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Articles 1 - 14 of 14

Full-Text Articles in Arts and Humanities

Trees, Kris Shank Jan 1989

Trees, Kris Shank

The Messenger

No abstract provided.


Abraham Lincoln, Anthony Vittone Jan 1989

Abraham Lincoln, Anthony Vittone

The Messenger

No abstract provided.


Metamorphosis, Ruth Appert Jan 1989

Metamorphosis, Ruth Appert

The Messenger

No abstract provided.


Pine Cones, Adrienne Reaves Jan 1989

Pine Cones, Adrienne Reaves

The Messenger

No abstract provided.


The Clouds, Jerry Hanley Jan 1989

The Clouds, Jerry Hanley

The Messenger

No abstract provided.


In A Corner, Ruth Appert Jan 1989

In A Corner, Ruth Appert

The Messenger

No abstract provided.


Piss Rights, Joseph Aranyosi Jan 1989

Piss Rights, Joseph Aranyosi

The Messenger

No abstract provided.


Photograph (Mcdonalds), Ida Boodin Jan 1989

Photograph (Mcdonalds), Ida Boodin

The Messenger

No abstract provided.


Messenger - Fall 1989 Jan 1989

Messenger - Fall 1989

The Messenger

No abstract provided.


Francis Cunningham: Painting And Drawing, University Of Richmond Museums Jan 1989

Francis Cunningham: Painting And Drawing, University Of Richmond Museums

Exhibition Brochures

Francis Cunningham: Painting and Drawing

March 14 to April 5, 1989

Marsh Art Gallery

Introduction

Realism is an attitude toward life that affirms the beauty and significance of the visible world. Realism starts outside with the surfaces of things and travels inward to their meaning. Everything in this process has to do with selection. What has the object told a particular artist about itself, about its relationship to other objects and to the surrounding space?

In life one takes in things at a glance, but the artist looks at an object for hours, weeks, months, even years. Premier coup painting …


George Tooker: Painting And Working Drawings 1947-1988, University Of Richmond Museums Jan 1989

George Tooker: Painting And Working Drawings 1947-1988, University Of Richmond Museums

Exhibition Brochures

George Tooker: Painting and Working Drawings 1947-1988

September 6 to September 27, 1989

Marsh Art Gallery

Introduction

Paintings such as Subway, 1950, and Ward, 1970-71, are unforgettable images of the numbing isolation and anonymity that George Tooker finds in our secular bureaucratic society. What lies behind these compelling images? The larger context of private and public themes offers us insight into Tooker's achievement. I would like to propose that at least a part of this achievement lies in his simultaneous use and dismissal of the traditional, that is Renaissance-based, perspective construction of pictorial space.

While studying at the …


The Harnett Collection Of American Painting, University Of Richmond Museums Jan 1989

The Harnett Collection Of American Painting, University Of Richmond Museums

Exhibition Brochures

The Harnett Collection of American Painting

January 10 to January 26, 1989

Marsh Art Gallery

Introduction

Joel Harnett, a 1945 graduate of the University of Richmond. discovered his interest in art when he met his wife, Lila. She had studied painting at the Art Students League in New York City. As a young couple they shared a love of art and of the collecting of art. Today with great generosity they share their collection, the fruit of some thirty years of intelligent and loving discrimination, with Joel's alma mater.

Both diversity and coherence, in addition to a striking level of …


High Art, Folk Art, And Other Social Distinctions, Gary Shapiro Jan 1989

High Art, Folk Art, And Other Social Distinctions, Gary Shapiro

Philosophy Faculty Publications

Most discussions of the arts by critics and philosophers could be characterized in terms of a rather studied neglect of folk and popular art. This neglect is hardly absolute, however, for it is important in order to articulate a specific conception of aesthetic taste, beauty, or style to contrast the standard being used or praised with some other, less desirable, even degraded way of producing or appreciating something similar. It is perhaps more than a historical coincidence that the formation of the modern concept of taste and aesthetic judgment, in the eighteenth century, coincides roughly with the discovery and valorization …


The Messenger, 1989 Jan 1989

The Messenger, 1989

The Messenger

No abstract provided.