Olivet Nazarene University.
New Deal Murals In Kentucky Post Offices., Eileen Toutant
New Deal Murals In Kentucky Post Offices., Eileen Toutant
Electronic Theses and Dissertations
This dissertation takes a primarily art historical approach to the murals commissioned from 1934 to 1943 under President Franklin D. Roosevelt's administration. This study is confined to the post office murals created for the Commonwealth of Kentucky under the United states Treasury Department's Section of Fine Arts. Many of these paintings were lost or deliberately destroyed when the program was dismantled. Today most of the remaining murals are dirty and· faded and little noticed. Many of the artists have been forgotten. During the Depression years, however, these paintings contributed to local pride, optimism for the future, stronger patriotism, and a …
A Needs Assessment To Determine How Professionals Rate The Functions Of Photoshop, Eric Nelson Wilkinson
A Needs Assessment To Determine How Professionals Rate The Functions Of Photoshop, Eric Nelson Wilkinson
Electronic Theses & Dissertations
This study determines that rating of various Photoshop functions by professionals who use Photoshop in their occupation. These participants were given a survey which asked them to rate the functions of Photoshop in three ways. First, they were asked to rate the function by its frequency of use, then they rated the function by its importance, and finally to rate the function as to whether or not it would be needed at entry to the occupation.
Outono (Autumn/Fall), Lilian P.W. Feitosa
As Minhas Palavras (My Own Words), Lilian P. W. Feitosa
As Minhas Palavras (My Own Words), Lilian P. W. Feitosa
mOthertongue
No abstract provided.