Arts and Humanities Commons^™

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

Blind Spot, Paige E. Devries

University of New Orleans Theses and Dissertations

The subject matter for my paintings and photographs comes from observing the suburban landscape of my New Orleans neighborhood. My work contends this seemingly mundane environment teems with beauty, the sublime, and interactions between the human world and nature. My paintings use vibrant colors and unexpected light sources to challenge the viewer’s relationship to the plants, animals, houses, and fences we see every day. Some of the photographs I take are the source imagery for my paintings and other images are reserved for my book of photography. The book, like my paintings are images taken from when I am out …

Affectionate Facsimiles, Julio C. Williams

Theses and Dissertations

The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.

Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.

Landscape As Vanitas, C'Naan Hamburger

Theses and Dissertations

Life in New York has led me to investigate the multi-generational endeavor of building the Vatican. Although the Renaissance is often appreciated for idealized bodies, a flourishing Christianity, and a revival of the past, none of these are my focus. Instead, what moves me is that much of the construction at the Vatican was born out of experience with destruction. The fear of destruction was dominant in their psyche as they approached their designs. Life in New York rhymes with this multi-generational endeavor--but through an inversion of sorts, because the fear of destruction is within us. This led me to …

Anamnesis, Kristian Thacker

Graduate Theses, Dissertations, and Problem Reports

My work examines the duality of living in Appalachia and cherishing its picturesque environment; while being complicit in its ongoing destruction via industry and resource extraction. Composed of my own photographs and selections from the Farm Security Administration archives, this body of work presents a vision of the region that’s purpose extends beyond value judgments. Rather, it considers the manmade and natural environments of Appalachia holistically, each one integral to the experience and understanding of the other. Following the same aesthetic choices I make in my professional practice as a photojournalist, I blur the boundary between art and documentation. In …

Vibes At The Village Vanguard: Hauntings, History, And The Construction Of Jazz Place, Mark Mccorkle

Electronic Thesis and Dissertation Repository

There are ghosts that haunt the Village Vanguard. Or at least that’s what people say.

This dissertation examines the role of the contemporary jazz club as a site of heritage and meaning making in jazz cultures. I take New York’s revered jazz club, the Village Vanguard, as a case study, as it is the subject of many fanciful tales. These stories describe the club’s history as alive; the spirits of the legendary musicians from a bygone era of jazz who once performed at the Vanguard are said to haunt the present club’s soundwaves. Often described by writers as the club’s …

Urbanization On The Landscape Of The Old City: An Archaeological Investigation Of Site 40kn223 In Knoxville, Tennessee, Garrett B. Wamack

Masters Theses

In this thesis, I examine the effects of urbanization on the landscape and the people who lived upon it at archaeological site 40KN223 within the Old City in Knoxville, Tennessee. This landscape analysis focuses particularly on the decades from 1850 to 1920 during the birth and growth of the Old City. Amid the rising tides of commercialization, industrialization, and the flood-prone waters of First Creek, residents established a working-class neighborhood on the fringe of a substantial African American community. I examine this neighborhood and the transformation of its immediate landscape to understand how urbanization impacted its transformation, to learn who …

Otherworldly Gestures, Sadia Quddus

Masters Theses

OtherWorldly Gestures seeks to give form to the intangible. I work primarily with light as material substance to shape a speculative emotive space in which I make metaphysical phenomena experiential. I collaborate with ecological and technological elements to express a spiritual understanding of Self and World. Most recently, the work translates material objects and architectural elements from my cultural heritage, and gives visual and haptic form to the sacred relationship between body, soul, and natural world.

Through these explorations, I begin to propose a speculative OtherWorld. I delve into the precolonial, ancestral teachings of a mystical spiritual path, referencing Sufi …

This Is A Present From A Small, Distant World, Samantha Slone

MFA in Visual Art

I make toxic pastoral paintings in the style of the Dutch and Old Masters, and media installations which depict natural landscapes as distanced, deconstructed forms. What I explore most in my practice is our damaged relationship with land and nature, and our capitalist and media ecologies as artificial landscapes which suspend us from the natural. In a dissection of the dualisms of man and nature, and progress and sustainability, I create microcosms of our detached condition.

