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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Pennsylvania Folklife Vol. 41, No. 1, Mary Lou Robson Fleming, Marianne Ruch, Steve Friesen, Robert P. Stevenson, Richard E. Wentz, Nancy K. Gaugler, Robin Clouser
Pennsylvania Folklife Vol. 41, No. 1, Mary Lou Robson Fleming, Marianne Ruch, Steve Friesen, Robert P. Stevenson, Richard E. Wentz, Nancy K. Gaugler, Robin Clouser
Pennsylvania Folklife Magazine
• Jacob Maentel: A Second Look
• The Five-Plate Stove Revisited
• The Life and Death of an Appalachian Farm
• Henry Harbaugh, Quintessential "Dutchman"
• In Memoriam: William T. Parsons, 1923-1991
Pennsylvania Folklife Vol. 40, No. 3, Steve Friesen, Monica Mutzbauer, Christopher S. Witmer, Mary Lamey Hoffer, Harry W. Barner, Robert L. Leight, Catherine L. Emerson
Pennsylvania Folklife Vol. 40, No. 3, Steve Friesen, Monica Mutzbauer, Christopher S. Witmer, Mary Lamey Hoffer, Harry W. Barner, Robert L. Leight, Catherine L. Emerson
Pennsylvania Folklife Magazine
• Home is Where the Hearth is
• The Hearth is Where the Cook is
• "Philipps gehn in Amerka": The Palatinate Emigration in German Schoolbooks
• The Barner Farm: A Connection to Clinton County's Pennsylvania-German Heritage
• A Teacher With a Heart: Carrie Frankenfield Horne
• Aldes un Neies (Old and New)
The Politics Of Exile: Ama Ata Aidoo's Our Sister Killjoy, Gay Wilentz
The Politics Of Exile: Ama Ata Aidoo's Our Sister Killjoy, Gay Wilentz
Studies in 20th & 21st Century Literature
Ama Ata Aidoo's Our Sister Killjoy or Reflections from a Black-Eyed Squint is a relentless attack on the notions of exile as relief from the societal constraints of national development and freedom to live in a cultural environment conducive to creativity. In this personalized prose/poem, Aidoo questions certain prescribed theories of exile (including the reasons for exile)—particularly among African men. The novel exposes a rarely heard viewpoint in literature in English—that of the African woman exile. Aidoo's protagonist Sissie, as the "eye" of her people, is a sojourner in the "civilized" world of the colonizers. In this article, I examine …
Drum Of Poetry, Drum Of War, Willard Gingerich
Drum Of Poetry, Drum Of War, Willard Gingerich
Department of English Faculty Scholarship and Creative Works
The Aztec upright drum, tlalpan huehuetl, stood totally silent in the Metropolitan exhibit from Mexico, headless, covered with a swirling visual text which includes two carved eagles and three jaguars, each uttering the sign of holy conflagration in war," blazing water" on one side a transfigured warrior rising up in eagle attire—quauhtlehuanitl" eagle rising," a figure of the sun from dawn to midday—and opposite him a drooping eye at the axis of a quincunx, pierced south to north by a short, angular dart—the calendrical sign 4 Motion, the name of this fifth age of the world, destined to collapse in …