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1990

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Articles 61 - 69 of 69

Full-Text Articles in Arts and Humanities

The Romantic Epics Of The Anambra Igbo, Chukwuma Azuonye Dec 1989

The Romantic Epics Of The Anambra Igbo, Chukwuma Azuonye

Chukwuma Azuonye

No abstract provided.


Psalm 24 - Mixed Choir, Keith D. Rowley Dec 1989

Psalm 24 - Mixed Choir, Keith D. Rowley

Keith D Rowley

Anthem for SATB mixed choir and piano. This music was originally written as a setting of the French version of Psalm 24. It was later adapted to the English words (King James version).


The Genesis Of The Rules, John E. Rybolt Dec 1989

The Genesis Of The Rules, John E. Rybolt

John E Rybolt

This study analyzes the historical development of the rules and "statutes" of the Daughters of Charity. Suggestions are made at the conclusion to aid in their analysis, with indications of where they are to be found.


Igbo Names In The Nominal Roll Of Amelié, An Early 19th Century Slave Ship From Martinique: Reconstructions, Interpretations And Inferences, Chukwuma Azuonye Dec 1989

Igbo Names In The Nominal Roll Of Amelié, An Early 19th Century Slave Ship From Martinique: Reconstructions, Interpretations And Inferences, Chukwuma Azuonye

Chukwuma Azuonye

The names discussed in the present paper come from the nominal roll of “212 Africans, all Ibos, who constituted the clandestine freight of Amelié, a slave-ship commissioned at Saint-Pierre, Martinique, and captured by the royal corvettee, Sapho, on February 8, 1822, in the Caribbean Sea.” The list was forwarded to me as far back as 1985 through Abiola Irele (then of the University of Ibadan), at the instance of the great Martinique cultural nationalist poet, Aimé Cesaire (1913–2008), by Mme Thesée, a French scholar who was then completing a study of the secret passage of this particular group of ...


Alien Or Accepted? African Perspectives On The Western 'Other' In 15th And 16th Century Art, Kathy Curnow Dec 1989

Alien Or Accepted? African Perspectives On The Western 'Other' In 15th And 16th Century Art, Kathy Curnow

Kathy Curnow

The visual record of Africa's interaction with the West is proving to be a rich source of information concerning the changing natures of ethnographic perception. Post-contact imagery reflects shifting attitudes shaped by political, economic and historical events and trends. Examination of an individual artist's treatment of "the other" and his departure from or conformation with prevailing cultural attitudes can reveal a range of responses and interpretations of the outsider as enemy, a part of daily life, or a being with religious or prestige associations. This article compares ivory carvers' attitudes towards late 15th/early 16th-century Portuguese travelers to ...


Positive Residues Involved In The Voltage-Gating Of The Mitochondrial Porin-Channel Are Localized In The External Moiety Of The Pore, Philadelphia University Dec 1989

Positive Residues Involved In The Voltage-Gating Of The Mitochondrial Porin-Channel Are Localized In The External Moiety Of The Pore, Philadelphia University

Philadelphia University, Jordan

No abstract provided.


Richard J. Wolfe. Marbled Paper: Its History, Techniques, And Pattems ..., Sidney F. Huttner Dec 1989

Richard J. Wolfe. Marbled Paper: Its History, Techniques, And Pattems ..., Sidney F. Huttner

Sidney F. Huttner

Review of book that resulted from Richard J. Wolfe's 1981 A. S. W. Rosenbach Fellowship lectures (published by The University of Pennsylvania Press, 1990), in Rare Books & Manuscripts Librarianship 5:2 (1990).


Alka Tone Keto Review, Brain Maid Dec 1989

Alka Tone Keto Review, Brain Maid

brain maid

Alka Tone Keto Reviews strategy that is trailed by Alka Tone Keto Reviews goes in a well ordered mode as the individual under this eating regimen plan is encouraged to make the cut on the sugars admission and deals with the vitality utilization by the way toward wearing out the overabundance fats from the body. Alka Tone Keto Reviews persistent procedure of less utilization of carbs and proteins from the eating routine and all the more consuming of the fats will prompt a decrease of the weight in the ideal timeframe according to the responsibility that the organization made with ...


Kaalu Igirigiri, An Ohafia Igbo Singer Of Tales (Chapter 2), Chukwuma Azuonye Dec 1989

Kaalu Igirigiri, An Ohafia Igbo Singer Of Tales (Chapter 2), Chukwuma Azuonye

Chukwuma Azuonye

A study of the art and performance of an Ohafia Igbo singer of oral epic songs, Kaalu Igirigiri of Okon, in the light of four aesthetic principles (functionality, authenticity, variety and clarity) voiced by listeners at performances and articulated by means of specialized critical vocabulary by connoisseurs, critics, other singers and Kaalu Igirigiri himself. The essay demonstrates the preeminence of oral literary criticism in the the elucidation of the form, meaning and significance of oral traditional art.