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Full-Text Articles in Arts and Humanities
"Bel Canto: The Teaching Of The Classical Italian Song-Schools, Its Decline And Restoration" By Lucie Manén, Philip Lieson Miller
"Bel Canto: The Teaching Of The Classical Italian Song-Schools, Its Decline And Restoration" By Lucie Manén, Philip Lieson Miller
Performance Practice Review
Miller discusses and reviews Manén's 1987 book.
A Letter By The Composer About "Giovanni D'Arco" And Some Remarks On The Division Of Musical Direction In Verdi's Day, Martin Chusid
A Letter By The Composer About "Giovanni D'Arco" And Some Remarks On The Division Of Musical Direction In Verdi's Day, Martin Chusid
Performance Practice Review
A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reproduced here, indicates the tempos for individual numbers of his opera Giovanna d'Arco. Verdi had a general preference for quicker tempos. The letter also provides valuable evidence for the different roles of the vocal director (Maestro di cappella, Maestro al cembalo, Maestro della musica, Maestro delle opere, or Maestro concertatore) and concertmaster, who served as the orchestra's leader, suggesting an account of the evolution of divided direction of Italian opera into the modern situation of direction by a single conductor.