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Full-Text Articles in Arts and Humanities
Pennsylvania Folklife Vol. 39, No. 1, Amos Long Jr., N. F. Karlins, Vertie Knapp, William T. Parsons
Pennsylvania Folklife Vol. 39, No. 1, Amos Long Jr., N. F. Karlins, Vertie Knapp, William T. Parsons
Pennsylvania Folklife Magazine
• An Overview of Travel and Transportation in Pennsylvania
• Floretta Emma Warfel: A Folk Artist in Embroidery Paint on Cloth
• Robacker, Earl F. and Ada F.: A Bibliography
• The Modernizing Effect of the Marketplace on Old Order Society, 1727 to 1987
• Aldes un Neies (Old and New)
Pennsylvania Folklife Vol. 38, No. 4, Ann S. Burrows, Ruthanne Hartung, Stuart Helble, Karen Helble, Frank J. Gallagher, Rae Greiner, William Dean Wright, Wayne Hartzell, Anne Hartzell, Teresa A. Skoog, Mark Osterman, Keith Brintzenhoff, Frederick J. Saul, Beth Kreider, Richard Thomas
Pennsylvania Folklife Vol. 38, No. 4, Ann S. Burrows, Ruthanne Hartung, Stuart Helble, Karen Helble, Frank J. Gallagher, Rae Greiner, William Dean Wright, Wayne Hartzell, Anne Hartzell, Teresa A. Skoog, Mark Osterman, Keith Brintzenhoff, Frederick J. Saul, Beth Kreider, Richard Thomas
Pennsylvania Folklife Magazine
• Celebrating Twenty-Five Years of Quintessential Quilts
• The Folk Art of Fraktur
• Molding & Spinning Pewter
• Kaleidoscopes & Unique Stained Glass
• Dolls are Not Just for Children Anymore
• Paint Decorated Chests of the Pennsylvania Dutch
• Festival Focus
• Festival Programs
• Tiffany-Style Stained Glass Lamps
• Be Aware of What Might be Hiding in Grandma's Attic
• The Medicine Show
• Pennsylvania Dutch Music & More
• A Poor Damsel's Fate
• Silk Screening
• Long Time Favorite Festival Foods
High Art, Folk Art, And Other Social Distinctions, Gary Shapiro
High Art, Folk Art, And Other Social Distinctions, Gary Shapiro
Philosophy Faculty Publications
Most discussions of the arts by critics and philosophers could be characterized in terms of a rather studied neglect of folk and popular art. This neglect is hardly absolute, however, for it is important in order to articulate a specific conception of aesthetic taste, beauty, or style to contrast the standard being used or praised with some other, less desirable, even degraded way of producing or appreciating something similar. It is perhaps more than a historical coincidence that the formation of the modern concept of taste and aesthetic judgment, in the eighteenth century, coincides roughly with the discovery and valorization …