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Full-Text Articles in Arts and Humanities
A Becoming Habit, Joseph L. Zornado
A Becoming Habit, Joseph L. Zornado
Faculty Publications
Much of Flannery O'Connor's fiction undermines the notion that her texts, or any text for that matter, offers the reader a chance at fixed comprehensibility In fact, O'Connor's fiction often clears itself away as a meaning-bearing icon in order to introduce the reader to something other, to the mystery latent and invisible in the manners. O'Connor remains remarkable as an avowed Catholic and as a writer because she resisted spelling out that mystery though her Catholic faith offered much in the way of dogma that might have sufficed. Even so, there is an indissoluble link between the writer and the …
Review: David Lyle Jeffrey, People Of The Book: Christian Identity And Literary Culture (Eerdman's, 1996), James Shields
Review: David Lyle Jeffrey, People Of The Book: Christian Identity And Literary Culture (Eerdman's, 1996), James Shields
Other Faculty Research and Publications
Book Review: David Lyle Jeffrey, People of the Book: Christian Identity and Literary Culture (Eerdman's, 1996)
A Poetics Of History: Karen Cushman's Medieval World, Joseph L. Zornado
A Poetics Of History: Karen Cushman's Medieval World, Joseph L. Zornado
Faculty Publications
Historical fiction occupies an uncertain space in the field of children's literature. Offer a teacher or scholar a work of historical fiction in any genre, from picture book to novel, and you are sure to get a varied, contentious response about what makes historical fiction work. Why? Because historical fiction has ambitious, ambiguous aims. For instance, should historical fiction be good history, even if this means the story might be, say, a little dull? Or, on the other hand, should the author take liberties with setting, dialogue, and character in order to provide the audience with "a good read?" What …
Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner
Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner
English Faculty Publications
The proper Victorian heroine neither acts nor plots. Heroines as disparate as Fanny Price of Mansfield Park and Gwendolen Harleth of Daniel Deronda prove their virtue by failing as actresses. When Fanny protests, “Indeed, I cannot act,” we know that it is because she cannot be other than what she is: virtuous. Gwendolen Harleth’s aborted attempt to make a career as an actress seems, in Daniel Deronda, to signal her essential difference from the Princess Halm-Eberstein, the mother who has abandoned Daniel in order to pursue her acting career. Gwendolen is flawed, but at least she is not an …
Deracialized Discourse: Temperance And Racial Ambiguity In Harper's 'The Two Offers' And And Sowing And Reaping
English
No abstract provided.