“This Little Patch Of Earth Is Inexhaustible”: Ernst Ludwig Kirchner And The Outdoors Movements, Erica Evans

Theses and Dissertations

This thesis focuses on the influence of reform movements and hiking and mountaineering organizations on the life and work of Ernst Ludwig Kirchner. I explore how principles of these outdoors movements, including a healthy mind/body connection and rustic lifestyle, inform Kirchner’s works created while living in Davos, Switzerland.

Emotional Landscapes, Jin Young Jeong

Theses and Dissertations

“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.

The Friendly Hammer, Imogen Xaviere Plochere Dalzell

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

See How Man Was Made, Lilian C. Smith

Senior Projects Spring 2023

First there was Chaos, the gaping abyss. From Chaos came the Earth and soon after darkness and Night, from which came Day and Light. To be her husband, Earth created Sky. They made many children together, the Nymphs of the hills, the Hekatonkheires, the Cyclops, and the Titans. When Earth and Sky’s youngest Titan son Cronus overthrew his father, he castrated him, sending bits of the sky into the sea where Aphrodite, goddess of love and beauty was born. Cronus ruled until he himself was overthrown by his own youngest son, Zeus.

See How Man Is Made is a project …

My Backyard Garden, Hezekiah Smithstein

Pitzer Senior Theses

This thesis follows my attempts to create a new relationship with the land outside my house, through transforming my weed-choked backyard into a native plant garden. Through styles of memoir, essay, and literary journalism, I examine what it means to take care of the outdoor home, as a human family part of an urban ecosystem. This project explores ideas surrounding people and plants, the effects on a space of actions and interactions both past and present, and brings into conversation different ideas and philosophies from homeowner to ecologist, city park to indigenous author, that shape the way we think and …

Asked For Another Mountain, Nichole Lynn Moore

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Warmth Of The Sun, Drake M. Gerber

Graduate Student Theses, Dissertations, & Professional Papers

Warmth of the Sun, is a reflection on personal experiences I’ve had in the landscape while living in the Northwest. This curated experience is an attempt to capture my sincerity towards a place and hold onto that feeling. I intend to share faded memories of personal experiences through enigmatic sculptures to make the viewer look a bit closer at these objects and see the landscape in a new way. This paper explores thoughts on the idea of place, material, process, contemporary influences, and the experiences that inspired this body of work.

Tree Line, Eric Joseph Jensen

Graduate Student Theses, Dissertations, & Professional Papers

I was raised under a doctrine of extreme truth that cast a shadow over all reality. Upon rejecting that dogma, my life became a search to replace that truth. I’ve looked for it by immersing myself in the natural world and exploring my relationship with it through paint. My landscape painting practice has brought me a wealth of experiences; however, it has not given me an answer that fills the void of my upbringing. My thesis paper is an account of the questions, research, and paintings that surround my search. Nothing, it turns out, is absolute. There is a beauty …

Landscaping Wilderness In Hollywood Westerns And Brazilian Nordesterns, Michael Ashman

Theses and Dissertations

In this comparative examination of cinematic representations of American and Brazilian wildernesses, I argue for the necessity of a transnational, postregional, and ecocritical approach to film studies. The way that the deserts of the American West are represented by Hollywood Western filmmakers reveal underlying ecological and political philosophies, and provide a productive contrast with representations of the sertão, a similarly arid biome in Brazil. Among other theoretical approaches, this study uses W. J. T. Mitchell’s idea of “landscape” as a verb to examine the formal devices by which filmmakers and audiences “landscape” these “wildernesses.” Using John Ford’s The Searchers (1956) …

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee

Masters Theses

This project is an acknowledgment of reshaped landscapes while also understanding that this moment of time is only relevant to my own human lifespan and perspective. The work embodies unmet expectations when one confronts a memory landscape of their, or my, childhood. Specifically, I am discussing the chasm between reality and memory through a recent return to my childhood home in Colorado, and was met by two of the largest wildfires in the state’s history. This project takes a moment to digest that loss, of what was known, what was not, and can no longer be known: forests, trees, and …

