Arts and Humanities Commons^™

What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal

All Theses

My practice takes form around embodied experience. I affect signifiers of the human body within the ordered grid, the scientific text, and the logic of the machine, to highlight the interdependencies of physical bodies and those social constructs that produce and influence identity. We are a part of these constructs that both extend and limit; we are enacting and interacting with them. I do not aim to eradicate these structures of power (without them, our identities are in chaos). Instead, I point out the pitfalls of these constructs that are perceived as unchanging, by making interaction and experience integral to …

Threshold, Marisa Finos

Theses and Dissertations

Are the threshold experiences encountered between waking and sleeping similar to the liminal space between life and death? The sights, sounds, and bodily sensations experienced in the unconscious void blur the lines between the unknown and our conscious existence. Using the figure, I portray how the body might exist in these transitional moments. Through my investigations into sleep paralysis, dream states, and notions of an afterlife and the soul, I explore how we perceive the self in these altered states of consciousness.

Held, Erika Diamond

Theses and Dissertations

My work is a symptom of my ongoing quest to achieve immortality. I perpetually attempt to make permanent the traces we leave behind and the impressions we make upon each other. I use the body to portray boundaries – between the skin and the heart, comfort and disquiet, holding and letting go. The objects I make serve both as an agent for physical contact and as the commemoration of an ephemeral interaction. I create personal fossils, revealing the interstices formed when two bodies come into contact with one another. I use materials that reference endurance and longevity to record transient …

Body Image And Beauty Routines Among College Women: Genital Grooming And Sexual Attitudes, Amber L. Hammons

Honors Theses

The selection of body altering products available to twenty-first century women is easily accessible and widely utilized. These products, though, are vastly different from those once available to their female predecessors. Although women’s bodies have been sites for societal pressure and control for centuries before the twenty-first, American girls in this century experience body image norms and pressures in qualitatively different ways than girls who came before them. Of particular interest to this study is the differing bodily experience of early twentieth century women to that of twenty-first century women.

The trading in of corsets and floor-length dresses for razors …

Mind, Body, Music, Kimberly Lewis

Honors Projects

Performance anxiety is a phenomenon that all musicians struggle with at some point in their careers. As someone who has been a victim of performance anxiety throughout my life as a musician, I searched for ways that I could eliminate my own performance anxiety, as well as share information with other musicians on how their performance anxiety could be reduced. After doing my research, I realized that many music teachers do not discuss performance anxiety and ways that it can be reduced when teaching their students. I propose that music teachers discuss performance anxiety and performance anxiety reducing techniques with …

Heidegger, Metaphor, And The Essence Of Language, Joel Meservy

LSU Master's Theses

In this thesis, I address the question of Heidegger’s rejection of metaphor, alleging most of the commentary on this rejection has failed to confront its substance. In particular, I focus on two different interpretations, one given by Paul Ricoeur and the other by Jacques Derrida. Both of these accounts place Heidegger’s rejection in a model of language structured by the sign relation; however, I contend Heidegger rejects metaphor precisely in order to overcome this model of language. Heidegger's few references to metaphor occur within attempts to rethink the very nature of our being-in-the-world and our relationship to language; that is, …

Queer Bodies And Queer Materials In Post-Wwii American Texts, William Joseph Whalen

Legacy Theses & Dissertations (2009 - 2024)

Although the primary subject of this dissertation is contemporary American literature and popular culture--individual chapters are devoted to careful studies of Octavia Butler's short story "Bloodchild," Cormack McCarthy's gothic novel Child of God, Chuck Palahniuk's epistolary novel Pygmy, and the track "It's Good" by hip-hop artist Lil Wayne featuring Drake and Jadakiss--I develop a reading of these contemporary texts that places them within much older and richer intellectual, spiritual, psychological, and even biological traditions. My primary focus is the human body, both literal and figurative, as the site of dynamic exchanges, movements, blockages, and productive potentialities. I argue that at …

Body Language: Pain In Victorian Literature, Laura Jane Faulk

LSU Doctoral Dissertations

“Body Language: Pain in Victorian Literature” argues that Victorian authors use the readable sign system of the body and pain to emphasize their characters’ physical features to the reader. As characters physically manifest emotions or experience violence, their appearances change, and these differences depend on physical descriptions. Marks on the body give it texture and depth, creating a layering that encourages the reader to envision and remember it. Character interactions, particularly when they read others’ somatic signs and experience or cause brutality, further flesh out characters, emphasizing their physical presences in the reader’s mind. The somatic sign system depends upon …