Arts and Humanities Commons^™

Tenacity, Angela Stevenson

Electronic Theses and Dissertations

ABSTRACT

Creating my exhibition, Tenacity, was a labor of love that took place over the year and a half that I was a student in Stephen F. Austin State University of Texas’s Graduate Program. I explored new processes in painting, including the use of transfers, and did extensive research into the lives of female historical figures. This exhibition was born of a wish to share knowledge with others as well as to remind society that anyone can elicit change.

Amalgamations, Brennan Probst

University of New Orleans Theses and Dissertations

I explore time, memory, and the artist’s ability to convey experience through autobiographical photographs and drawings. In my compositions, I provide an intimate look into my life, while making wider observations about how my mind processes the world. My work is concerned with circumventing the objective, static qualities of photography. I attempt to create images that convey how experiences feel, instead of how they look through the lens of an optical apparatus. With my work, I do not wish to take from the world around me, but rather to create from the world within me. By utilizing multiple exposures and …

Defense In Desolation, Dounia Bendris

Theses and Dissertations

This paper discusses different forms of defense strategies in architecture throughout history as well as how a building’s function morphs over time in relation to the political and social climate that surrounds it. Both of these concepts provide a framework for understanding my thesis drawing, “Defense in Desolation,” which uses bunkers in abandonment as a reference to the psychological impact of architecture outside of functionality.

My Spring 2023 Honors Thesis, Callie Honaker

Undergraduate Honors Theses

For my thesis project, I displayed fifteen printed photographs of self-portraits that I have made outside of class. In these self-portraits, I have applied special effects makeup to my face to create different portrayals of myself. These range from more abstracted makeup to characters. The majority of these makeups are from the chest up and created with face paint and self-made prosthetics. In this imagery, I have also chosen accessories and the background to coincide with the makeup and the mood that I am conveying. Minor adjustments have been made digitally in order to enhance how the image comes across. …

Waiting Room., Helen Payne

Electronic Theses and Dissertations

Waiting Room is an installation of drawings and monotypes that re-envision everyday printed materials common in medical offices. The brochures, poster, bulletin board and children’s ABC book in this Waiting Room offer guidance suggest invasive and dysfunctional policy. A door opens onto a further room, where a hundred ultrasound images cascade onto the floor. This work, called Transducer Phosphene is the product of a fictional character’s encounter with a cruel (and not fictive) abortion policy. Waiting Room is the fruit of an inquiry that spanned my three years of study at the Hite Art Institute, a probing into the politics …

Painting Intimacy: Art-Based Research Of Intimacy, Michal Lev

Expressive Therapies Dissertations

This art-based research explores whether — and, if so, how — the process of painting, together with witnessing and reflection on the process and imagery, further an understanding of intimacy. The research also examines the conditions that favor intimacy, the obstacles to intimacy, and the particular features of artistic media, processes and reflection, through the editing of video footage, that can further the intimate experience. The participants in the study were five adults (including the researcher) between the ages of thirty and eighty who were familiar with the creation of visual art. Among them were three women and two men …

A Thesis Is Not A Diary And Other Myths, Erin Irene Wolf

Honors Papers

How do you write about a feeling you do not understand? How do you organize what is purposefully messy? How can you name a ghost of something that you push into the world with your hands? In this thesis, I will explain my practice, form, and material as a way to illuminate my art, along with various readings and philosophies that I use to guide the work.

This Key Won't Work, Grace Gordon Waring

Senior Projects Spring 2019

This Key Won’t Work

I like to play with objects that are thought of as mundane. Either I make mundane objects “un-mundane” by giving them deeper meaning, or I allow their mundaneness to become more conspicuous by putting the objects in extraordinary contexts or by giving them undue symbolic importance.

During the making of this project, I gravitated toward using symbolic or familiar imagery, and the inviting image of a house was a perfect candidate for a familiar image. That is why the subject of many of the drawings I made are houses--anyone can look at that shape with five …

Monarch, Michelle G. Gutierrez Torres

Senior Projects Spring 2019

Ben is my partner, but this piece isn’t about our love. Our personal relationship has

impacted my life in such a way that its existence marks the death of an old way of life for me.

Portraiture has always been a way for me to nurture relationships and feelings for

characters/individuals I imagine as perfect. Creating drawings in graphite, charcoal and ink let

me indulge in my desire to get closer to the subject, connecting physically with paper in

substitute of the subject. Monarch is my first divergence from my usual idealization of a person

-- I have learned to …

Roses & Thorns, Stephanie Alaniz

Graduate Theses, Dissertations, and Problem Reports

This written thesis has been created alongside the thesis exhibition shown in the Laura Mesaros Gallery at West Virginia University (displayed March 18th to March 22nd). The work presented consisted of drawings, bookmaking, and various forms of printmaking and collage. This body of work is meant to create an analysis of insecurities and body positivity we associate with our physical selves. This work is a collective experience that has been a collaboration with over 80 participants. The number of participants help to create a larger overall collective voice. By creating this collective voice, we can experience these feelings together and …