Shifting Landscapes, Zahra Tyebjee

Masters Theses

Landscapes are never stable. Light, color, and weather interact to create dynamic atmospheres. As a designer who works with textiles and immersive spaces, I observe sensorial and fleeting elements of optical phenomena and textural landscapes. The goal of this collection of knitted fabrics is to capture the experience of these effects and bring atmosphere from the outdoors in. My memories of landscape are filled with impressions of light, color, and weather shifts. I draw from my experience of shifting landscapes to emphasize textural material exploration. I activate space through material contrasts, ephemeral qualities, and large-scale knitted fabrics. I seek to …

New Revelations, Ineke Lynne Knudsen

Masters Theses

This project imagines a not-so-distant American future where Christians and conservatives have triggered the Apocalypse. In my paintings of the Apocalypse, all the desires of conservative Christians have come to pass: the eradication of people of color and queer folks, a revitalization of the American frontier and wilderness, and the return of Jesus Christ in the form of the Rapture. I’m specifically painting White conservative Christian girls, and I’m interested in their unique intersectionality of being a White conservative (an identity rife with racist social implications), being female (an identity deeply abused within the Christian subculture), and being a child …

Converting Horizontal Media For Vertical Platforms, Eric A. Hernandez

Graphic Communication

Today, most media is viewed on mobile phones and seen on a vertical screen. There are very few methods for converting horizontal media into vertical media for vertical platforms. This manual shows new ways to redesign horizontal content so that it looks better on vertical displays; I imagine watching things like the Super Bowl or the The Grammys on TikTok or Instagram with a new broadcast design that is more attractive.

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Relandscaping Eden: Northern European Topography As Theology In Auden’S Poems, Merrill Brouder

English Honors Theses

This paper explores the contradiction Auden creates in his simultaneous description of the European North (The English and Scottish Highlands, Scotland, Iceland, and northern Norway) as an “Eden” and his awareness of the violent and pagan history of these places. It proposes that these dialectically opposed visions of the European landscape can be reconciled through a synthesis rooted in Auden’s eclectic version of history—both theological and secular—and his own desire for an Eden that is informed by the spontaneity of the Homeric Arcadia, the gravity of the Christian Eden, and apophatic theology.

Home, Work, Land, Gregory Smith

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition, entitled Family, Work, Land. The exhibit was mounted in Tipton Gallery in downtown Johnson City, TN, from February 22nd to March 11th, 2022. A public reception was held on the evening of March 4th . The exhibition consisted principally of four multimedia installations. Smith’s body of work is an interpretation of how stories that he often heard growing up are related to the Western North Carolina community in which his grandparents were living in the first quarter of the twentieth century. These works explore the interactions between people, how they support …

Echoes Of Home, Hanna Traynham

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Echoes of Home, held at the Tipton Gallery in Johnson City, Tennessee on display March 15 through April 8, 2022. The author provides insight into concepts and influences relating to the creation of the exhibition with perspective on her intimate connection with place and memory.

The exhibit features five installations addressing home, elusive memory, and the change and continuity of cultural traditions over time. The works consist of a series of large-scale wild clay vessels, gestural clay bookends, a wall installation of cups with a line drawing, suspended porcelain slabs, …

Blue-Collar Backroads, Hannah Taylor

Electronic Theses and Dissertations

The photographer discusses work in Blue-Collar Backroads, a Master of Fine Arts thesis exhibit held at downtown Tipton Gallery from February 1st through February 18th, 2022. The exhibit consists of 17 archival inkjet prints selected from the artist’s two-year exploration of rural backroads as a vehicle for creating images. Using aesthetic traditions of large-format film photography, the photographer poses questions of identity, place, memory, and the intentional pursuit of meditative practices in art. Non-photographic influences are listed, including Claire Wellesley-Smith and Elizabeth Catte. Photographic influences include Joel Sternfeld, Rachel Boillot, William Christenberry, and Mike Smith.

A catalog of the exhibit …